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Fire Walker by Rufus Skeens

"...The boom and bust of the 'Internet economy' has overshadowed a remarkable flowering of online literary activity ... and has created an atmosphere in which the Web's cultural significance is neglected as we focus relentlessly on its economic ups and downs. The stock market tumbles. Fortunes evaporate. Poetry remains...." -- Wen Stephenson, The Atlantic On-line, 2001

"I am a retired coal miner living in Bristol VA. In 1998, I won first place in the Virginia Highlands Adult Poetry Contest. In 1999, I placed second. This year, I placed second in the Virginia State Poetry Society's Edgar Allen Poe Memorial Contest. I am an Appalachian, and proud to be so. I am also a member of the Appalachian Center for Poets and Writers.

"I am also alphabet soup Melungeon -- Spaniard, Portuguese, Sioux and Cherokee, Turkish, and Scottish ancestry. Typical Eastern physiology -- dark skin, Asian eyes, shovel teeth -- run in my family. I have an oriental fold to my eyes, and a genetic problem that is related to Melungeon ancestry. My Appalachian kin called their ancestors, when I questioned where we came from, "black Irish." The historical significance of that is that Melungeons in the last century were labeled "Free People of Color" and could not own land, vote, hold office, etc., and their children could not attend public school, which caused widespread poverty." -- rs

Click here for other poetry by Rufus Skeens published in ACR.

Melungeon Heritage Association Inc.
Click for Melungeon Heritage website


     "Honeysuckle"



     Inside 

     your yellow throat, 

     the bee tunnels:

     I, too, remember the sweetness

     of lips.







"Against Night"



Moonlight

behind trees, throws 

branches through the window, 

stripes your sleeping: cold, 

I touch your lips, test for breath

against my knuckles. Just yesterday,

we were young.







     "Holy Land"



     Grandma's fingers,

     like missionaries, sow

     the soil's dark continent, raise

     green temples, irises gold

     as any mosque: it's there

     I worship.







"September Eulogy" The kitchen window yaws on rain. A hemlock branch scratches at the screen, as wind worries the tablecloth. Coffee rings interlock there, binds red square to white, an abstract procession of infinity the wife's dish rag will dissolve in a fit of suds. A gust thumbs through the blank sheets of my notebook, kicks the pen onto a floor that needs swept. In the yard, a sortie of starlings march on my dog's bowl as if there's no one thing in this world more important than a crust of bread. The dog, staging his moment, explodes them, a concussion of wings. Dad, all the words I could give you, and I can't write one past this world.
"It is becoming clearer that the Internet has vast potential to expand the audience for works of the literary imagination.... But I know it is more likely that the Internet will become a vast cyberspace mall, every bit as commercialized as any other mass medium in a free-market society.... For this reason, it is all the more important graphic: Cherokee Dreams by Sheila Sheppard, Click for Melungeon website that we do not surrender cyberspace and the new media to the purely market-driven forces of late-twentieth-century multinational capitalism. There are other values—values which cannot be measured in monetary units—that will survive only if we vigilantly carve out a space for them to breathe." -- Wen Stephenson, The Atlantic On-line, 1995

Graphic: Cherokee Dreams, oil by Sheila Sheppard, Jonesborough TN



text © Rufus Skeens, computer graphics © Jeannette Harris, July 2001. All rights reserved.





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