3.

                              PUNK 2
                  Assonance don't get it, you beard-o 
                  weirdo ass-o-nancy.

                                                             CUT TO:

        COVER SHOT, MONOCHROME, HIGH CONTRAST: Punks 1 and 2 continue 
        their assault.

                              PUNK 1
                       (turning to Punk 2)
                  Show him what an Iambic Pentameter 
                  rhythm feels like, man.

                         FADE TO BLACK, BEAT, BEAT, THEN FADE IN TO:

  3     INT. COFFEE HOUSE STAGE — A 1950’S NIGHT                   3

        MLS, MONOCHROME, HIGH CONTRAST: It’s just a bar stool and 
        it’s just a 1950’s microphone on a stand on a stage, in 
        classic LIMBO lighting.

        MUSIC, UNDER THROUGHOUT: Whoa, Daddy-O, it’s a cool Fifties 
        Beat Jazz groove on bongos and string bass.

        ESTABLISH CG SUPER: BEAT POETS

        CHANGE CG SUPER TO: BEAT POETRY

        ESTABLISH, THEN LOSE CG SUPER.

        SHOT CONTINUES: Stereotypical Beatnik POET - bearded, with 
        black turtleneck, black slacks and black beret - ENTERS, 
        steps up to mic. He puts some posters face—down on the stool.

                                                             CUT TO:

        MS, MONOCHROME, HIGH CONTRAST: Poet begins, with his right 
        hand he presents poster that reads “NOW.”

                              POET
                  NOW,... man.

        SHOT CONTINUES: Poet lowers his “NOW” poster and presents a 
        “HERE” poster with his left hand.

                              POET (CONT'D)
                  HERE,... man.

                                                             CUT TO:

        CU, MONOCHROME, HIGH CONTRAST, FEATURING POSTERS: Poet brings 
        posters together to spell: “NOWHERE.”

                              POET (CONT'D)
                  NOWHERE,...
                       (beat, beat)
                  MAN!