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The roll call of great peaks continues as the great Himalaya continues it's march
southeastward through Lahaul and Spiti... Menthosa, Lord Gephan, The Gangstang
peaks and glaciers and onto the Chandrabhaga group... gorges,chasms,hanging glaciers
......a landscape for the strong of heart and adventurous of spirit.
Crossing over from the Rohtang pass can be a shock ... a sudden transition from the verdant cedar forested slopes of the
Pangi-Pir Panjaal to the bleakness of the Lahaul landscape. A landscape that makes one feel like
Tolkien's Hobbit, adrift in the dark lands of Mordor ... a barren scree covered wilderness surrounded by towering
battlements of rock and ice, up which the twilight shadows creep, black as if painted on. Above them, the
crenellations and spires of the sorceror's castle stand silhouetted against the darkening sky. In the side valleys,
evil looking, snaggle toothed small glaciers hang, poised, and everywhere the howling dervishes that inhabit
the west wind, attempt to tear away your clothes. Batal, at the foot of the Kunzum pass and jump off point for the Bara-Shigri
glacier, is at only 11,000 feet the windiest place I have ever come across in my Himalayan travels. The savagery of the
winters can be gauged from the three bridges at Batal. One in use and the other two, mere ruins. The only other structure
is a PWD rest house with the roof gone and the walls going.
Opening out onto the Chandra valley, and adding it's waters to it, is the greater or Bara Shigri glacier, a frozen river of ice
nearly 28 kilometers long and several kilometers wide at it's widest. All around are the great peaks of the Parvati headwaters - White
Sail, Indrasan and further up the range, Kulu Makalu and Parbati peak itself.
is one of the famous passes of Himalayan history, for here paths from Zanskar, Ladakh and Lahaul meet, and over the centuries
travellers have crossed in all directions. The two great rivers of Lahaul, the Chandra and the Bhaga also arise from the huge
snowfields on opposite sides of the pass. The Chandra then does a circuitious journey through Lahaul, picking up the waters
of the Samundra Tapu and Bara Shigri glaciers on the way, to finally meet up with the Bhaga at Tandi - forming the celebrated
Chandrabhaga.
Lahaul is partly Hindu, partly Buddhist and partly, a mixture of both. Nowhere is this better symbolised than at the temple
of Trilokinath near Tandi in western Lahaul, where the idol worshipped as Lord Shiva by the Hindu populace, is venerated as the Buddha
Avilokateshwara by the local Buddhists, as well as pilgrims from Spiti and Ladakh. A few kilometers further up, where the Miyar
Nala meets the Chandrabhaga, lies the temple of Mrikula Devi at Udaipur. A wooden temple built by the Chamba kings in the
6th century A.D, it is ascribed to Gugga - the Michealangelo of the Himalaya. It's interiors are liberally embellished with
exquisite wooden carving that ecelectically display scenes from the Mahabharata and the Ramayana, all interspersed with
scenes from the Buddhist cosmology. The Buddha gives battle to Mara the tempter side by side with Lord Ram as he engages
Ravana. The enshrined goddess, Kali, venerated as Mrikula Devi, is worshipped as Dorje-phag-mo by the Buddhists.
Spiti due to it's strategic location was for long closed to tourists except the odd intrepid traveller armed with an 'inner line'
permit. Recently, it has been thrown open for tourism and hitherto insulated cultures are coming into contact with jeep safaris
and video toting tourists. The numbers are still mercifully small though and Spiti offers a fast vanishing look at 'museum'
cultures, especially in the off-route Pin valley.
The Pin valley is also home to the Buzhen, wandering minstrel lamas who move from village to village enacting
comedies, miracle plays and singing ballads. During the bleak and harsh Spitian winter, they make their colourful way through
the monochromatic landscape entertaining the populations of far flung villages.
Spiti is totally Buddhist and is the location of some of Himalayan Buddhism's most important monasteries. Tabo, known as the "Ajanta
of the Himalayas', celebrated it's thousandth birthday last year. Built by the Great Translator Rinchen Tsangpo, Tabo is, from the
exterior, the least imposing of the Himalayan Gompas that I have seen. Tabo doesn't crown some lofty pinnacle, instead it's mud plastered
buildings almost merge into the valley floor. The interiors are a different story altogether. In one dark hall, life size stucco
figurines, mounted some 6 feet off the floor, leer at you out of the gloom. The uncanny effect is enhanced by the perfect
detailing, of these gods and demons of the Tibetan pantheon. Some of the figures are clothed in fine fabrics, now decaying with
the passage of time. Elsewhere are numerous statues of varying sizes, some huge, entire spaces lined with exquisite miniature panels
depicting the thousand Buddhas and many others.|
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