What
speed film should you use?? This is a common question among new photographers.
I am going to try
to
tell you in a clear and simple way, how to decide what kind of film to
use.
When
I say "what kind of film to use" I mean firstly, "what kind of film SPEED",
not what brand. We'll discuss
that
later. Film speed is indicated both on the film box itself, and also
on your camera. Film speed comes in
different
ISO speed numbers, 100 ISO, 200 ISO, 400 ISO, 800 ISO, and so on.
The lower the number (e.g.. 100),
the
less sensitive to light your film is, the higher the number (ISO 3200),
the more sensitive to light your film is.
When
you hear someone refer to film as "fast" or "slow", they are referring
to ISO; "fast" film has a higher ISO
number
whereas "slow" film has a lower ISO number. When you decide which
speed film to load, remember
to
set your manual camera to the corresponding film speed. Most manual
cameras will have a selection dial
where
you can pick which film speed you have currently in your camera. DON'T
forget to do this! If you have a
newer,
automatic/manual camera, most likely your camera will set the ISO for you
when you insert your roll.
Now,
let's talk about film grain. ISO and film grain go hand in hand.
Basically, "film grain" differs depending on
the
ISO you are using. A higher ISO is going to result in much more of
a grainy print. A lower ISO will offer a
much
more crisp and clear image. Keep in mind, that if you only develop
your prints at the local photomat, you
are
only getting 3 x 5 or 4 x 6 prints, in which the grain will not be visible
on even a higher ISO. I have used 1600
speed
ISO and I couldn't see a major difference between this and 100 speed in
a 3 x 5 print. But, on the other
hand,
if you are going to blow up your pictures to say, 8 x 10, or 11 x 14, then
you may want to take care in selecting
a
lower speed film to avoid graininess. If you are making a print at
11 x 14, try to find some ISO 24, as this will
offer
the most fine grain available. Grain is not necessarily bad, some
photographers like grain, because it gives
a
picture a "dreamy" quality. Experiment with different film grains,
and decide for yourself.
Okay,
now that we know what ISO/film speed and grain are all about, lets discuss
some other very important
factors
in deciding what film types to use. Lighting and your equipment play
a large factor in what type film
you
should use. Lets start with lighting. On a bright, sunny day
you do not want to load ISO 400 or greater
into
your camera. Why?? If you already have enough available light,
and you load an extra sensitive to light
film
in your camera, you won't be able to close down your aperture enough to
block out the extra light. Your
pictures
will be over exposed. On the same hand, you do not want to load ISO
100 or less if you are trying
to
take pictures at night. Obviously, at night, the available light
isn't as "available" to your camera, and you will
want
a film speed like 400, or even 800 that is more sensitive to light.
Now,
here's where the equipment ties in all of this "lighting" stuff.
Say, for example, you have a tripod. You are
out
at night, and you want to take a picture of the car tail lights passing
by. You set up your tripod, and you load
your
film.... What kind do you load you ask? Well, on a tripod, you can
load any type of film you like. Why you
ask??
Because with a tripod, you can lock your shutter open for extended times,
and allow as much light to enter
and
strike the film as necessary. So, if you like fine grain, load ISO
100 and set your camera to "B" or "Bulb" if
you
have it, or lock open your shutter if you have a manual. Now all
you have to do is determine exposure time!
I
am not able to give you an exact formula, but if you are trying to photograph
cars, (i've done this before) usually
5-10
minutes is effective. If, on the other hand, you are out in the dead
of the night, and you want to capture our
celestial
ceiling, you may be looking for another hobby in the meantime, because
you will need to lock your shutter
open
for periods of 3-4 hours or more. As you can see, a tripod gives
you the ability to add more light, and more
f-stops
to your choices.
Not
only does a tripod effect your choices of film speed, but so does the focal
length of your camera's lens. A
shorter
lens has larger aperture openings (say 50 mm) and allows more light.
A zoom lens (say 35-80mm)
has
a smaller aperture than a 50 mm lens, and allows less light, and less aperture
openings. A telephoto, or
large
zoom lens (say 200-400 mm, or 300 mm fixed) may have an even smaller opening
(depending on the quality
of
the lens you purchase) and may allow even less light, and less f-stops.
So, the choice of film and lens you
use
have a lot to do with each other. Say you prefer ISO 100 due to the
lack of grain. You are outside, and you
want
to take a picture. You have ISO 100 loaded...which lens do you use?
Probably the 50 mm, which will
allow
most light, since the ISO 100 film is not very sensitive to light.
You could also use the 35-80 somewhat
successfully,
but then that depends on the condition of the available light. Here's
where your personal judgment
and
creativity is going to come into play. You have to decide what lens
you are going to use, or which speed you
are
going to use first, and then pair it up with the other factor.
If you are using a large telephoto or zoom, almost
always
you will want to use at least ISO 400, especially if it is an overcast
day. You basically need to practice
using
different combinations, and see what your personal preference is.
OKAY--
now, some of you may be asking, "Why did she leave out ISO 200 film?? I
can get it at Wal-Mart in great
abundance???"
Here's the deal. In my personal opinion, there really is no point
to 200 speed film. If you are going
to
use 200, you might as well use 100, and get the good quality. I think
200 speed film is sold basically for non-
photographers
who don't want to worry about film speed. It is somewhat multi-purpose
for a point and shoot camera
where
you have no control. My advice--avoid 200 speed. It's just
not good.
Well,
that's it for my lesson on film speed. Here are some links below
to the major film companies, where you can
read
up on different kinds of film available. I'm also going to list my
preferences for you.
Black
& White - Kodak T-MAX 100 or 400 speed.
Color
Prints - Fuji Super G
Color
Slides - Fuji Velvia
LESSON 1 / LESSON 3 / LESSON 4 / LESSON 5
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