“Maraming nagbiday ng ideas. Mostly mga friends from communication arts program. Mga ka-course ko,” she said.

This was how she did the lyrics. She wrote down her ideas, mostly one-liners, on a sheet of bond paper.

“Ano ba ang masasabi ko sa Centennial ng UP? Bakit ba tayo nagcecelebrate? Ano ba ang nagawa ng university para sa akin as well as doon sa mga taong hindi naman student ng university?” Dayao said, adding that she just kept on writing on her bond paper without following any “structure, form or arrangement.”

She then showed her bond paper full of one-liners to her friends. “Nagsulat din sila ng mga one-liner,” she said. “[Pagkatapos] nag-encircle ako nung mga pinaka-nakaantig sa ‘kin,” she added.

After that, she started writing the lyrics following a “form,” which she then incorporated into the music she had created before. “Ganoon yung naging proseso ko ng paggawa,” she shared.

Dayao’s classmates, Adrian Crisanto and Joana Rica Sena, sung the demo version of Isang Daan. Then, Dayao said she wanted to add more singers so the song would produce an effect that a whole community is singing, so Dayao’s fellow Communication Arts majors, Miguel Encarnacion, Jeanette Soruico and Karlo Guevarra, joined Crisanto and Sena. The five of them performed during the Centennial kickoff last Jan. 8 in UP Diliman.

Dayao said she chose the five of them to sing Isang Daan because she thinks they can best invoke the song’s message.

“Kasi hindi ko intensyon na sobrang galing nung mga kakanta… kasi ayokong magkaroon ng impression na mahirap siyang kantahin ng mga tao,” Dayao said. “[Yung] tamang galing lang na pwedeng gayahin ng kahit sino.”

She also said that the idea of a theme song is that it should be sung by many that’s why it should be easy to sing. Dayao said her “philosophy” in making the melody is that it should be easy to recall and that the song need not have high-belting notes.

“Yung tama lang,” Dayao said.

Critique

According to Ramon Maria G. Acoymo, Ph.D, dean of the College of Music in UP Diliman, Rosales’ UP Ang Galing Mo and Dayao’s Isang Daan are “typically youngish” songs.

“I think the fact that they’re forthright and they’re honest, they’re simple, makes it very accessible to certain niche of the listening market. And for me, [for] both songs, the niche really is college students or I think very young professionals that happen to like pop rockish, folkish three- to four-minute songs,” Acoymo said.

The lyrics of UP Ang Galing Mo, according to Acoymo, are “effective in a sense [that] they seem to suggest hope and pride for our institution.”

“If that’s what we want to believe in, I think it’s pretty clear [that] the lyrics deliver them,” Acoymo said.

Likewise, Acoymo said the lyrics of Isang Daan also suggest hope and pride for UP.

However, whether one is better than the other cannot be determined because the two songs “accomplish different things.”

Acoymo added, “[The first one] is rawer and more hard-driving because maybe it’s inspiring you to move to greater action. Maybe the second one is mellower because it places more emphasis on introspection and reflection.”

Likewise, Acoymo said it’s hard to define what a good pop song is. For instance, UP Ang Galing mo is good in a sense that it was able to say what it wants to say.

“But if you compare it to great song compositions of the masters, the harmonic, melodic and rhythmic ingenuity may not be of the same level. But it doesn’t strive to be that way. Within what it strives to be, it has a potential to be effective,” Acoymo said.

Acoymo also said UP Ang Galing Mo is apt for UP’s Centennial “for a certain market.”

“It may be limited to that young market which appreciates alternative pop rock [type] of songs. So it may be appropriate in a sense that it’s singable and listenable and recallable by a certain segment of the young UP population,” Acoymo said.

The same is true for Isang Daan. “It may not be very listenable to or something older people might enjoy. It’s not one to drive to a frenzy of, shall we say, vision or inspiration,” he said.

Acoymo added that “majesty” is one word he would like a centennial song to have.

“What I would look for in a centennial song are qualities that are more akin to majesty, to scope, to breadth, to sublimity,” Acoymo said. “Something that moves your heard to lofty inspirations. It has to be majestic to encapsulate, to reflect and to embody 100 years of great achievement,” he added.

An example he gave is UP Naming Mahal by Nicanor Abelardo and Bayan Ko. “Maybe the Freddie Aguilar version [of Bayan Ko] would be like folk rock. But the composition itself, I think it’s majestic. It is sublime. And whether a teenager sings it or Cory Aquino sings it, it is just as powerful,” Acoymo said.

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