To Daniela
What they say and write about her

 

 

...We should try to understand what comes out of this game, of this game of freedom to which the painter invites us. Well, just try to see with how much ease and how much ability she dilutes the colors, she tones down them, takes their virulence off. This musicality, this moving tonality transforms what she suggests in song, that is in imagine, in poetry...

...We do not try to define the picture, we try to taste it, to live it according to our sensibility, to our elective affinity with that of the artist...

...The inaugurations for painters are moments of big embarrassment, mainly when a critic wants to examine the artist's heart, because it is an angelical heart in which we would like to understand also what is beyond what she suggests us...

...I would like that she keep to give us those spaces of innocence, those spaces of sweetness (is not a case that among her pictures there is one called ""Tendresse"") in a world like ours. The artists are the angels of love, they are those who sow sensibility in a world in which it seems that there is not any more...

 

Prof. Giuseppe Nasillo, art critic
( vernissage at the Restaurant "Il Ponte" - Turin, october 23^rd 2000 )

 

Daniela Sarasso al Vip Drugstore di Cigliano (La Sesia - November, 7 2000) article by Maurizio Regis (in italian)

 

Daniela Sarasso "in mostra" al Vip Drugstore di Cigliano (La Sesia - November, 17, 2000) article by Maurizio Regis (in italian)

 

 

It is not ordinary or usual to meet a personality that, regarding the realm of creativity, combines together a versatility of interests and confluences that find their complete expression in the field of visual conversation, through signs and colours conveyed in such a way that seem to appeal to a technical arrangement that is a various as effectively stimulating and involving.

What regards Daniela Sarasso all this happens by virtue of a rich and speculative inwardness that, linked to a special sensitiveness, becomes polarizer and mediatrix of spellbound and infinitesimal perceptions, delivered to tonal fixture where present kneads in memory, giving birth to symbolisms that should be understood as effects like sincere radioscopes of the soul.

In a world that seems to nurture of sterile, radical, obtuse negation of existence itself, Daniela Sarasso, going out of stale garments of conventionality, challenges herself with a firm commitment of denudation and decantation, appealing to a mellow chromatism, fades, blazing conceptual agglutinations, or temperate evanescences, so close to those musical assonances of which her intelligence and spirituality nourish.

As evocation of matter lying down on silent and transparent depths, where it breathes the suggestion of an exotism of charming echoes of the Orient, the painting of Daniela Sarasso imposes herself pleasantly for a characterization that may be either morphologic, ideologic, emotive or immaginary, up to the degree of being able to be incorporated as a happy empiric result of an evolutive process, articulate and accurately motivated, thanks to which it seems to find full corrispondence and justification for Daniela Sarasso that euclidean space becomes harmonoius, dynamic, luminescent body of time.

 

Prof. Giuseppe Nasillo, art critic
( in "" Percorsi d'oggi"" - Pentarco Editions - January/February 2001)