|  |  Sifar 
      
        
            The artwork on the CD insert shows Lucky Ali traveling along an 
            artist's depiction of the old coast-to-coast American Route 66. 
            A  paragraph describing the album and Lucky Ali that "every song 
            on this album is another step on his journey". Going with this 
            thought, the best way I have to describe this album is thatit in 
            fact is a rather cathartic journey for the listener as well. After 
            the awesome though short in length "Sunoh" comes an album where 
            Lucky even betters himself, a feat which I never 
            deemed    possible.  
            The "O Sanam" of 
            this album is definitely "Teri Yaadein" which jumps right at 
            you once you press the play button. At once you realize that Lucky's 
            trump cards - his smooth vocals, perfect original musical 
            arrangements, and heart felt lyrics are back, though this time with 
            some very cool vocal harmonies thrown in as the cherry on top. Every 
            one of the 10 songs on this album is a gem meant to be treasured, 
            and each one has a distinct musical flavor to it. "Baadalon Ki 
            Gehraae" and "Mil Jaan Se Kabhi" touches Lucky's untapped 
            upper range (something which I think should be tapped a lot more).
  The soft beat combined with the few strains of hard rock and the 
            crescendo that occurs throughout the latter song  make a 
            perfect combo. The style of the Carribean-esque/reggae music in 
            "Dekha Hai Aise Bhi" and  "Nahin Rakhta" 
            surprisingly suit Lucky very well. "Dil Aise Na Samajhna" and 
            "Tum Ho Wohi" combine the western and desi styles (though in 
            different ways) well in the orchestrations. "Jheel Pe Jaise" 
            is a typical desi ghazal with some atypically good music. The guitar 
            in "Mausam" is awesome and Lucky does a great job 
            with the number. The album ends with another one of my favorites - 
            the African-influenced "Suntey Hi Rehtey". Again - we have 
            the cool harmonies (at their coolest here) with some awesome 
            orchestrations again - the perfect end to a perfect album.  Special mention must be 
            made of the guitar (by Mike McCleary and Lucky himself) which is 
            like the walking stick along the journey of this album Listening to 
            these songs - you feel as if Rehman and Yanni got together to do 
            some of their finest work and got Gulzar to do the Urdu 
            lyrics.  That's what I 
            mean when I call this album perfect. But the best description I can 
            give comes from the CD insert itself - " Sifar - Containing nothing, it encircles 
            everything.Without a beginning, without an end, it stretches from 
            emptiness to infinityand back again".  |  |