Dickens, a Victorian master of epic sagas, intricate plotting, and
symbolism, remains one of the premiere authors of the English
language. This page seeks to concern itself primarily with the
social contexts of his work, also referencing his continuous
discussions on class and urban life.
It is important to keep in mind the world Dickens lived in while
writing, because this is the essence of his inspiration. Victorian
London, while mid-stride into the Industrial Revolution, was steadily
growing into a crime infested haven of class differentiation. Common
newspaper stories of the day reflect the working class lifestyle
endured by the majority of Londoners, which often included
poverty and hunger. Dickens himself, father of his own large brood,
knew all too well the plight of the lower classes for whom he
mainly wrote.
Dickens uses the situations of the middle to lower middle classes to mirror, indeed mock,
the upper class in their light. In all of Dickens' novels, he
makes an obvious point of allowing characters to be known within the
context of their social standings. Good examples of this can be seen
in Our Mutual Friend, published in 1865. Lizzie's
lifestyle is illustrated in great depth, as are the differences between
her standing and the changing status of the Boffins. In a novel such
as Bleak House (1853), the interweaving of social class structure and the many
varied plots produce an amazing commentary on Victorian London. Dickens
uses his entertaining serial to make a case before London and its
socialites. The filth and destitution of the chimney sweeps is
paralleled with the high fashionability of the would-be
aristocracy. This is one of Dickens most important contributions
to the society for which he wrote.
The Dickens Page
The Victorian Web
Victorian Studies
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