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RIGOLETTO
--Standard Repertory--

By Giuseppe Verdi
VIDEO: Ingvar Wixell, Luciano Pavarotti, Edita
Gruberova, Chailly conducting; dir. Jean-Pierre Ponnelle, 1983; PGD
071 501
There have been a number of great baritones who have
made special recordings of the title role; they all deserve to be
heard, though Riccardo Stracciari may be the greatest of them (see
AUDIO G). It's
frustrating that, save for the all-important Gobbi CD at the top,
most Rigoletto recordings pose a choice between an accomplished cast
with a respectable Rigoletto versus a superb Rigoletto and a
not-quite-satisfactory cast. [G.R.]
AUDIO: A) EMI: Tito Gobbi, Maria Callas,
Giuseppe Di Stefano, Serafin; La Scala, 1955; CDCB 47469 (mono); one
of the finest complete opera sets ever made--of anything(!), splendid
conviction and vocal assurance throughout; 2 caveats: 1) all the
traditional cuts observed, 2) reasonably clear and solid mono sound,
but the sombre, haunting orchestration comes through somewhat better
in more recent stereo sets [G.R.]
B) FABBRI EDITORI: Leonard Warren, Erna Berger, Jan Peerce,
Cellini conducting; almost as opulently sung a performance of the
title role as in E (see below)--and with better conducting, plus more
vocally hale though less idiomatic colleagues; Robert Shaw Chorale a
plus; mono [G.R.]
C) DECCA/LONDON: Sherrill Milnes, Joan Sutherland, Luciano
Pavarotti, Bonynge conducting; state-of-the-art stereophonic sound
with a first-line cast in their prime performing the score in its
entirety--not quite the panache of either A or B but a strong show;
instrumental colors and Verdi's mastery of orchestral moods come
through vividly; stereo [G.R.]
Three-way tie for
the D rating (given in
chronological order):
D-1) RCA: Robert Merrill, Roberta Peters, Jussi Bjoerling,
Perlea conducting; three incomparably healthy and sumptuous voices in
tip-top condition; all traditional cuts observed, unfortunately, in a
recording marked by more energy than genuine commitment and insight
(but what incredible sounds throughout from all three!); mono
[G.R.]
D-2) RICORDI: Ettore Bastianini, Renata Scotto, Alfredo
Kraus, Gavazzeni conducting; two charismatic vocalists vividly
present the drama of Verdi's father/daughter pair, but without the
further probing that could have been, what with Gavazzeni's rushed,
though thoroughly engaged, baton; Kraus's Duke is efficient; some
traditional cuts opened up; stereo [G.R.]
D-3) RCA: Robert Merrill, Anna Moffo, Alfredo Kraus, Solti
conducting; Moffo's Gilda (from her all-too-brief prime) is as
perfect in its way as anyone's; none of the others here are at her
level, but the consistency of Merrill's vocalism and Kraus's
technical assurance, with a less-than-simpatico instrument, round out
an accomplished, musical reading representing the early 60s at its
most conscientious; traditional cuts opened up; stereo
[G.R.]
E) CETRA: Giuseppe Taddei, Lina Pagliughi, Ferruccio
Tagliavini, Questa conducting; one of the greatest protagonists
available anywhere--Taddei's Rigoletto trumping Gobbi's (Item
A); his extraordinary achievement creates an aura that
sometimes overshadows the fact that neither Pagliughi nor Tagliavini
are really at their best; with fewer cuts than A; not such
persuasive conducting; mono [G.R.]
F) VAI AUDIO: Luigi Piazza, Lina Pagliughi, Tino Folgar,
Sabajno conducting; alert pliable conducting and a well-rounded
ensemble of La Scala regulars from 1927 (including Pagliughi in her
prime) give one an authentic taste of how the opera sounded on its
home ground early this century; fair mono [G.R.]
G) MUSIC MEMORIA: Riccardo Stracciari, Mercedes Capsir,
Dino Borgioli, Molajoli conducting (1930); here is the greatest
interpretation of the title role ever made in the recording
studio--Stracciari; unfortunately trapped with a sub-par soprano
(Capsir) and somewhat perfunctory conducting; fair mono
[G.R.]
For Further
Reading:
The
Operas of Verdi : From Oberto to Rigoletto (Vol. 1, Revised),
by Julian Budden
Encounters
with Verdi, by Marcello Conati, Richard Stokes, Julian
Budden
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This page last revised 8/13/99 | Copyright ©
1998, 1999 by Geoffrey Riggs
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