A friend of mine [Nicky Holloway?] had just come back from Spain and had brought some acid house records with him which he announced were the latest thing. But the dancefloor stayed empty. Then it was my turn and I put on a few jazz pieces. The dancefloor was full. To take the piss out of him I called my music Acid Jazz -- Gilles Peterson
etrinida@scf.usc.edu writes: Other people would use definitions of acid jazz based on philosophy, fashion, politics, etc. As a musician, I prefer to define acid jazz using musical elements. Most acid jazz I hear has these elements:
Drums - playing funk/hip-hop rhythms, focusing on basic beat (not many tom fills, etc), lots of shuffle play on the snare, which is usually a metal or brass piccolo snare.
Percussion - if existent, plays afro-latin style rhythms on congas, or syncopated shaker/cabasa rhythms. Tempo is usually no lower than 88bpm nor higher than 116bpm.
Bass - usually melodic, played straight with fingers (i.e. no slapping, popping, pick playing). Occasionally standup acoustic bass is used.
Guitar - jazz/funk chords (9ths/11ths/13ths) played in high registers, usually played clean or through wah-wah pedal. No powerchords.
Keyboards - simple keyboard arrangements (i.e. one or two keyboard instruments are present at one time), usually focusing on basic keyboard sounds (i.e. piano, Fender Rhodes, Wurlitzer, Organ), occasional strings.
Horns - Horn section, usually sax/trumpet/trombone trio, sometimes with flute. Usually playing tight unison lines