Kurt Nimmo

FRESCO

it's true
I have smoked
a hundred
cigarettes in two days
drank too much
not enough
and have searched
these walls
as advised
by a poet
east of here
can you guess
what I have found
a fresco
of a young man
primitive and un-
refined as
the despoiler
of sixteen year old girls
liked that one
he fucked
and nearly lost
his freedom over
his beard tangled
with the sweat of labor
his forehead smooth
not blackened yet
his cock
the hunter of pleasure
his tongue
sharp as 
a drunk surgeon's scalpel
his legs strong
yet unknowing of distance
his chest broad
yet not lanced
in the fruitless battles
he invited
and when the sun is right
I see the fresco
say to myself
now that is not me
it is a chiseled deception
yet knowing
it is true
as I light another
cigarette
find another beer
one hundred million
of them
against the wall
and counting
SKELETON in the even- ing as the sun fell away she lay on the sofa we shared drunk beyond pain and a black fly walked triumphant on her white face his was an exploration of the dead anesthetized flesh a concession of territory there for his mindless insect encroachment as he walked on her face with tiny black eyelash legs I sat across the room immobilized in my own failure and indecision as the sun went down in windows a gentle and ageless beauty forever there for me the fly and the skeleton
SQUARE ONE where I am is in this shell basalt is the texture this integument has grown back in the span of several minutes metamorphosis in a telephone call back to square one with its gunmetal sameness with its billboards in the sky billboards that say noth- ing nothing but the promise of work devoid of destination where I am is the flat square where machines are broken and people as well if you move too fast you will become invisible zero functus officio and no longer will your shoes fit your intestines will knot there will be a stone in your chest and you will become parcel non-returnable you will wait for the stout-bodied rodents of death waiting eating digesting clear liquids and counting the thin clock ticks of zero approximation this is where I am no longer amazed how short and monosyllabic the crossing has been

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