Le.Seigneur.Déabolique

complete discography

the complete LSD discography

You asked for it, now you've got it! LSD's complete, official discography on WRECK AGE RECORDINGS, including a track by track description for each of his pieces! Enjoy!

1996
"A COSMIC NOISE COMPILATION VOLUME 1: A NOISE BYTE COLLECTIVE" (wrk09)

The world's first exposure to LSD came on this very brutal and noisy compilation from Wreck Age Recordings. LSD crafted a track specifically for this compilation, and as fate would have it, "Why Is It Illegal To Kill People?" is also a perfect representation of what this volume's sound was all about: hard, noisy, fast, angry, noisy, noisy, NOISY! Many fans (including myself) thought this to be what LSD would sound like from then on, but little did we know, he had many suprises left for us...

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1997
"NEW.DAY.REISEN" (wrk13)

LSD's first full length release is a myriad of odd retro-futuristic space rock mutations, without ever using any samplers or sequencers:

track 1) Embryonic (who's that calling?):

A groovy backwards beat, synth bass lines and leads, a melancholic melody... laid over weird voice collages, lifted from taped phone conversations.

track 2) !Martirizari! :

One of LSD's typical rock-ish heavy tunes. Mostly recorded live, except for a few drum machine interferences...

track 3) Oerestes In A Fine Mess :

Another one of his patented rock-like excursions, featuring one of the nastiest guitar solos this side of string abuse! All live...

track 4) Once I Died (full length version) :

Originally for the 2nd Noise Compilation, reworked for this release. Extreme slow drums with heavy guitar drones, mixed with found sounds and unrecognizable noises.

track 5) New.Day.Reisen :

A multi-part tune, with smooth guitar movements, funky synths and drums, as well as copyright infringements and fun lyrics! Excellent title track!

track 6) Yer Brain'N'Mine (jah in mah dub) :

Some kind of reggae mutation, à la LSD. Complete with weird taped voices and effects.

track 7) Hell/Life/What? :

Ultra noise shaped like a waltz, with out-of-tune instrumentation and construction work in the background. Is it noise? Oh, heck, yes!

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1998
"808127338" (wrk14)

LSD's second album still goes beyond normal electronic-flavored spaced-out rock mutations! Again, no sequencers or samplers were used!

track 1) Dark.Lord.Fading :

Fast tempo with happy-go-lucky synth melodies, this track quickly turns into a darker interpretation of itself.

track 2) Sub-System Caller :

Slow, dark backward rhythms with live drum pads added on top, lots of drone sounds and deep, low background noise.

track 3) Light Flashes Early On Suicide Dawn :

Imagine a 70s psychedelic rock tune done à la LSD; great music, funky rhythm, with a backwards guitar solo going crazy all the way thru the song!

track 4) Submersible Messenger:

A backwards reworking of track 2, mixed live direct to tape by myself. Hard, pounding, evil, and noisy!

track 5) Steel In The Rhyme :

As far as I can tell, this track was done entirelly with CD manipulations. A buch of weird sounds and scratches are mixed on top of a funky rap beat, stolen from a rock classic, I think.

track 6) In beauty And Precision :

Slow synth waves mesh into a dark, noise/rock piece, reminicent of a time before pop music...

track 7) Grind In The Noise:

Heavy, nasty, noisy, brutal guitar abuse with hyper drum machines with live drum pads going nuts... This will not put you to sleep!

track 8) Dusk An Grass (and a bottle of...) :

LSD goes to mama's farm and while getting drunk on uncle's tractor, composed this bluesy-grass crass song which should satisfy those in need of a definitive human touch... Ouch!

Interesting note: LSD claims he recorded 80% of "808127338" before he began work on "New.Day.Reisen"! Trivia seekers have been notified!

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1998
"A COSMIC NOISE COMPILATION VOLUME 2: MORE NOISE BYTE COLLECTIVE" (wrk17)

Not as noise-oriented as the first volume, yet still dark and weird enough to keep fans of experimental music interested. LSD offers two new, unreleased tunes; the first, "Do The Suicide", is as close to angry aggro-tech he'll get, with fast beats, heavy guitars, crunchy keyboards, screaming vocals, and ending in the weirdess batch of found noises! His second piece, "If I Had An H-Bomb..." is the perfect example of the emotionnal turmoil an unappreciated noise artist goes through in order to survive...

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1999
"A COSMIC NOISE COMPILATION VOLUME 3: 1999 The Noise Apocalypso" (wrk20)

Bud Reiser (LSD) gives us "A Block.Head", another weird outing, typically LSD-ish, with whacked out drum beats, tape manipulation, as well as mucho vinyl scratchings. With the help of DFS/Archangel's Lx Wheill, "Is This Your C*nt Or Mine?", a ZAM.FEAR excerpt, also features Bud at top form, improvising on the synths like a raving mad Liberace on C-4. Lx provides the bass work, as well as some background zounds on this piece...

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1999
"ECHOES" (wrk24)

Bud Reiser (LSD) Returns with his third and final release, as Le.Seigneur.Deabolique. This 60 minute album features a slight change from previous full-length offerings, but those of you who have his Cosmic Noise Compilation works should be able to figure this one out. Unstoppable and extremelly odd decompositions and other musical weirdness replace the straight-foward "song" recipe. Next up is project ADAMO.

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1999

ZAM.FEAR... "Menschlich Strumpfsinnig teil Ein und Zwei" (wrk25)

Bud is tag teamed with Lx Wheill, and together, they record some of the world's worst improvised sessions! This D-O-U-B-L-E length debut has 2 full length releases on each side, giving you enough material to gag your way into the next millenium. Features guests Atmospheh-rhycxx and Simon Sinistar on a few of the included jams.