~¤~INSINUATING IMITATIONS ~¤~          

When he took you into the garden,

Under the spreading beech.

..............

New pastiches added February 2002


~Going Home~¤~

Indulging your shadowy whims,

With passion he plucked your shrieks  

     Other Rhymes   


~¤~Index~¤~

Warning:  These verses include explicit innuendo that may offend.  This page is age/content rated under Safe Surf.

After a beating

Bound Up

Cross His Lap

Light on the breeze

Packaged need

Proposals for Beating a Submissive

She who is owned

Tears and Salt

The Top

Under the spreading beech

More/Enough

Undress your insinuating Imitations  to find the index


~¤~Bound Up~¤~

---------

after D.H. Lawrence

I lingered, many years, tightly restrained

Knotted within the body, he entwined;

Rough cord around me, thus my sleep contained

Keen imaginings kept me close confined.

*

Pale limbs linked tightly with the siselled string,

What matter rope burns 'gainst such pale skin,

Bound closely to him, injuries don't sting,

Since he tied up the meaning of my sin.


~¤~Under the spreading beech~¤~

After S Kunitz

When he took you into the garden,

Under the spreading beech.

Indulging your shadowy whims,

With passion he plucked your shrieks

When your pleasure points were found

Palpitating beneath the skin,

Ravaged by him for a week,

Glowing bodies together bound.

*

What makes his engine grow?

Desire, desire, desire.

*

Outdoors he could not help smiling

Observing your bent limbs

He pulled you to the ground,

He knelt to hear your trilling

Pressed to earth with a scream,

About to burst as lust abounds;

*

What makes his engine go?

Desire, desire, desire.

*

So let him batter at you

Squeezing your nether cheeks,

Making your body so ache,

Do you ever remember who

Caused your being to creak,

And had all that it takes?

*

What makes his engine go?

Desire, desire, desire.

*

When he took you into the garden,

Under the spreading beech.

Undress your insinuating Imitations  to find the index


~¤~After a beating~¤~

----------

after Rilke

Again he cupped your face in his hands.

A frail half-smile,

comprehensively absolved him

of your flowing tears.

Passive and docile, you endured,

A tamed possession,

Yet there was being in those saline

effusions, eluding him.

Pushing fluidly across the surface,

where could tears surge,

glistening down your shining cheek,

like fresh marks on flanks.

*

To whom do you offer coursing tears?

To the stranger,

who once misunderstood you,

To the owner,

By whom you cleverly discovered,

To the Master,

who willingly bound and collared you,

To the residual pain,

which promptly and blissfully vanished,

Into the silence of being,

Overwelming you and transporting you

To submissive space.


~¤~Light on the breeze~¤~

----------

based loosely on a song - "The partisan" by Leonard Cohen

You can drink it, you can nurse it,

Doesn't matter how you worship,

As long as you are right,

Down on your knees;

Before your Master, can you ask for,

Glinting servile in the dark for,

Hinting brightly, so well marked for

On the breeze.

*

Should you skitter helta skelter,

Show the haven of your delta,

Moistening like the river,

And the seas;

Like the treasure come from heaven,

For something like forever,

You were healed, and your heart,

Was well at ease.

*

You can be weak and formless,

Yet you're sleeping in your harness,

And the wind is going wild,

In the trees;

And it's not exactly prison,

For you'll always be forgiven,

Whatever you have done,

Was done to please.

*

When it's dark and it is snowing,

Oh sweet pet you must be knowing,

The river bed is starting,

Now to freeze;

There'll be no more pretending,

You were broken, now you're mending,

Excelling in your purpose,

To be his.

Dance for your Master oh so playful,

Your behaviour quite disgraceful,

Nearly naked certainly,

Since you're a tease;

Shall we determine punishment,

Keep submissive pets content,

So you come again with love,

Light on the breeze.


~¤~Proposals for Beating a Submissive~¤~

----------

After John Clare

Leashed and steady he can wrench,

The hidden girl from the grove,

Says to the wench, knelt by a bench:

"I'll learn you not to rove."

*

"Stick to teaching," she contests,

"'Tis I who's here to learn,

I'll not confess my naughtiness,

Though you my backside burn."

*

"Inside your mouth, your tongue is wise,

Licking thoughts to pure sauce;"

The wench derides in her disguise,

And stamps her feet, of course.

He won't allow these teasing traits,

Cures her with taunts quite clear,

She'll remonstrate, but its her fate,

Recalcitrance won't endear

*

A mossy tree trunk, not too damp,

Will serve to rest her thighs;

He pulls her there, by that fine hair,

And bares her to the skies.

*

By his hands spindling birch twigs snap,

From them a switch he makes;

Sticky with sap, bared flanks he'll slap,

Bent over now, she shakes.

