The background for this fluorescent work, was painted "live" under UV lights with a sound system, at a squat in Leytonstone in late January 2005.

The spiral was added to give a daylight interest. Although the transformation by UV makes it worth buying a "black" bulb to appreciate how it was actually painted..

I traveled up to the Tate Modern on 26 March 2005 to experience the Bruce Nauman sounds in the Turbine Hall. I tried to leave that painting for the Curator Emma Dexter, as a thank you, for inspiring my art by her judgment of Saddams Teeth for Radio 4. It was explained that she wasn`t there, or the Assistant Curator!

This UV painting [seen here under daylight] was inspired by the visit to the Tate Modern on 26 March 2005.

This 36 X 27 canvass was a first experiment utilizing syringes loaded up with layers of more than one colour of fluorescent paint. see below