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Wednesday, April 14th, 2004A warning from the start, as I am currently geeking out to a shocking extent, and my entry is therefore going to be endlessly dull to all who read it save me. If you do not want to read about what I have been reading about (and reading is all I have been doing in the past little while), then I give you leave to take your mouse, nice and slow, and drag it to the "back" button. Check back in a few days when I have emerged from my cocoon of books, all fresh and newly transformed, if slightly damp and sticky from my metamorphosis, then we can both rest in the sun as I dry my wings and flutter about in the warm spring air and try not to get caught in any inter-spider-webs. By which I mean, check back when I'm done being strange, and bookish, and creepily poetic for no reason at all. I've been reading a lot of criticism this past week, trying to make myself feel productive about this essay I'm working on, while in fact not doing much work at all. Which isn't very helpful in the long run, but it sure has been entertaining:
Isn't that wonderful? Sure, it's not at all useful, but I think it's always important to remember, when spending extended periods of time writing about anyone, that in their youth they dressed like a cult leader, in their prime they had fascist leanings, and in their old age they thought themselves responsible for all modern Irish culture. Keeps things in perspective, because, see, I may think I'm a prose genius at times, especially when writing essays, but at least I'm not dressed like a false-priest or an umbrella. In other entertaining-only-to-me news, the second year lecture series is my new drug. I went to today's talk about Brecht and modern theatre, and while I did object to the lecturer saying that Modernism died with Yeats in 1939 (oh, no no no, don't say that, you know it's not true and you shouldn't tell lies, even if it is to silly secondies who believe unquestioningly), it was a good class, complete with a wacky 1920's brechtian film clip. And! The lecture I plan to crash on Friday is going to be even better. Not only will it still be on modernism, but they will be covering Yeats (on whom I currently have one of those crushes I often get on people I hate) and T.S. Eliot. Even better, the text explored will be "Murder In The Cathedral"! Oh joy! Oh rapture! Added happiness because I suspect the lecturer to be of Irish or possibly southern Scottish origin (it's hard to tell), and she pronounced it "Murrrderrr in the Cathedral" all soft and sexy-like into her microphone. Tell all your friends, it's going to be a rockin' good time.
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