Dictionary Of Hindoo Religion

Home  |  Names  |  Dictionary  |  Locations  |  Tidbits

Dictionary-Sangeet

Back to S

     

 

 

 

 


A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P-Q  R  S  T-U  V-W-X  Y-Z

Sangeet

Music. Music indeed brings us closer to divine. Even nature speaks to us in musical notes. The seven principal notes said to be associated with the cries of animals and birds, and are classified as: Shadaj (Sa) - the cry of peacock; Rishabh (Rey) - the sound made by the cow when calling her calf; Gandhaar (Ga) - the bleat of the goat; Madhyam (Ma) - the cry of the heron and the tonic of nature;  Pancham (Pa) - the note of the Cuckoo or Kokilaa, the Indian nightingale; Dhaivata (Dha) - the neighing of the horse; Nishaad (Ni) - the trumpeting of an elephant.

The real aim of Indian music has always been to attain self-realization and through music practiced as Naadopaasanaa. Music was never a form of entertainment, nor a fine art, but it was a mode for attaining eternal beatitude (Moksh, Apavarg, Swarg, etc.). That is why we had a large number of saints, evolved souls and devotees among its best exponents and composers.

Saarang Dev pays homage to Lord Shankar as `Naad Tanu,' i.e. `one whose body is sound' which led to music itself being described as `Brahm Naad'. Naad itself being Ahat and Anahat. Since Anahat Naad being devoid of aesthetic beauty, does not afford pleasure to the mind, hence Ahata Naad alone was studied and meditated upon by us.

Saarang Dev has written as how Naad is caused in the human body. The Aatma or soul, desiring to speak or sing, stirs the mind; the mind strikes the fire abiding in the body; the fire strikes the wind; the wind abiding in Brahm Granthi, rising along the upward path, manifests sound in the navel, the heart, the throat, the
head and the mouth. I guess he talks about the Anahat Naad which we hear
in silence and once we recognize that, we ultimately enjoy the Ahata Naad in a much better way. The success of Mantra chanting also lies in realizing these two Naad clearly and separately.

When one meditates on the silence before the chanting of a Mantra or sound and the silence at the end of the Mantra - one who meditates on the silence, stillness and void – can become one with the Mantra Deity. (Beginners can experience this better with OM chanting).

 

Back to S

Home  |  Names  |  Dictionary  |  Locations  |  Tidbits

Created and Maintained by Sushma Gupta
Created on 03/15/2006 and Updated on 12/27/2008
E-Mail:  reldictionary@yahoo.com