A little known New York playwright named Mark
Dunn filed a $200 million suit against the
makers of The Truman Show
on June, 16, claiming the concept was lifted from his 1992 off-off Broadway
play Frank's Life. Dunn says Paramount Pictures rejected his script six
years ago, but turned around and used it for the Peter Weir directed Jim
Carrey flick. "It's my story," Dunn tells the New York Post. "The movie
could not have been written without someone seeing the play or the script.
Dunn's attorney, Carl Person, filed the suit in U.S. District Court, naming
Paramount Pictures, producer Scott Rudin, screenwriter Andrew Niccol, and
exhibitors Sony Theatre Management Inc. and Cineplex Odeon Corp. Dunn's
play ran for only three months, but he says the similarities between Frank
and Truman are clear. For example, both the play and the picture center
on an ordinary Joe who doesn't realize he's the star of a popular television
show; his parents, friends, and wife are actors; there's a godlike producer
working behind the scenes; and the plot revolves around the main character's
realization that his life is a sham. Caron Kanauer, a New York agent and
producer, tells the paper that she sent copies of Frank's Life to Paramount
and Fox in the summer of 1992. Both studios turned it down. According to
Paramount Vice Chairman Rob Friedman, the script was "never submitted to
Paramount at a level where it would have gotten high enough up on the executive
chain for anyone in development to be aware of it." Around the same time
Dunn submitted his screenplay, Niccol delivered a script that would later
become The Truman Show to agent Lynn Pleshette, and she tells the paper
that she made a deal with über-producer Rudin in the fall of 1992.
Pleshette, in a refreshingly candid statement, says Dunn's claims are "insane,"
and "every time a big movie comes out a moron tries to sue." And Dunn might
have a difficult time proving that he came up with the concept anyway.
Last week, the Los Angeles Times traced The Truman Show's origins back
to a 1966 dark comedy by Paul Bartel called The Secret Cinema. The short
film focused on a young woman who suspects her boyfriend and co-workers
are secretly making a movie of her life and showing it at a local theatre
on Saturday nights. She shares her paranoid fantasies with her shrink,
only to discover that he's the one producing the film. "The similarities
between the two films are obvious to anyone who has seen them," Daily Variety's
film critic Todd McCarthy tells the paper. "Secret Cinema played the New
York Film Festival at the time, and it was remade by Bartel as an episode
of the Amazing Stories TV show in 1986, so it's not exactly obscure." But
McCarthy says he doesn't "attach a huge significance to the similarity
since there is no such thing as an original idea." Niccol, who also penned
last year's futuristic Gattaca, says he'd never heard of Bartel's film
when he wrote the script, and has not seen it. |
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