A Norman Spinrad Page
This is Norman Spinrad, as our eyes reveal to that that we call our mind while we are looking at the bidimensional reproduction of his face.
What follows, is the beginning of a document that you may entirely get clicking here.
Note: This is an autobiographical piece that was
commissioned for a reference book. I might turn it into a free-
standing book someday.
Copyright 1994 by Gale Research Inc. Right to download
granted. All other rights denied.
AUTOBIOGRAPHY
by Norman Spinrad
FRAME
Although it presents certain technical difficulties, maybe
you shouldn't write an autobiography until you are dead.
The story of a life, even if your own, published for the
benefit of readers, becomes, well, a story. And true or not, a
good story requires, if not necessarily a traditional beginning,
middle and end, then at least certainly some sort of structure
leading to a sense of satisfying resolution at the end of the
reading experience.
But since I'm 53 years old as I write this, not exactly on
the brink of retirement, I can hardly be expected to bring this
story to a successful thematic closure in any of the usual
manners.
Then too, while "write what you know about" may be the
hoariest of literary maxims and autobiography seemingly the ideal
exemplar thereof, upon a moment's uncomfortable reflection, maybe
not.
Sure, you know the sequence of events better than you know
anything else, but it's no easy task to negotiate the treacherous
literary waters between the Scylla of the extended brag and the
Charybdis of a deadly dull recitation of the complete
bibliography and nothing more.
So what I've opted for here is a rather experimental form,
itself perhaps a bit of autobiographical characterization, since
fairly early on in my career I came to the realization that form
should be chosen by the requirements of content. And this
particular content certainly seems to call for something rather
schizoid--a montage of split points of view, persons, that is, in
more than the usual technical sense.
So this autobiography is divided into three clearly-labeled
tracks.
"Continuity" is, as Sergeant Friday would have it, just the
facts, Ma'am, written in third person as if "Norman Spinrad" were
someone other than the author thereof.
"Flashbacks" are little novelistic bits and pieces designed
to illumine some of the events of "Continuity" with some more
intimate visions of what the character in question was thinking
and feeling at the time.
"Frame" is what you are reading now--the author and the
subject, the novelist and the literary critic, speaking to you
and maybe myself as directly as I can manage under the
circumstances, and trying to extract some overall meaning from it
all.
CONTINUITY
Norman Spinrad was born in New York City, on September 15,
1940, the son of Morris and Ray Spinrad. Except for a brief
period in Kingston, New York, he spent his entire childhood and
adolescence residing with his parents and his sister Helene in
various locations in the Bronx, where he attended Public School
87, Junior High Schools 113 and 22, and the Bronx High School of
Science.
In 1957, he entered the College of the City of New York,
from which he graduated in 1961 with a Bachelor of Science degree
as a pre-law major.
FLASHBACK
I was a subway commuter as a college student, living in the
family apartment in the Bronx, hanging out in Greenwich Village
on the weekends.
My father....

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Book Review of The Mind Game

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