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Before you saunter into the theatre to watch BEWAFAA, you expect a story similar to MURDER/HAWAS [wife cheating on her husband] and BEZUBAAN [a man blackmailing a woman for an extra-marital affair] to unfold in the next three hours. ReadMore

A Sanjay Leela Bhansali film is special! Irrespective of how his films work at the box-office, there's no denying that the master storyteller is also a master craftsman. His works, over the years, have cast a spell over viewers of all generations.ReadMore

CHEHRAA, which teams Dino Morea and Bipasha Basu again after RAAZ [hit] and GUNAAH [flop], does not recreate any magic whatsoever mainly because writer-director Saurabh Shukla's script is the biggest culprit. It leads you nowhere!
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Realistically treated with light moments aplenty, it could've been an ideal date movie. But it turns out to be a mediocre affair primarily because the stories get so messed up in the latter part that the impact of a strong first half gets diluted to a major extent.ReadMore

Very few directors can strike the right balance between form and content. Several directors get swayed by style, concentrating more on giving the film a glossy and stylish look, while content is relegated to the background.ReadMore

HUM TUM has laughter in abundance, but an undercurrent of emotions continues to move alongside. Now to the crucial question, does HUM TUM work? For those who appreciate romantic comedies for both aspects of the genre [the ‘romance’ and the ‘comedy’], HUM TUM works to an extent!ReadMore

Do accomplished cinematographers make excellent story tellers? Can they narrate a story with flourish in those two hours when seated in the director's chair?ReadMore

Subhash Ghai, the master storyteller, is back with his new outing KISNA. Set in the pre-independence era, when Britishers ruled India, KISNA is not a page from history, but a work of fiction.
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Aditya (Salman Khan) is the son of an Indian ambassador in an Eastern European country. Lucky (Sneha Ullal) is a 17-year-old local girl of the country. And the young girl is fascinated by Aditya's charm. But the relationship is not permissible because of the age difference between the two.ReadMore

Don't expect crossover, path-breaking or art cinema, in keeping with the changing times. MAIN HOON NA is not DIL CHAHTA HAI or KAL HO NAA HO either.MAIN HOON NA is Bollywood hardcore commercial cinema at its best.ReadMore

The two Romeos try desperate measures to win their lady love. As luck would have it, whatever right Samir tries to attempt goes spectacularly wrong, while Sunny emerges trumps!ReadMore

Sometimes an interesting premise fails to carry a film to a luminous conclusion. "Shabd" has it all - atruly striking plot, great looking cast, terrific locations and mesmerising cinematography. Yet it misses the bus, stops short of delivering a genre-defying wallop in the jaded face of the box-office.ReadMore

Unfortunately, SWADES disappoints big time. The story of SWADES would've been ideal for a documentary, but for a feature film with a running time of 3 hour plus and starring the country's biggest star, it just doesn't work.ReadMore

Besides an ensemble star cast, the film follows the Yash Raj tradition to the T. There’s romance, there’s a strong dose of emotions, there’re songs aplenty, there’s drama... But, most important, it has soul, which has been lacking in most movies of late.ReadMore

Mani Ratnam. The name itself is enough to generate tremendous curiosity and excitement for a film. So, as the lights go off in a cinema hall and the titles roll, you expect nothing short of a masterpiece from a master film-maker.ReadMore

In a nutshell, DIL NE JISE APNA KAHAA doesn't break any new ground. The ingredients are blended in such a way that the final concoction, although familiar, has its moments. But, yes, the outcome could've been superior!ReadMore