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Classification: Good Originally Published: Pop Thought, 3/23/04 |
Eternal Sunshine of the Spotless Mind is an accomplishment. It might not have been that hard to think up - the idea behind it is fairly straightforward, simple enough to imagine conceiving if one was as talented as screenwriter Charlie Kaufman - but to create it seems to me a feat of superhuman proportions. This is a movie that lives and dies by its editing (by Valdis Oskarsdottir) and cinematography (by Ellen Kuras), and both go above and beyond the call of duty. You watch the film incapable of understanding how people actually created something this intricately complex yet completely charming.
Kaufman’s latest ingenious creation is about a failed relationship between Joel (Jim Carrey) and Clementine (Kate Winslet). Using a new technology developed by a company named Lacuna Inc., Clementine has had the entire memory of her relationship with Joel completely erased. Joel is understandably upset, and as a odd sort of revenge, he decides to get his memories erased too. While Joel sleeps, Lacuna technicians (played by Mark Ruffalo, Elijah Wood, and Kirsten Dunst) erase his memories while dealing with their own dysfunctional relationships. The procedure works by mapping your brain, using scanners and laser light pointers, and all manner of sci-fi nonsense, and then using this map to destroy the memories right where they are stored (Don’t ask me how). Kaufman and director Michel Gondry take us inside the memory erasure process so we endure it right alongside Joel. It starts with the most recent memories which are naturally the bad memories of a couple about to break up. But as the erasing process moves inward, the beauty of this couple comes out and Joel remembers what was so special about Clementine. Unfortunately he’s already unconscious and stuck inside a landscape of memory that is deteriorating all around him. There are a lot of strengths to Eternal Sunshine, but its structure is really something marvelous and almost otherworldly in its excellence. As Joel remembers, or rather as he is forced to forget through process of reliving his memories, his quest to save his experiences with Clementine takes on tragic proportions as his attempts to stop the procedure in midstream feel more and more futile. Yet at the same time, Kaufman continues to invent creative ways to play with the memory wipe - and Gondry matches each new idea with perfect visuals - that the film only gets more engrossing as it goes along. By the end, as things have looped around and warped our feeble human minds, even scenes and whole characters that seemed frivolous become important to the entire story. Eternal Sunshine isn’t as funny as his collaborations with Spike Jonze, Being John Malkovich and Adaptation (I haven’t seen his previous film with Michel Gondry, the widely disliked Human Nature) but it’s more entertaining, not to mention touching and profound in ways those two films never were. Jim Carrey’s performance is one that would probably even win over those who hate “Jim Carrey movies” since he finds just the right way to underplay things and because Kate Winslet as the vivacious and adorable Clementine is the best female counterpart Carrey’s ever had on screen. The pair's chemistry is powerful whether they're falling in love or trying to kill each other (or, in some cases, in love while pretending to kill each other) - they bring every moment of this couple’s relationship to startling life, and it is worth mentioning how much we dearly want them to be together despite the overwhelming odds against it (there’s that clever structure by Kaufman coming back into play). It’s a good old fashioned love story, even if it is hidden inside a piece of postmodern science fiction. I feel terrible calling a movie about erasing memories unforgettable, but I can’t think of a better word to describe it. Go see Eternal Sunshine. |