On
the sets of SUR

The award-winning singer is back on centre stage. This time as
an actor. And those who have seen the rushes of the star-studded
Kaante insist that Lucky Ali will be a revelation. On the sets of
his second film, Sur too, picturising a song, Lucky was amazingly at
ease even though his white suit was clinging damply to him and lunch
break had been postponed by almost an hour. He got his moves right,
first time, but still wanted a retake if he thought he could give a
better shot. He hummed along and actually played the flute and
strummed the violin under his chin. It was a virtuoso performance,
unbelievably so, and prompted the first query:
Watching you on
stage one got the impression that you weren’t too comfortable being
in the spotlight. But today, observing you shoot for Sur, one is
amazed to see just how uninhibited and unselfconscious you are when
facing a movie camera. You really seem to be enjoying yourself.
(Smiling) Yes, I’m having a good time. This is a wonderful crew and
the director, Tanuja Chandra is absolutely the best. The production
company, Pritish Nandy Communications is also great. The vibes are
very positive. I know they like me and I like them. The role’s very
challenging too. So it is not all that difficult for me to enjoy my
work.
You’d earlier acted in films like Umesh Mehra’s Hamare
Tumhare, your father, Mehmood’s Yeh Zindagi Hai, Shyam Benegal’s
Trikaal and Bharat Ek Khoj before you took a long break. How
different and difficult is acting this time? Well, this time I’m
playing principal characters so the responsibility is more. Earlier,
I was just starting out and the roles were small. I wasn’t getting
the kind of work I like to do. And I didn’t want to have to make a
living doing the regular commercial films so I went away. I did
everything from carpet cleaning to horse breeding and farming. It’s
been a good life.
It’s not easy convincing you to do a film. How did Tanuja
Chandra get you to give the nod to Sur? (Smiling) I didn’t
want to do the film. I thought the role was too difficult for me to
be able to do justice to it. So I suggested other actors. I told
Tanuja to take Kamal Haasan. Instead, she challenged me to do the
film and prove that I was a good actor too. “Be yourself,” she
urged. “And you’ll be fine.” Tanuja’s been a pillar of strength.
It’s a teacher-student relationship.
That’s interesting considering you are playing a teacher
in the film too. It’s a cycle. All teachers are necessarily students and
all students unwittingly become teachers. This role is all about
learning, growing, teaching and through the experience learning more
about yourself.
But apparently you are not the ideal teacher in Sur and go
to the extent of suppressing the creativity of your best
student. Yeah, the character I’m playing in Sur does something you
wouldn’t expect of him. It stems from insecurity, the man-woman
equation. His ego comes between him and this girl who he’s always
encouraged to grow. It spoils things between them but then he
realises that every one of us has to move ahead. He admits to
himself that what he’s done is not right and goes back to helps the
girl express herself the way he had set out to do. It’s a beautiful
story...
Has anyone ever tried to hold you back? Not really, the man
in Sur is not me though there are times when I’ve argued with
Tanuja, telling her I don’t feel that way. “You don’t have to
because it’s not you, it’s Vikram Aditya Singh,” she’d remind
me.
But surely the film must dredge up some memories of those
early years when you were trying to sell Sunoh and had music
companies slamming the door on your face? That was a different
experience altogether. The trials of an individual struggler who
wanted to do something in life. He knew he had the talent, the
material, he only needed to find someone who’d believe in him. Sur
is not so much about struggle as about conscience. It’s about right
and wrong.
One would expect you to not just act and sing in the film
but compose the music too. But MM Kreem is the film’s music
director. Look, if Tanuja had asked me I would have done the music
since I’m singing the songs. But I wouldn’t have achieved what Kreem
has. I have never been taught music. I only sing about how I
feel.
How do you feel singing songs composed by someone
else? (Shrugs) If they’re good songs I like it. It’s the same
seven notes.
After shying away from acting for so long you’ve suddenly
accepted a number of films. (Frowning) I
have?
Well, there’s Bobby Khan’s Kya Main Ab Bhi Tumse Pyar
Karta Hoon with Raveena Tandon and Lisa Ray. I don’t know if I’m doing
that film or not. We’ve finished the music but the shooting’s still
to start. I also have no idea what Aditya Bhattacharya is doing
about his film, Avatar. And I’m no longer in Dev Anand’s Love In
Times Square. So that leaves only Sur and Kaante.
