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Hallelujah Singers "In the Sea Islands of South Carolina and Georgia, there is a unique culture: very African, very 18th and 19th century, preserved by The Hallelujah Singers." -- Maya Angelou, poet
"The Hallelujah Singers dramatize unique personages, rituals, and ceremonial dimensions that played an important part in shaping the Gullah culture and still influence music and culture today. Experts consider Gullah, an Angola-based word meaning a people, to be the purest form of African culture alive among African-Americans today." The Gullah language is a Creole blend of West African and European dialects with grammar and pronunciation primarily from West African languages. Contact Angela Wampler for schedule dates, including ground sites in Appalachia, most recently the Highlands Festival July 29 - August 13, Abingdon VA. (See event listings)


Blue Rapture, photo by Steve Cook

Saints at the Table,
Sinners at the Bench







Graphic: Blue Rapture playing for Independence evening Music on the Square, photo by Steve Cook, Jonesborough Art Glass Gallery

The Appalachian Writers Association held its annual conference July 14 through 16 at Johnson City’s East Tennessee State University. What becomes quickly apparent is the wide range of literary talent and the willingness of more seasoned authors to share their experiences and techniques with those struggling toward professional creation and recognition with publication. Highlighted by Jo Carson's keynote presentation, Liars, Thieves, and Other Sinners on the Bench, three days of forums, workshops, open mics, meals and comraderie between writers, published or not, ends with a gathering and reception for year 2000 award winners, who read aloud their short stories and poetry. A sampling from concurrent sessions hints at AWA’s diversity and depth of expertise.

Joseph E. Dabney, whose Smokehouse Ham, Spoonbread, and Scuppernong Wine won the James Beard Foundation 1999 Cookbook of the Year Award (and “has a four-possum rating” in his locale), enlightens a forum with Appalachia-meets-the-media stories of promotional encounters that attended his book’s international celebrity. Jo Carson, playright [e.g. Daytrips, most recently performed at the Barter Theatre], teller and poet, explores the means and assemblage of oral histories into public performances. Amongst many questions unanswerable perhaps is that of how to elicit and reflect the realities of Appalachian experience without exploiting its native peoples of varying origin and socio-ecology. The showing of Appalshop’s Stranger with a Camera captures remembrances of Kentuckians and Canadians relating to the observer eye, in that case a photographer’s lens, with a range of emotion from violence to cooperation. Winner of the 1999 AWA Book of the Year Award for The Sound of Distant Thunder, Jack R. Pyle outlines “dos and don’ts” for building suspense and interest in mystery writing. Its most important rule, he says, is: don’t cheat readers by introducing the true villain and motive toward the end so all the other clues discerned become irrelevant and a waste of previously-invested mental energy.

The plot and character organization of a screenplay follow in many ways that of traditional fiction. It’s important, says playwright Dorothy Rankin, not to get hung up on the format of a play but to know the characters, to speak in their voice, and to let the action flow. As in all literary genre, editing will follow for correcting syntactic structures and adhering to form. Penning lyrics has a kinship to poetry, songwriters Ed Snodderly (of Johnson City TN's Down Home), Rob Russell, Robert Alfonso and Tara Leigh Cobble acknowledge, but whether the music or words come first or altogether may be individual and/or situational. Demonstrating [in that order] with One of a Kind, How Much You Lied, People Say That I’m Blue, and Petal to the Metal, these regional musicians prove that whatever the order of inspiration and, as Einstein noted, perspiration the results may be a lifting in composition of the personal to the near-sublime. Poetry’s relation to music might be exemplified diminutively in a 20th century form called the cinquain, five lines syllabically proscribed, Professor Fred Waage explains, as 2-4-6-8-2.

First, we are invited in his forum to write the name of a favorite object; later we are asked to write a related cinquain and share it with the group. Next, we are passed a box of assorted found objects gathered from out-of-doors and directed to write five attributes of the item we chose. I describe my rock as: gold, brown, uneven, pocked, and cracked. Okay, says the founding editor of CASS Now & Then magazine, write five lines of free verse incorporating your words. Mine comes down as: “Borrowed Stone/ The years were gold,/ nights soft brown/ and our loves uneven,/ pocked with crises and cracked,/ like parched ground.”

And there you have it, on-the-spot creation under the tutelage of the well-reknowned. It’s a lot of fun after a lot of work coordinating and planning and spreading the word around by president Thomas Alan Holmes, program chair Theresa Lloyd, secretary Pat Shirley, and editor Barbara Eberly, the outlining of gracious presentations by workshop and forum speakers, and ground efforts by ETSU staff members to assure a smooth-running event. At Saturday evening’s banquet, Dr. Holmes announces Year 2000 awards -- Book of the Year to Gap Creek: A Novel by Robert Morgan, Outstanding Contribution to Appalachian Literaure to Lee Smith -- and contest winners Mary O'Dell for poetry, Jan Barnett for fiction, and Ann Adkins for essay -- and announces that next year the presidency will pass to Theresa Lloyd for AWA’s Conference 2001.

© Jeannette Harris

Reprise: Appalachian Studies Association Conferences 2000 and 1999, and Appalachian Writers Association Conference 1999

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"They first appeared long ago.. deep in the misty mountains of Appalachia.. where the eagles soar and the lone wolves play. On a still night.. standing quietly on the ridges.. you can almost feel their presence."

"THE MELUNGEON SONG"


Hear their cries... high in Virginia

on Newman’s Ridge in Tennessee

through the backwoods of Kentucky

their souls are whispering



Crying out for vengence

for the sake of all their names

who were stripped of all possessions

and made to live in shame



(CHORUS)



Once they stood with heads held high

on fertile lands of green

they must not be forgotten

They're a part of you and me



A people called Melungeons

their heritage unknown

whose different way of life

was all their own


Most are all forgotten now

just tales from long ago

quiet and kindred spirits

that text books never show



Some called them mountain rebels

we know not, from where they came

Time erased the truth 

but it won't erase their pain



(CHORUS)



Once they stood with heads held high

on fertile lands of green

they must not be forgotten

They're a part of you and me



A people called Melungeons

their heritage unknown

whose different way of life

was all their own
Whose different way of life was all their own


"Dedicated to those who came before us...

Those who hid their faces and denied their names 

Those who never knew us...

Yet their blood flows through our veins."



© Donna And Jimmy Porter


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Original material © A Country Rag April, 1996, 2000. All rights reserved.