Bibliographies for Medieval Art and Architecture

Crusader Architecture

Barasch, M. Crusader Figural Sculpture in the Holy Land. New Brunswick: Rutgers University, 1971.

Boase, T.S.R. Kingdoms and Strongholds of the Crusaders. London: Thames and Hudson, 1971.

Borg, Alan. "Romanesque Sculpture from the Rhone Valley to the Jordan Valley." Crusader Art in the Twelfth Century. Ed. Jaroslav Folda. Oxford: British School of Archaeology, 1982. 97-120.

Duby, George. Foundations of a New Humanism: 1280-1440. Trans. Peter Price. Geneva: Skira, 1966.

Folda, Jaroslav. The Nazareth Capitals and the Crusader Shrine of the Annunciation. Philadelphia: Pennsylvania State University, 1986.

Folda, Jaroslav. The Art of the Crusaders in the Holy Land: 1098-1187. Cambridge: University of Cambridge, 1995.

Folda, Jaroslav. "Art in the Latin East, 1098-1291." The Oxford Illustrated History of the Crusades. Ed. Jonathan Riley-Smith. Oxford: Oxford University, 1995. 112-159.

Folda, Jaroslav. "The Hospitaller Master in Paris and Acre: Some Reconsiderations in Light of New Evidence." Journal of the Walters Art Gallery. 54 (1996): 51-59.

France, John. "Patronage and the appeal of the First Crusade." The First Crusade: Origins and Impact. Ed. Jonathan Phillips. New York: Manchester University, 1997.

Hamilton, Bernard. "Ideas of Holiness: Crusaders, Contemplatives, and Mendicants." International History Review. 17.4 (November 1995): 693-712.

Jacoby, Zehava. "Crusader Sculpture in Cairo: Additional Evidence on the Temple Area Workshop of Jerusalem." Crusader Art in the Twelfth Century. Ed. Jaroslav Folda. Oxford: British School of Archaeology, 1982. 121-138.

Katzenellenbogen, A. Allegories of the Virtues and Vices in Medieval Art. New York: W.W. Norton, 1964.

Kenaan-Kedar, Nurith. "Symbolic Meaning in Crusader Architecture." Cahiers Archeologiques. 34 (1986): 109-117.

Lawrence, T.E. Crusading Castles. London: Michael Haag, 1936.

McGinn, Bernard. "Violence and Spirituality: The Enigma of the First Crusade." Journal of Religion. 69 (July 1989): 375-379.

Muratova, Xenia. "Western Chronicles of the First Crusade as Sources for the History of Art in the Holy Land." Crusader Art in the Twelfth Century. Ed. Jaroslav Folda. Oxford: British School of Archaeology, 1982. 47-70

Murray, Alan V. "The Chronicle of Zimmern as a source for the First Crusade." The First Crusade: Origins and Impact. Ed. Jonathan Phillips. New York: Manchester University, 1997.

Nicholson, Helen.,i> Templars, Hospitallers, and Teutonic Knights. Leicester: Leicester University, 1995.

Nickel, Helmut. "A Crusader’s Sword: Concerning the Effigy of Jean d’Alluye." Metropolitan Museum of Art. 26 (1991):123-129.

Pace, Valentino. "Italy and the Holy Land: Import-Export, 2." Crusader Art in the Twelfth Century. Ed. Jaroslav Folda. Oxford: British School of Archaeology, 1982. 245-269.

Plommer, Hugh. "The Cenacle on Mount Sion." Crusader Art in the Twelfth Century. Ed. Jaroslav Folda. Oxford: British School of Archaeology, 1982. 139-166.

Porter, A.K. Romanesque Sculpture of the Pilgrimage Roads. New York: Hacker, 1969.

Powell, James M. "Rereading the Crusades: An Introduction." International History Review. 17.4 (November 1995): 661-669.

Pringle, Denys. The Churches of the Crusader Kingdom of Jerusalem. Cambridge: Cambridge University, 1993.

Pringle, Denys. "Architecture in the Latin East, 1098-1291." The Oxford Illustrated History of the Crusades. Ed. Jonathan Riley-Smith. Oxford: Oxford University, 1995. 160-183.

Riley-Smith, Jonathan. "The Motives of the earliest crusaders and the settlement of Latin Palestine, 1095-1100." English Historical Review. 98 (October 1983): 721-736.

