WOODY GUTHRIE

My Life (Part III) (1947)

Any copyrighted material on these pages is used in "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s).

I hit the highway to look around for a place for us to go. I carried my pockets full of paint brushes and my guitar slung across my back. I painted all kinds of window signs, posters, show cards, banners, car and truck signs, in the daylight and played with my hat down on the old saloon floor after night had set in. Got to California and went up and down the west coast a few times, found a cousin of mine, Jack, and we took a fifteen minute radio program in order to collect give us enough prestige around at the saloons to ask for a two dollar guarantee for six hours.

It was not too long till I met the Crissman family out on some street of car smoke in Glendale. Roy and the Mrs. Crissman had two daughters, Mary Ruth and "Lefty Lou" from Old 'Mizoo. She was a tall thin-faced cornfed Missouri farm girl with a voice rough and husky and I played my southern E chord guitar in back of our voices while we sung as "WOODY AND LEFTY LOU" and got twenty thousand letters during the almost two years that we sung over the mikes of KFVD. KFVD belonged to J. Franke Burke and he was the campaign manager the year Olsen was elected governor. Lefty Lou and me took quite a hand in politics and sung some of our first political and religious songs of our own making right then and there. A big Agent hired Lefty Lou and me to go down below the border to XELO, Tia Juana. I saw the home-made music boxes of the Mexican peons that played around the streets, and we picked up lots of good genuine Mexicana folk songs from them.

Back in L.A., I got back on KFVD again, this time by my own lonesome. I rented a house and my younger Brother, George, hitched out from Oklahoma and got a clerk job in a big market. He paid the rent and I paid the bills and we saved up money and sent for Mary and the two daughters. I sung songs for the cotton pickers and cotton strikers, and for migratory workers, packers, canning house workers, fruit pickers, and all sorts of other country and city workers. I wrote a daily article for the People's Daily World, called Woody Says. I always read the radical papers over my program and took sides with the workers all I knew how.

I drew pen sketches for the Peoples World and learned all I could from the speeches and debates, forums, picnics, where famous labor leaders spoke. I heard William Z. Foster, Mother Bloor, Gurley Flynn, Blackie Myers, I heard most all of them and played my songs on their platforms.

I hated the false front decay aod rot of California's fascistic oil and gas deals, the ptomaine poison and brass knucks in the jails and prisons, the dumped oranges and peaches and grapes and cherries rotting and running down into little streams of creosote poisoned juices.

I saw the hundreds of thousands of stranded, broke, hungry, idle, miserable people that lined the highways all out through the leaves and the underbrush. I heard these people sing in their jungle camps and in their Federal Work Camps and sang songs I made up for them over the air waves.

I went to fancy Hollywood drinking parties and rubbed my elbows with the darkling glasses that they wore over their eyes to keep down everything. I met up with an actor named Will Geer and while we drove my '31 Chevvery around the sad canyons to play for migrant strikers, Mary gave birth on the side of a Glendale mountain to a fine big son which wo named Bill Rogers Guthrie.

Labor in general, at that time, was in the nickel and the penny stages, very few strong and well run unions but lots of tear gas and guns being used by hired thugs and all kinds of vigilantes. The movement could not pay me enough money to keep up my eats, gas, oil, travel expenses, except Five Dollars here and Three there, Two and a Quarter yonder, at places where I sung. I thougt that if I could drift back towards New York and get myself a new fresh start, things might run smoother. So Mary, Sue, Teeny, Bill and me took off across the rims and ledges of the Two Thousand Mile Desert to crawl and sweat and ache and pound back again to our little shack house in Texas. In the oil and farming town of Konawa, Oklahoma, I took my brother Roy's $35 (Thirty Five Dollars), and thanked him, told him I was whipping her up on towards New York City, and showed him an old letter that Will Geer had written to me back in Texas.

TO NEXT SEGMENT
TO TOP OF PAGE
TO WOODY GUTHRIE PAGE
TO HISTORY IN SONG PAGE
TO STARTING PAGE

This page hosted by Get your own Free Home Page