What are you doing in Sanjay Gupta’s multi-starrer
Kaante? I’m playing a criminal. I’m one of the bank robbers, the
film’s sutradhar. I tell everyone’s stories and my own too. It’s an
interesting role. Sanjay Dutt and Sanjay Gupta are my buddies. I’ve
known Sanju (Sanjay Dutt) since we were kids. He was making a movie
and there was no way I couldn’t not be a part of it. He and Sanjay
Gupta kept telling me, “Kar le yaar.” So I did Kaante even though at
the time I had no plans of being an actor. What I wanted to do was
make an international album. But Kaante has been fun. We were a
bunch of mad guys...monkeys. We had a blast!
Talking of blasts what was it like being in America and
watching the world crumble around you? The world didn’t
crumble for me. I’ve heard that a lot of the other stars had
problems following the attacks on the World Trade Centre and the
Pentagon, but I had made some good friends in America and they went
out of their way to make sure my family and I were comfortable
despite knowing we belonged to a particular community. I like
Americans. They’re so gullible and ignorant about a lot of things
and that makes them very endearing. The blasts and the devastation
that followed was something no one could have predicted but God
willed this to happen, he allowed it. So though I was shocked and
sad by the events unfolding in front of my eyes, I knew it was
something beyond my control and concentrated on working hard through
those six weeks. At the end of it I was yearning to be back home. On
my evenings and days off I’d take my wife and family to the beach or
to Disney Land. We’d have lots of fun and could momentarily forget
what was happening around us. Though like everyone else I saw the
buildings going down, the violence was in a way far removed from us
so that it didn’t really touch our lives. If there is something that
I learnt from the American attacks it is that it’s time for us to
move ahead. Our elders have been guiding us all these years. Now it
is time they relaxed and handed the reins over to us.
Given the chance what kind of a world would you
build? First, before I change anything I’ll have to change
myself. I’m practical and sensitive which are assets and I know I’d
allow for a lot of growth. Where politics is concerned, I believe I
can be quite diplomatic and have a talent for calming frayed nerves.
(Thoughtfully) I don’t know exactly what I’d do but besides talking
I’d listen a lot too. That’s important when something like the Babri
Masjid controversy is rearing its ugly head again.
What’s your opinion on the issue of the Babri
Masjid? In Islam we’re told not to insult anyone’s religion
because out of ignorance you could insult God. Going by my sketchy
knowledge of history, Babar didn’t bring Islam to India. It had made
inroads since the time of the Prophet. Babar was only an invader who
was drawn to our country for its riches and the masjid itself isn’t
of any great historical significance. There are only three great
mosques, the ones in Mecca, Madina and Jerusalem, that are important
to all Muslims. More than the Babri Masjid where there has been no
praying for a long time, we should be more concerned with the
country we were born in because that was what the Prophet preached.
We are a 50 million strong community and over the years we’ve become
isolated from the mainstream. Post September 11, 2001 it’s time for
the community to introspect. I’m an Indian who has a Muslim father
and a grandmother who came from Rabindranath Tagore’s family. So not
only can I empathise with my Muslim brothers, I can also urge my
Hindu brothers not to treat the Muslims with such deep suspicious
and hold it against them for being here. It’s time for us to get
together and do all that is necessary for the country to move ahead,
not rake up an issue that is centuries old.
For all your wander lust it seems like India is home to
you more than New Zealand where you frequently dash off
to. New Zealand’s nice but it is not India. There’s no place
quite like India. It’s home. But not Mumbai, even though I was born
and grew up here. Then we had acres of land. Now Mumbai has so
little space and so many people. Instead of spreading out it’s
closing up. Also my mother doesn’t live here any more so Mumbai is
lost to me. I come here for work and hurry away as fast as I
can.
You don’t look like you hate Mumbai right
now? That’ because Banganga where we’re shooting today doesn’t
feel like the city. It’s so beautiful here with all the swans, these
gentle people living their normal lives and a pond where I can go
swimming. It reminds me of South India.
Your father has a farm in Bangalore, doesn’t
he? Yeah, it’s wonderful there. He owes a few horses, they’re
great creatures. Someday I want to get back to horse breeding which
was my initial vocation. I have horses, sheep, cows, chicken, ducks,
pigeons and fowl on my farm. We grow all vegetables and have
orchards of mangoes, chikoo, papayas, jamuns and lots of coconut
trees. Also fields of banana, rice and wheat. We grow everything. I
enjoy farming. (Holds out his hand) See, this is a farmer’s hand.
Even my music comes from those wide, open spaces. It’s while I’m
tilling my fields or working my animals that a tune suddenly plays
in my head and a song is born.
Given your fondness for horses would you ever want to do a
western? A Hindi film western? That might be fun. Right now I’m
enjoying this new career of mine. I didn’t go looking for it. Acting
just happened. Films fell in my lap. But I know I’m only a temporary
artiste. I’m still looking for my true calling.
