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|humour|
Once some of the deeper
issues surrounding Saiyuki
have been discussed and analysed to the
best of our abilities, it's time to kick back, relax, and find the humour
in the situation. After all, where would this world be without humour?
Luckily, Saiyuki has plenty of humour, from Sanzo's baka saru,
Goku's elaborate complaints, Hakkai's politeness driving the others to
climb the walls, Gojyo's goofy facial expressions, and the mere presence
of Kanzeon Bossatsu's hapless chess partner.
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|hen|
As it turns out, Hakkai
fits neatly into a long standing Team Bonet tradition: chifladismo.
This term is probably completely new to you, so allow us to explain: A chiflado has been defined by Team Bonet
as a spectacles sporting man who is unerringly friendly, polite, and hiding
a great deal of pain. This is Hakkai to a T, and we were very thrilled
to have found a brand new chiflado for the ranks. Of course, Hakkai's
glasses are really a monocle, but Minekura has drawn him with glasses in
posters and the such so often that he might as well really have glasses.
While we're on the subject
of glasses... If Saiyuki
manages to convert you into an avid Minekura
fan [as it did for me], you will soon find that most of her manga will feature a be-spectacled character [Kubota from Wild Adapters anyone?] that resembles
Hakkai quite closely [they actually resemble Gaiden's Tenpou much
more closely, but Tenpou's Hakkai so the observation still holds]. If you're
a Hakkai fan, this is great news of course. It's like a wonderful, never
ending Hakkai Else Worlds. It certainly gives us a good idea of who one
of Minekura's favourite characters might be.
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|kotoba|
After a while of RPG-ing
Hakkai, I've found that I've mysteriously developed a penchant for little
noises such as maa maa
and
ara ra. The funny thing is that
while I'm pretty certain Hakkai
does
say
maa maa, I can't
really remember if he's ever really said
ara ra. Regardless of this
fact, intoning ara ra reminds me of Hakkai, and my best friend and
room mate, Yohji, has already realized that I'll react to most things in
this manner. He RPGs Gojyo, so my ara ra is usually answered with
a growled out nanda teme? This is in turn followed by my own version
of Hakkai's nervous laughter, which is in turn capped off by our Sanzo's
eh?
dame yo! and so forth into oblivion.
Another speech pattern I've
picked up from Hakkai is the somewhat apologetic and polite desu kedo
ending.
This has brought about its own ritual. I [as Hakkai] will say something
like warui desu kedo [trans. that's too bad, but...] to which our
Goku [my good friend John, who is really having way too much fun RPG-ing
Goku] will reply with "there's no kedo about it!" It's really quite
fun, and I can't remember when we've had so much fun RPG-ing a series.
It makes us feel very silly sometimes, but we've been RPG-ing as a group
for so long [we've been at it for more than seven years now] that we just
sink comfortably into our roles with very few backward glances. It makes
for decidedly twisted memories, especially when John switches back into
his rather serious self and intones: "What happened in winter of 2001?
Oh, yeah, I was Goku." Hen desu kedo, nee...
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|norimono|
Ever since I got a chance
to watch CLAMP's Magic Knight Rayearth dubbed for Mexican TV, I've
developed a deeply rooted dislike for any sort of cute pet. I make an exception
for Anthy's pet mouse, Chu Chu, in Shoujo
Kakumei Utena, but not much else beyond that. I find these usually
marshmallow fluffy pets as unnecessary and insufferably cute as most people
find the animal sidekicks in Disney films. Some of them are down right
embarrassing, as can be seen in Gokurakuin Sakurako's Gorgeous Triangle
manga: Their pet very much resembles a little green elf, complete with little pointy shoes! My sincere apologies to those of you who love these pets,
but I find that they're not needed, they do very little to advance the
plot forward, and you can just smell a merchandising gimmick a mile away.
I'm glad to say Jeep inspires
none of these feelings. For one, he doesn't speak much, and that's always
a plus in these cases. He also doesn't seem to have any qualms about acting
just like what he is: a pet. He glides after Hakkai and coos at him every
now and then, but he doesn't go around doing stupid things in the background
like poking at man-eating plants till they swallow him whole. His design
is also refreshingly non-marshmallow in execution, but sleek and thin;
Jeep is an elegant looking white dragon, not a pastel coloured puff that
bounces around.
Jeep also transforms into
an actual jeep. In the anime his transformation is quite jarring and, frankly,
embarrassing, but in the manga there is no need for the fear of clunkiness
and I actually find myself thinking his automotive ability is quite cool.
