In the year 1848, something unusual happened in Hydesville, New York. Two sisters, Kate and Margaret Fox, contacted the spirit of a dead peddler, became instant celebrities and started a national obsession that spread all across the United States and Europe. It was the birth of modern Spiritualism.

Unique individuals, designated "mediums" because they acted as intermediaries between spirits and humans, invented a variety of interesting ways to communicate with the spirit world. Table turning (tilting) was one of these. The medium and attending sitters would rest their fingers lightly on a table and wait for spiritual contact. Soon the table would tilt and move and knock on the floor in a code to represent the different letters of the alphabet. Entire messages from the spirits could be spelled out in this way.

Another technique was a form of spirit writing employing a small basket with a pencil attached to one end. The medium simply had to touch the basket, establish contact, and the spirit would take over, writing the message from the Great Beyond. The pencil basket quickly evolved into the more sophisticated planchette, a small heart shaped table with two rotating casters underneath. A pencil at the apex formed the third leg.

The problem with table turning was that it took far too long to spell out messages. Planchette writing was often difficult if not impossible to read. Consequently, many mediums simply dispensed with it, preferring to transmit from the spirit world mentally in an altered state of consciousness called "trance." Others eliminated the planchette but kept the pencil, finding the hand a more precise and less troublesome writing instrument. 

By the 1880's, the planchette was a popular parlor game actively marketed by many US and European toy companies. Three enterprising Americans: E.C. Reiche, Elijah Bond, and Charles Kennard came up with a concept Borrowing from the archetype of the earlier dial plate talking boards, they created an all new alphanumeric design. They spread the letters of the alphabet in twin arcs across the middle of the board. Below the letters were the numbers one to ten. In the corners were "YES" and "NO." They used a planchette like table (shaped more like a paddle) but instead of casters, used padded wooden pegs to permit a smooth glide over the surface of the board. All you had to do was connect to the spirit world and let the planchette move from letter to letter and spell out a message. 

William Fuld was the father of the Ouija board.He was the most successful Ouija manufacturer of his time, selling millions of Ouija boards, toys and other games.

One of William Fuld's first public relations gimmicks, as master of his new company, was to reinvent the history of the Ouija board. He said that he himself had invented the board and that the name Ouija was a fusion of the French word "oui" for yes, and the German "ja" for yes. He also made other unlikely claims. Whether he took himself seriously is a matter lost to history. In all likelihood he simply thought apocryphal tales were a fun way to sell Ouija boards and to poke fun at a gullible press.

Almost from the beginning, William Fuld's Ouija board suffered fierce competition from other toy makers. Everyone wanted to make a variation of the Wonderful Talking Board. Ouija imitations flooded the market. Some even used the Ouija name and the identical board layout. For thirty-five years William Fuld ran the company through good times and bad. In February 1927, he died in a tragic accident but rumor mongers eager to create a sensation suggested that William was despondent and had actually committed suicide.

After his death, William's children took over and developed many interesting Ouija versions of their own. In 1966, they retired and sold the business to Parker Brothers. Parker Brothers continued to produce an accurate Fuld replica and briefly even made a Deluxe Wooden Edition Ouija. They own all trademarks and patents to this day. In early 1999, Parker Brothers stopped manufacturing the classic Fuld Ouija board and switched to a smaller less detailed glow in the dark version.  

 

 

 

                                                                                                                                  

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