| He who speaks |
Gerardo García. Dweller of the city of Tampico, México. Devotee of music, literature, movies, digital logic, tennis [...]
e-mail: iconodo@yahoo.com I took the idea "collective invention", departing from the description "collective investigation" pointed by Teilhard de Chardin in his "Man´s place in nature", as an individual investigation of second order. |
| The purpose | Awake the interest over the collective invention phenomenon. Eventually try (in a collecitve fashion) a definition of it that serves in the operation of projects of this modality. |
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The links
Google search |
With a "collective invention" search in an engine like Google, you can find a considerable number of sites that develop this theme from very different viewpoints, thus clearly giving a sample of the growing preeminence of the concept.
Here, it is pretended to offer links from sites whose owners have authorized their inclusion in this page, not meaning that they agree with the entirety of the posed viewpoints. |
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The subtle texture of cooperation
Inventing the future Cooperation |
This three links point to a site by John H. Lienhard. Mostly a collection of broadcasted miniatures that greatly increase our certainty of a golden man-driven future. Among many other, John H. Lienhard's insights on music subjects are worth the browsing time. |
| Introduction to Object Oriented Programming using C++ | From a collective background (the internet-unix-linux-gnu complex) back to collectivity, passing through the hands, invention and craftsmanship of a great pedagogue, this programming course exemplarizes, with its lifecycle, a paradigm shift that might as well make us conclude that "only the really best can be for free". |
| Danny Gee | Freedom of speech, freedom of software, great book reviews: a personal homepage with an unmistakable collective awareness flavour of web (and world) constructing. |
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El CuenteRío El Talismán Una nueva luz |
This is a meeting place for those who have a story to tell... at the Río de la Plata shores (Argentina, Uruguay)
Patricia M. Folco. Her experience as natural sciences teacher and member of an important Argentinian chorus, gives her the background for writing two magnificent coauthored fiction pieces together with Carlos Serra, an accountant from Uruguay. The lyre contributed the indispensable rythm to the prophetic task of the ancient times. The whole set of the literary works of Patricia allows us to suppose that actually, that task needs from a wider substratum, and from collective experience as an unavoidable and essential practice. |