Riley-Smith, Jonathan. "The State of Mind of Crusaders to the East, 1095-1300." The Oxford Illustrated History of the Crusades. Ed. Jonathan Riley-Smith. Oxford: Oxford University, 1995. 66-90.

Rosser, John. "Crusader Castles of Cyprus." Archaeology. 39 (July/August 1986): 40-47.

Rudolph, Conrad. The "Things of Greater Importance": Bernard of Clairvaux’s Apologia and the Medieval Attitude Toward Art. Philadelphia: University of Pennsylvania, 1990.

Smail, R.C. Crusading Warfare: 1087-1193. Cambridge, University of Cambridge: 1956.

Taylor, Henry Osborn. Classical Heritage of the Middle Ages. London: Harper and Row, 1958.

Tyerman, C.J. "Philip VI and the Recovery of the Holy Land." English Historical Review. 100 (January 1985): 25-52.

Zajac, William G. "Captured property on the First Crusade." The First Crusade: Origins and Impact. Ed. Jonathan Phillips. New York: Manchester University, 1997.

Medieval Manuscripts

Early Medieval Manuscripts, including the Utrecht Psalter

Beckwith, John. Early Medieval Art. London, Thames and Hudson, 1964.

Dodwell, C. R. "The Final Copy of the Utrecht Psalter and its Relationship with the Utrecht and Eadwine Psalters" Scriptorium. 44 (1990), 21-53.

Dodwell, C.R. The Pictorial Arts of the West 800-1220. New Haven, Yale University, 1993.

Gibson, Margaret, T.A. Heslop, Richard W. Plaff, eds. The Eadwine Psalter. London, Pennsylvania State University, 1992.

Gibson-Wood, Carol. History in Art 210. Lecture from September 11, 1996.

Haney, Kristine Edmondson. The Winchester Psalter. Leicester, Leicester University, 1986.

Kitzinger, Ernst. Early Medieval Art. Bloomington, Indiana University, 1966.

Lasko, Peter. Ars Sacra: 800-1200. 2nd ed. New Haven, Yale University, 1994.

Ohlgren, Thomas H, ed. Anglo-Saxon Textual Illustration. Kalamazoo, Western Michigan, 1992.

Openshaw, Kathleen. "Weapons in Daily Battle: Images of Conquest of Evil in Early Medieval Psalters" The Art Bulletin. 75 (March 1993): 17-38.

Richards, Mary P., ed. Anglo-Saxon Manuscripts. New York, Garland, 1994.

Tansey, Richard G. and Fred S. Kleiner. Gardner’s Art Through the Ages. New York, Harcourt Brace, 1996.

Temple, Elzbieta. Anglo-Saxon Manuscripts 900-1066. London, Harvey Miller, 1976.

Theophilus. trans. C. R. Dodwell. The Various Arts. London, Thomas Nelson, 1961.

Tselos, Dimitri. "Defensive Addenda to the Problem of the Utrecht Psalter" The Art Bulletin. 49 (1967): 334-349.

Wormald, Francis. Studies in English and Continental Art of the Later Middle Ages. London, Harvey Miller, 1988.

Wormald, Francis. The Winchester Psalter. London, Harvey Miller, 1973.

Feminist Interpretation of Later Medieval Manuscripts

Calkins, R. G. "Parallels between Incunabula and Manuscripts from the Circle of the Master of Catherine of Cleves." Oud-Holland xcii (1978): 137-60.

Camille, Michael. Image on the Edge. London: Reaktion Books, 1992.

Caviness, Madeline. "Patron or Matron: a Capetian Bride and a Vade Mecum for Her Marriage Bed" Speculum 68(1993): 333-362.

DeLaisse, L. M. J. "The Importance of Books of Hours for the History of the Medieval Book" Gatherings in Honor of Dorothy E. Miner. Ed. Ursula E. McCracken, Lilian M. C. Randall, Richard H. Randall, Jr. Baltimore: Walters Art Gallery, 1973.

DeLaisse, L. M. J. A Century of Dutch Manuscript Illumination. Berkeley: University of California, 1968.

Dofoer, H. L. M. The Golden Age of Dutch Manuscript Painting. New York: G. Braziller, c. 1990.