*

She turns restless at each strike,

Gazes back with fearful eyes,

It's his delight to whip flesh white,

Leaving red marks that surprise

She wants him now to drop his switch

To fill her holes and nooks;

He could enrich his woodland witch,

Rebellion he'll not brook.

*

Eager her "learned" bottom lifts,

Whipped, welted and quite ready,

He'll not resist her dryad gift,

An offering leashed and steady.


~¤~She who is owned~¤~

----------

After J Keats

She who is owned dwells in her Master's care,

Kneeling attuned to ritual, not forgetting,

Before her Master, before his empty chair,

Controlled, possessed, well prepared for petting;

Once he beholds on her submissive face,

The misting of those eyes, pupils entranced,

He'll have the opportunity to chase

The fears that dissipate at his command;

*

As he subdues her feyness to his power,

Catching the faintest glimmer of mischief,

He takes her across his lap with relish dour,

Offers the firmest palm for her relief.

Be it with hand, hard brush or cruel strops,

By harsh determination, wickedness stops.


~¤~ Cross his lap~¤~

---------

Pointer Sisters

Stilling swaying thighs,

She kneels close by

A lazy turn of her legs;

She saw he observed,

Gazing firmly at her

As she'd sit up and beg;

Breathing comes ragged,

Since she's already gagged

The pet cannot defy,

The glint in his eye

Offering her flanks

For a tattoo of spanks...

Cross his lap

*

She needs a chastising hand,

And an owner's harsh touches,

She needs a Master's command,

Falling into his clutches,

She needs dominant man,

In her covert submission,

She needs a firm hand.

*

Under a shadowy gaze,

her green eyes will glaze,

As stiff punishment's done;

Pushing her in the race,

To secretive sub space,

Pleasures fountain as one;

From each wicked tease,

That secretly please

The pet can't move a limb,

She is held close by him

And as she is bared,

Her flesh is prepared

She needs it so harsh

For as long as it lasts...

Cross his lap

*

She needs a chastising hand,

And an owner's harsh touches,

She needs a Master's command,

Falling into his clutches,

She needs dominant man,

In her covert submission,

She needs a firm hand.


 ~¤~Tears and Salt~¤~

---------------

After May Sarton

Consider the uncollared salt:

In her damp tears it disappears.

It has no self. It knows no fault.

No control makes it atone.

No power may gather it to own

Dissolving presence everywhere.

*

But, out of water in harsh air,

It will reform into a presence,

Precise, exact, tangible, here.

Faultless pure and crystalline,

Submitting to Mastery defined

Channelled by his very essence.

*

Division healed by dichotomy,

Disolve with each suspenseful call,

Wearing the collar and still free,

How can she be subsumed to lust,

Unless her Master is fair and just,

Tasting saline tears that offer all?

*

Surrender to moist transformations,

Observe subtle crafted designs

Let self flow to pure sensation.

Bounds dissolved, never imprisoned,

Accept commands without derision,

Let precious crystals be refined.

*

The symbiosis of close attachment

Comes with acceptance of every fault,

Without intensity or enrichment.

Emotive love achieves this swiftly;

Other constructs build less quickly,

As they possess both tears and salt.

 


~¤~ The top~¤~

With apologies to Cole Porter

You're the top

You're the one in charge, Sir

You're the boss

You are this pet's Master

*

You're the top

Let me wear your collar,

Whip me hard,

Make me really holler,

*

With your box of tricks Sir,

You can take your pick Sir,

Make me squeal with your steel

You really know

How you make me feel

*

You're the top,

You so empower

I submit

You can make me flower

*

I will dance your dance

Take your teasing chance

As you mesmerize, shock and surprise

With every taunt

That you can devise

*

For

*

You're the top,

You are the possessor

You are more

And I am less, Sir,

*

You control me

Yes, you own me,

You can lend

Or you can loan me

*

You're my all

Without you I'm not, Sir

I'm your tool

Let the rest rot, Sir

*

Just remember

There's no contender

For I'm your bottom

And you Sir...Are the top!


~¤~Packaged need~¤~

---------------

After Robert Frost

Legs could be tied, yet she'd rest quite content

Taut cord to tease her well spread, silken thighs,

A stickiness brings dew-like recompense,

The pretty package, Master has devised;

Supported on the central pole she craved,

Its pinnacle lodged firmly in her cleft

The sliding shaft stole her sweet breath away

As surely as withdrawal leaves her bereft;

Absence brings an all-encompassing need,

Precludes acceptance of her present station,

She seeks a true release not to be freed,

Still connected to penetrating inspiration.

In the saucy capriciousness of a feverish pet,

Thoughts of further bondage leave her exceeding wet.