Why are you constantly running away from a career in Hindi
films, be it in playback singing or acting? I am not running away
from anyone or anything. It’s just that I don’t want to get caught
up with regular commercial films. There’s more to life than
that.
You once said that commercial Hindi cinema can desensitise
you. Why does it put you off? That’s because I
don’t think the film industry taps all the talent and capabilities
available to it in the best possible way. Hindi commercial cinema is
a proposal system. It’s not that I’m against proposals but they
should have some substance. Here mostly they are a waste of time.
Thank God both my films, Kaante and Sur, are different. They are
both very now.
You were named Lucky by your father because you proved
lucky for him. You also proved lucky for Hrithik Roshan and Kaho
Naa...Pyar Hai. Has the name been lucky for you too
personally? What do you think? Personally, I don’t understand this
luck business. I understand work. I believe that if you work
honestly your work will speak for itself. Lucky is my pet name. For
my father it was more of an endearment. And if I’ve proved lucky for
Guddu(Rakesh Roshan ) and Hrithik then I’m happy.
After Kaho Naa...Pyar Hai just about every producer wanted
you to sing for every actor. But you turned them all down and
disappeared. Why? I don’t mind singing
for anybody but I have to be convinced about the project. I don’t
just want to make a career in Hindi film playback.
Did the awards you won for Kaho Naa...Pyar Hai make any
difference? (Shrugs) I work for satisfaction, not awards. They didn’t
make me happy or unhappy either. At the time I didn’t have the time
to come and go and collect them personally.
A fellow singer was very upset when you won the award for
Best Male Playback Singer last year for Ek pal ka jeena.... He felt
you didn’t deserve it because you weren’t really a
singer. (Smiling) I’m not a singer or an actor. It’s true that this
is not my field. And I think now I’ll leave the field clear for him.
I want to help people resolve the bigger issues and not get caught
up in petty controversies.
From Sunoh and Sifar to Aks, Kaho Naa..Pyar Hai and Sur,
your music has been changing with every new album and every new
film. It has. As a child you are born dependent, then you become
interdependent and later independent. The cycle repeats itself in
music too. The films I did for my father were dependent. My albums,
Sunoh, Sifar and Aks were independent ventures. Kaho Naa...Pyar Hai
and now Sur are interdependent.
Your first composition was ‘Nobody loves me...’Was it
reflective of your state of mind at the time? (Smiling wryly) It
was reflective of my childhood. After my parents divorced I actually
got a lot of love from everyone but it was never enough for me.
There were seven of us and I wanted all the love for myself. And
when I didn’t get it all I composed this song about how nobody loved
me. It was so childish but I was a child then.
But later you were also quoted saying that the
concept of a home and family was not for you. Yet today, you seem
well entrenched in your farm, living happily with your two wives and
children. Life’s not a bed of roses, but yes I think
I’ve been able to find my niche. That’s because I’m flexible, able
to adjust easily. I like balance. I like people, being around them.
God’s given me a lot. I wouldn’t want more. In fact, now I’m afraid
he’ll take it all away from me someday soon. If that happens I hope
and pray I have the strength to bear with the loss.
When you married a second time you said your wife
Inaya gave you back your youth... (Frowning darkly) I
never said that. My second wife may be younger to me by a few years
but it isn’t as if I’m 70 and she is 20. She was just someone I met
and liked. Inaya is a good girl and we took to each other instantly.
I didn’t want to just have a fling. I was willing to marry her and
take on the additional responsibility. So I spoke to my first wife
about it and things worked out for the best.
It certainly has. I believe both your wives live amicably
together under the same roof. No, they don’t live
together. I maintain two separate households and divide my time
between my two wives and children. They’re both lovely girls,
intelligent, with a lot of head space. There’s never a dull moment
when I’m with them. We’re all learning something new all the time
and lead separate lives. In fact, I like both my wives to do their
own stuff. Inaya is very artistic. She enjoys stitching and wood
carving...
What were the reactions to your second
marriage? Many told me that I couldn’t afford a second marriage.
But then, could I even afford the first one? God takes care of all
that. You only have to be convinced you’re doing the right thing.
And I was never shy or ashamed of taking on another wife. In this
profession I have to travel a lot and I can’t be going everywhere
with my family. I knew that could be a problem because I’m a
gregarious person. I make friends easily and I just can’t say “no”
to people. So I have a tendency to get into trouble. If I had
someone with me all the time I could be steered away from trouble. I
think it was a wise decision marrying Inaya. And I’ve tried to be as
fair as possible to both my wives.
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