FLUFFY'S FAV'RITS
CONSPIRACY DIVISION

    Sgt. Devil's Lonely Hearts Club Band
Okay, again, not my conspiracy theory. I bagged this one from a spot called "60 Greatest Conspiracies of All Time" and they're selling a book there, titled, appropriately enough, 50 Greatest Conspiracies of All Time.  If you like this one, you're gonna just LOVE what they've got on their site. Fluffy is working hard at developing just the right wording on her own [specious] plots, so stay tuned, and visit these fine and deeply warped individuals in the meantime.  Not much edited, as someone before me had the good taste to make this a lunch-snackable size. Rant on, brother!
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Today, at almost any "heavy-metal'' rock concert one can hear the audience being exhorted to rape
and murder in the name of Satan.

Any loving parent today would be horrified and shocked to learn that their sons and daughters are
eagerly listening to such evil. Perhaps though, some may think privately, "If only we could return to
the 'good old days,' with the music of the Beatles.'' Little do most people suspect that it was with
those innocent-looking Beatles, that most of the trouble started.

Modern electronic-rock music, inaugurated in the early 1960s, is, and always has been, a joint
enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the
major rock groups through drugs, sex, threats of violence, and even murder. On the otherside,
publicity, tours, and recordings are financed by record companies connected to British military
intelligence circles. Both sides are intimately entwined with the biggest business in the world, the
international drug trade.

The so-called "rock stars'' are pathetic puppets caught in a much larger scheme. From the moment
they receive their first recording royalties, the groups are heavily immersed in drugs. For example,
much-admired "stars'' such as John Lennon of the Beatles and Keith Richard of the Rolling Stones,
were heroin addicts. Richard had to obtain blood transfusions, replacing his entire heroin-laced
blood supply, in order to get a visa to enter the United States.

The "rock stars'' are also totally artificial media creations. Their public image, as well as their music,
is fabricated from behind the scenes by controllers. For example, when the Beatles first arrived in
the United States in 1964, they were mobbed at the airport by hundreds of screaming teenage girls.
The national press immediately announced that "Beatlemania'' had besieged the U.S.A. But the girls
had all been transported from a girl's school in the Bronx, and paid for their screaming performance
by the Beatles' promoters.

The money of the 1960s rock groups, which in somes cases mounted to hundreds of millions of
dollars, was also totally under the control of mob-connected promoters. From 1963 to 1970, the
Rolling Stones made over $200 million, yet the group's members were all nearly bankrupt. None of
them had any idea of where their money went.

Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and
American culture. This two-pronged invasion from England was well-planned and well-timed.
America had just suffered the shock of the assassination of President John Kennedy, while in the
streets the mass-based civil rights movement had just held a Washington, D.C. rally, led by Martin
Luther King, of 500,000 people. The rock counterculture would be used as a weapon to destroy
such political movements.

Later in 1968 and 1969, years which saw a mass strike of students and workers in the United
States and Europe, huge, open-air rock concerts were used to head off the growing discontent of
the population. The rock concerts were devised as a means for mass recruitment to the
drug-saturated, free-sex counterculture. For the millions who came to these concerts, thousands of
tablets of the hallucinogenic drug, LSD, were made freely avaliable. These drugs were secretly
placed in drinks such as Coca-Cola, turning thousands of unsuspecting victims into raving
psychotics. Many committed suicide.

Less than a half century ago, our young children studied violin and piano, learning about the great
classical composers such as Bach, Mozart, and Beethoven. As will be shown, the same record
companies who today promote Satanic "heavy-metal'' rock have run covert operations to destroy
the musical heritage of these great classical composers.

For the past thirty years, Western society has been under the gun of a deliberate plan of cultural
warfare, with the purpose of eliminating Judeo-Christian civilization as we know it. These plans must not succeed.

Some readers may remember the following statement Beatle John Lennon made to the international
press back in 1966:

"Christianity will go. It will go. It will vanish and shrink. I needn't argue about that. I'm right and I will be proved right. We are more popular than Jesus now.''

Hopefully, he will be proven to be wrong.
 



 
I'm a reader, and I remember the following statement Beatle John Lennon made a whole bunch of times:
   "All You Need Is Love."
Satan's minion, yup. That must be why Stephen King killed him (according to Lightfoot). Can't write scary stories without government coverups and drug-induced populi. Sure. Keep it up, guys!

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