Farago, Claire. "Reframing the Renaissance" Reframing the Renaissance, Visual Culture in Europe and Latin America 1450-1650. Ed. Claire Farago. New Haven: Yale University (1995): 1-20.

Farber, Allen S. "Considering a Marginal Master: The Work of an Early Fifteenth- Century, Parisian Manuscript Decorator." Gesta 32.1 (1993): 21-39.

Fernie, Eric, ed. Art History and its Methods. London: Phaidon, 1995.

Hall, James. Dictionary of Subjects and Symbols in Art. London:John Murray, 1974.

Hamburger, Jeffrey F. "Review of Image on the Edge by Michael Camille". Art Bulletin 75.2: 319-327.

Holladay, Joan A. "The Education of Jeanne D’Evreaux: Personal Piety and Dynastic Salvation in her Book of Hours at the Cloisters" Art History 17 (December 1994): 585-611.

Osterstrom-Renger, Marta. "Netherlandish Grisaille miniatures: some unexplored aspects" Wallraf-Richartz-Jahrbuch, 44 (1983): 145-73.

Panofsky, Erwin. "Iconography and Iconology: The Study of Renaissance Art" Meaning in the Visual Arts (1955): 26-54.

Plummer, John. The Hours of Catherine of Cleves. New York: New York, 1966.

Pollock, Griselda. "Vision, voice, and power: feminist art histories and Marxism" Vision and Difference, Feminity, Feminism and the Histories of Art (1988): 18-49.

Pollock, Griselda. "Feminist Interventions in the Histories of Art" Art History and its Methods. Ed. Eric Fernie. London: Phaidon, 1995. 300-313. Images in the Margins of Gothic Manuscripts. Berkeley: University of California, 1966.

Tierney, Brian and Sidney Painter. Western Europe in the Middle Ages: 300-1475. New York: McGraw-Hill, 1992.

Zeitler, Barbara. "Cross-Cultural Interpretations of Imagery in the Middle Ages." Art Bulletin 86.4 (1994): 680-694.

Byzantine Studies

Brown, Peter. The Cult of the Saints. Chicago: University of Chicago, 1981.

Cameron, Averil. "The Language of Images: the Rise of Icons and Christian Representation." The Church and the Arts. Ed. Diana Wood. Cambridge: Blackwell 1992.

Elsner, John. "The Viewer and the vision; The Case of the Sinai Apse." Art History 17.1 (March 1994): 81-102.

Elsner, J. "Image and Iconoclasm in Byzantium." Art History 11 (1988) 474-77.

Forsyth, George H. "God’s Mount: St. Catherine in the Sinai monastery, Egypt." FMR 14 (June 1995) 20-51.

Forsyth, George H The Monastery of Saint Catherine at Mount Sinai: the church and fortress of Justinian. Ann Arbor: University of Michigan, 1973.

Forsyth, G. "The Monastery of Saint Catherine at Mount Sinai." Dumbarton Oaks Papers 12(1968) 1-19.

Kitzinger, E. Byzantine Art in the Making. Cambridge: Cambridge, 1977.

Loerke, William C. "Observations on the Representation of Doxa in the Mosaics of S. Maria Maggiore, Rome and St. Catherine’s Sinai." Gesta 20.1 :15-23.

Loerke, William. " ‘Real Presence’ in Early Christian Art." Monasticism and the Arts. Ed. Timothy Gregory Verdon. New York: Syracus University Press, 1984.

Maguire, Henry. "Style and Ideology in Byzantine Imperial Art" Gesta 28.2: 217-231.

Miziolek, Jerzy. "Transfiguratio Domini in the Apse at Mount Sinai and the Symbolism of Light." Journal of the Warburg and Courtauld Institutes. 53 (1990): 42-60.

Schiller, Gertrud. Iconography of Christian Art. London: Lund Humphries, 1971.

Sevcenko, I. "The Early Period of the Sinai in Light of the Inscriptions." Dumbarton Oaks Papers 20(1966): 255-64.

Weitzmann, Kurt. Icon:holy images - sixth to 14th century. New York, G Braziller, 1978.

Weitzmann, Kurt. Studies in the Arts at Sinai: essays. Princeton: Princeton University Press, 1982.

Weitzmann, Kurt. "The Mosaic in Saint Catherine’s Monastery on Mount Sinai." Proceedings of the American Philosophical Society 110 (1966): 392-405. Go to index

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