Ruth Daigon
PRIORITY MAIL FOR MY SONS

I mailed you an extra year
from another country
where wooden sidewalks
end in cinder paths

where privies lean
a little more each year
and morning light falls weightless
weightless on rain barrels

Enclosed you'll find a chevy
with running boards
a Burma Shave sign
that points the way you'll

travel years from now
I've wrapped with care
the smell of citronella
camphor and cod liver oil

the gramaphone scratching out
Hi-Di-Hi's and Bye-Bye-Blues
A blade of grass to whistle through
a fortress at the beach

a woolen bathing suit that
shrinks an inch each season
It's just arrived and waiting
at the back door of your life

LIKE A BIRD IN SUDDEN LIFTS In a pause between one future and the next we enter stepping lightly and move through air like a weather vane turning on its swivel. Like a bird in sudden lifts we explore a steady stream of horizons a day of passing sky consenting light a sound with silence of its own and if the wind is right we lift our arms and fly.

SUNDAY FISHING: THE BLUES ARE RUNNING After the boat returns, we watch men hosing decks slippery with scales and eyes and blood. The crew shows us how to hook bait through eyes, how to cast, how to play the line until the catch. It's a delicate business knowing tug from tangle and reeling in the fish, a different kind of mathematics. The sun's a shawl of burning. Stunned by heat, we tip bottles back and iced beer drives a spike through our heads. Suddenly, the pole's alive and a sweet energy flows up from ocean floor. Arching in parabolic curves, a shape flares out of the water. With the strength of blind love, we grip the rod and hold on. The fish flails teaching us distance and direction and the line's a tether neither will let go. Netted, dumped in sacks, the dead lie intimate as lovers. White underbellies flash in the light, smoky bodies darken, jagged teeth close neatly together. A stiffening of weather sends us back and everything promised has been delivered.

WINDING DOWN Everything yields to its soft spot Cream goes sour Light unravels Time strips down to crisped grass, burned blades of old summers Music pales to the sound a mirror makes in an empty room Words thin to whispers and hands reach across pillows exploring empty space On a blue day among the leaves there's panic among small animals shores are thick with shells sucked clean and ponds choked with drowned stumps where nothing swims The reds and greens of dreams evaporate leaving dried pools of darkness The season's buried under a debris of days and the dead shift into new positions underground

NO PERMANENT ADDRESS she pilots the car up the cracked driveway into the street after the stop sign she changes her face and pulls into her other life every street's a new language with purple mouths of lilacs trees crowding horizons and mountains hanging in chains with a light hand she steers the car while her shadow on the windshield waits like an older sister the road snakes ahead up the mountain tires hissing like wings steadily away from earth she's looking for a place where she can hear prologues of sun and rain where the dark eye of night closes where rivers have no permanent addresses she's looking for her wild-weed children all bark and twigs chirping through summer just about to become she's looking for the point where clock and compass meet then she'll sit in antique darkness drinking wine staring at the pacific its waves drowning in salt and secrets she knows distance and numbers divide memory by half and when she's old there's nothing left to remember so she sits in silence and watches the sky unwind

LET ME ASSURE YOU Since I'm your everyday love, let me assure you, you've broken nothing that's not been smashed before and mended Sometimes your subtle knife caused a few shudders but by now, digging deeper, it hardly hurts at all. and when it's my turn to trace your networks until I find weak spots and blood spatters both of us, we are not surprised. In the morning, we drink our coffee and watch the same bird attacking its reflection in our window over and over.


Ruth Daigon was editor of Poets On: for twenty years until it ceased publication. She won "The Eve of St. Agnes Award (Negative Capability) 1993. Her poems have been widely published: Shenandoah, Negative Capability, Poet & Critic, Kansas Quarterly, Alaska Quarterly,Atlanta Review, Poet Lore, Tikkun....Internet "E" zines include Ariga, Crania, Cross Connect, Zuzu's Petals, Switched On Gutenberg.... also Poet-Of-The-Month on The University of Chile's Pares Cum Paribus (an "E" chapbook in English and Spanish). Her latest poetry collection is "Between One Future And The Next" (Papier-Mache Press) 1995. "About A Year" (Small Poetry Press in 1996), Gale Research published her autobiography in their Contemporary Authors Autobiography Series, 1997 and she has just won the Ann Stanford Poetry Prize, 1997 (University of Southern California).


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