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January 1999

Alongside a picture of Meg, Kate Moss & Fran Cutler outside Chanel in London
Concern grows over the burn-out lifestyle of PR girl and rock wife Meg Mathews. Not only has she started "writing" a regular column in the Sunday Times Lifestyle magazine entitled "Yeah!" but in her November 15 entry she detailed her frenzied social schedule. That week she'd had her roots "done" in Mayfair in preparation for a Vogue shoot, dashed off to the opening of a new beauty hall in Selfridges, enjoyed a Thai meal with Kate Moss (that's 'the' Kate Moss) before motoring down to the country for a crazy weekend watching telly with Noel.
"Cellulite is not an option!" she philosophises. Yeah!

where it's at...(What's The Story) Morning Glory?
Alongside pictures of the album sleeve and the street in which the cover pictures were taken.
Cover: The sleeve was designed by Microdot's Brian Cannon who was also responsible for the artwork on Oasis' first album, Definitely Maybe. Cannon spent several days scouting London for locations and ended up in Soho at five o'clock in the morning. "If you look closely you can see the streetlights are glowing. When we talked about the cover, Noel Gallagher said he was into the idea of posing questions. So you have two guys passing each other in the street and you don't know whether they're strangers or if they know each other. The guy in the beige jacket is me and the bloke walking towards me is Sean Rowley, who's a mate of Paul Weller's. The man on the left side of the street is the album's producer, Owen Morris, and the white shape he's holding is the LP master tape. He's pissed and he's shouting, "Hats off, Noel!"
Location: Berwick Street in Soho, London.
Alongside pictures of the album sleeve and the street in which the cover pictures were taken.
Cover: The sleeve was designed by Microdot's Brian Cannon who was also responsible for the artwork on Oasis' first album, Definitely Maybe. Cannon spent several days scouting London for locations and ended up in Soho at five o'clock in the morning. "If you look closely you can see the streetlights are glowing. When we talked about the cover, Noel Gallagher said he was into the idea of posing questions. So you have two guys passing each other in the street and you don't know whether they're strangers or if they know each other. The guy in the beige jacket is me and the bloke walking towards me is Sean Rowley, who's a mate of Paul Weller's. The man on the left side of the street is the album's producer, Owen Morris, and the white shape he's holding is the LP master tape. He's pissed and he's shouting, "Hats off, Noel!"
Location: Berwick Street in Soho, London.

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c 1998 Andrew Turner

aturner@interalpha.co.uk

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