A Country Rag
Country Calendar
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"In the Sea Islands of South Carolina and Georgia, there is a unique culture: very African, very 18th and 19th century, preserved by The Hallelujah Singers." -- Maya Angelou, poet
"The Hallelujah Singers dramatize unique personages, rituals, and ceremonial dimensions that played an important part in shaping the Gullah culture and still influence music and culture today. Experts consider Gullah, an Angola-based word meaning a people, to be the purest form of African culture alive among African-Americans today." The Gullah language is a Creole blend of West African and European dialects with grammar and pronunciation primarily from West African languages. Contact Angela Wampler for schedule dates, including ground sites in Appalachia, most recently the Highlands Festival July 29 - August 13, Abingdon VA. (See event listings)
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Saints at the Table,
Sinners at the Bench
Graphic: Blue Rapture playing for Independence evening Music on the Square, photo by Steve Cook, Jonesborough Art Glass Gallery
The Appalachian Writers Association held its annual conference July 14 through 16 at
Johnson City’s East Tennessee State University. What becomes quickly apparent is the
wide range of literary talent and the willingness of more seasoned authors to share their
experiences and techniques with those struggling toward professional creation and
recognition with publication. Highlighted by Jo Carson's keynote presentation, Liars,
Thieves, and Other Sinners on the Bench, three days of forums, workshops, open mics,
meals and comraderie between writers, published or not, ends with a gathering and
reception for year 2000 award winners, who read aloud their short stories and poetry. A
sampling from concurrent sessions hints at AWA’s diversity and depth of expertise.
Joseph E. Dabney, whose Smokehouse Ham, Spoonbread, and Scuppernong Wine won
the James Beard Foundation 1999 Cookbook of the Year Award (and “has a four-possum
rating” in his locale), enlightens a forum with Appalachia-meets-the-media stories of
promotional encounters that attended his book’s international celebrity. Jo Carson,
playright [e.g. Daytrips, most recently performed at the Barter Theatre], teller and poet,
explores the means and assemblage of oral histories into public performances. Amongst
many questions unanswerable perhaps is that of how to elicit and reflect the realities of
Appalachian experience without exploiting its native peoples of varying origin and
socio-ecology. The showing of Appalshop’s Stranger with a Camera captures
remembrances of Kentuckians and Canadians relating to the observer eye, in that case a
photographer’s lens, with a range of emotion from violence to cooperation. Winner of
the 1999 AWA Book of the Year Award for The Sound of Distant Thunder, Jack R. Pyle
outlines “dos and don’ts” for building suspense and interest in mystery writing. Its most
important rule, he says, is: don’t cheat readers by introducing the true villain and motive
toward the end so all the other clues discerned become irrelevant and a waste of
previously-invested mental energy.
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The plot and character organization of a screenplay follow in many ways that of
traditional fiction. It’s important, says playwright Dorothy Rankin, not to get hung up on
the format of a play but to know the characters, to speak in their voice, and to let the
action flow. As in all literary genre, editing will follow for correcting syntactic structures
and adhering to form. Penning lyrics has a kinship to poetry, songwriters Ed Snodderly (of Johnson City TN's Down Home),
Rob Russell, Robert Alfonso and Tara Leigh Cobble acknowledge, but whether the music
or words come first or altogether may be individual and/or situational. Demonstrating [in
that order] with One of a Kind, How Much You Lied, People Say That I’m Blue, and
Petal to the Metal, these regional musicians prove that whatever the order of inspiration
and, as Einstein noted, perspiration the results may be a lifting in composition of the
personal to the near-sublime. Poetry’s relation to music might be exemplified diminutively in a 20th century form called the cinquain, five lines syllabically proscribed, Professor Fred Waage explains, as 2-4-6-8-2.
First, we are invited in his forum to write the name of a favorite object; later
we are asked to write a related cinquain and share it with the group. Next, we are passed
a box of assorted found objects gathered from out-of-doors and directed to write five
attributes of the item we chose. I describe my rock as: gold, brown, uneven, pocked, and
cracked. Okay, says the founding editor of CASS Now & Then magazine, write five
lines of free verse incorporating your words. Mine comes down as: “Borrowed
Stone/ The years were gold,/ nights soft brown/ and our loves uneven,/ pocked with crises and cracked,/ like parched ground.”
And there you have it, on-the-spot creation under the tutelage of the
well-reknowned. It’s a lot of fun after a lot of work coordinating and planning and
spreading the word around by president Thomas Alan Holmes, program chair Theresa
Lloyd, secretary Pat Shirley, and editor Barbara Eberly, the outlining of gracious
presentations by workshop and forum speakers, and ground efforts by ETSU staff members to
assure a smooth-running event. At Saturday evening’s banquet, Dr. Holmes announces
Year 2000 awards -- Book of the Year to Gap Creek: A Novel by Robert Morgan, Outstanding Contribution to Appalachian Literaure to Lee Smith -- and contest winners Mary O'Dell for poetry, Jan Barnett for fiction, and Ann Adkins for essay -- and announces that next year the presidency will pass to Theresa Lloyd for AWA’s Conference 2001.
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© Jeannette Harris
Reprise: Appalachian Studies Association Conferences 2000 and 1999, and Appalachian Writers Association Conference 1999
Go to Page 2 (Specific Events Listings)
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"They first appeared long ago.. deep in the misty mountains of Appalachia.. where the eagles soar and the lone wolves play. On a still night.. standing quietly on the ridges.. you can almost feel their presence."
"THE MELUNGEON SONG"
Hear their cries... high in Virginia
on Newman’s Ridge in Tennessee
through the backwoods of Kentucky
their souls are whispering
Crying out for vengence
for the sake of all their names
who were stripped of all possessions
and made to live in shame
(CHORUS)
Once they stood with heads held high
on fertile lands of green
they must not be forgotten
They're a part of you and me
A people called Melungeons
their heritage unknown
whose different way of life
was all their own |
Most are all forgotten now
just tales from long ago
quiet and kindred spirits
that text books never show
Some called them mountain rebels
we know not, from where they came
Time erased the truth
but it won't erase their pain
(CHORUS)
Once they stood with heads held high
on fertile lands of green
they must not be forgotten
They're a part of you and me
A people called Melungeons
their heritage unknown
whose different way of life
was all their own |
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