It allows Hakkai to speak to his car [shades of Nightrider?], for
one, and this in turn brings a brand new layer of meaning to a driver's
attachment to his vehicle. It also serves as the starting point for quirky
jokes, such as when Jeep gets drunk [as a dragon] in the OVA and then refuses
to start [as the car] the morning after. It's little things like this that
make Jeep truly endearing to me, and I'm glad to see Hakkai has a deep
love for him.
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|onaji|
Right along with avidly
RPG-ing Hakkai with no real shame come those moments when I sit around
my apartment and wonder why I identify so much with him. I've always believed
that readers choose favourite characters who either already remind them
of themselves or who act as they wish they could. Once I've chosen a favourite
character, that character becomes an inspiration to me, and I develop a
fierce attachments to him or her. For a while I not only read about the
character, I am that character, as odd or silly as it this may sound.
Of course, I don't pick up a monocle and take to wearing green, but I certainly
begin to notice character traits in myself that remind me of Hakkai. It's
a bit childish, I admit, but it's a good way of getting to know myself
and sometimes even appreciating aspects of my personality I've been less
than thrilled with before.
In Hakkai's case I see kindness
and politeness. As I stated before, I'm pretty polite myself. Sometimes
too polite, or so my friends say. I talk softly, bow, excuse myself for
almost everything, and have heard the words "you're so sweet" perhaps once
too often. Let me tell you, it's hard to be polite in this messy world.
Too many people like to walk all over us polite blokes, and it's always
a cause of stress and anxiety to stand up for myself and say simple things
like no, I can't do that right now. Liking Hakkai certainly doesn't
cure this situation, but it makes me feel good to know that there's a character
I can identify with. It's even better when the character is genuinely a
decent person that people can turn to and depend on. I worry, though, when
I see how Hakkai's politeness gets on the other's nerves sometimes. I hope
this isn't the case with my friends. If it is, I have only one word to
say: sumimasen.
Hakkai's politeness is not
the only reason I identify with him, though. I also see in myself his need
to smile in order to mask a volatile temper. Although I'm incapable of
true violence, my ready and explosive temper is nothing I'm proud of. As
with my excessive politeness, though, identifying with Hakkai really does
very little to help me cure my temper... but it's a comfort to be able
to identify with him and understand, if only a little, how he must feel.
Maybe liking him will help me to smile more often, too, and keep that temper
in its place. That can't possibly be a bad thing.
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|meiwaku na|
Not a lot of things annoy
me in Saiyuki. Minekura is one of those mangaka (like Chiho Saito,
Ozaki Kaori, and Yashiki Yukari) who will probably never do wrong in my
eyes. I'm quite hooked on her art style, so although I find the plot of
Saiyuki
a
bit weak I'll probably never tire of the wonderfully up-beat art. However
[there's always a however], there are one or two things that do
annoy me a little about Saiyuki.
The first is a phenomenon
that I like to term The Merchandising Monster. This monster lurks everywhere,
reaching out to both make you very happy and very embarrassed at the same
time: key chains, notebooks, pillow cases, sleeping bags, obento.
All of them plastered with images of the Sanzoikkou. I find this
incredibly embarrassing. I'm also embarrassed by how Hakkai and the others
seem to be the newest
Gundam Wing or Weiß Kreuz: incredibly
handsome Merchandise Monsters. I'm quickly loosing my interest in all of
those pictures of Hakkai hamming it up for the camera, looking sexy and
not at all like himself. I know that Hakkai is not beyond sensuality in
the manga itself, and I have absolutely no bones to pick with it in that
context, but those posters and trading cards seem too much like gushing
to me. I'm none too fond of gushing. I think it's because I'm getting old...
but I much prefer to just enjoy Hakkai in the manga and leave it at that.
My second bone to
pick is Minekura's costume designs for Saiyuki. I quite like Hakkai's
Chinese-style shirt, with its interesting shoulder strapping, but I just
can't understand why the Chinese flavour just stops from the waist down.
Half of the male characters in Saiyuki are wearing jeans. This seems
incongruous to me. Saiyuki
is a legendary story, built upon imagery
of ancient China. Minekura acknowledges this by dressing her characters
in Chinese costumes, but then she weakens these costumes by capping them
off with decidedly modern pants and shoes. Perhaps she meant to blend the
modern world with ancient China [after all, I doubt the ancient Chinese
drove jeeps], but then why not give Hakkai either a completely Chinese
or completely modern costume? I'm not a big fan of Gojyo's rather "street"
costume, but at least it's fully modern and therefore a stronger design.
The same goes for Sanzo's robes, which are fully Oriental and one of the
best costumes in the manga.
At least I can breathe easy
knowing that Hakkai's not dressed in bright yellow or orange. That cringe
inducing costume belongs to poor Goku.
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