RENZO SPITERI | ||
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In the
meantime, he attended the Jazz Improvisation course under the guidance of
Mro. Paul Abela, performing in numerous concerts that included quartets
led by Abela himself. In 1998,
Renzo Spiteri graduated, with Honours, at the University of Malta
presenting a thesis called "The Role of Percussion in West African
Societies". For
the last fifteen years he has been involved in a very busy manner in
concerts in Malta and abroad, performing on various ethnic and original
percussion instruments like drum kit, timbales, udu, tarabukka, tabla,
bodrhan, instruments for special effects, and, mainly, congas, bongoes and
djembe. Renzo Spiteri’s music ranges from classical, to jazz, to pop, to
ethnic music and fusion. His experimentation with different percussion
instruments and the creation of particular sound effects have brought him
to such a level as to become very much in demand in different musical
situations: live concerts, recording studios, working for film industry
and theatre. Since
1986, Renzo Spiteri has been active also as percussion player with The
National Orchestra of Malta and with various other selected orchestras,
participating in numerous operas and classical concerts directed by
Maltese and international conductors. In 1998, he placed first in the
auditions for percussionists held by the National Orchestra. He has
also formed part of various Chamber groups, amongst which, the Issa
Ensemble. This Ensemble is made up of thirteen musicians from five
different countries. Maltese composers have written works specifically for
this ensemble. In conjunction with the concerts, masterclasses are
organized which are given by musicians of international fame who
collaborate with the members of the Ensemble. With
regards to jazz music, Renzo Spiteri has played in all major Festivals and
events in Malta including the Malta International Jazz Festival and the
Malta Arts Festival. He has worked together with musicians like Nigel
Hitchcock, ex-member of NYJO (National Youth Jazz Orchestra), Enrico
Pierannunzi and Andy Jaffe. He has
formed many jazz trios and quartets, exposing not only the standard jazz
repertoire but also original compositions of his. Renzo Spiteri has also
attended masterclasses with drummers Maxx Furian and Pierre Foschi,
Italian pianist Pierrannunzi, and Andy Jaffe, lecturer at the Berklee Jazz
School in America. During the
first months of 1990, Renzo Spiteri recorded, as drummer and percussionist
for the English BBC-TV, a series of programs that were transmitted also in
Canada and Orlando. That same year Renzo performed in front of the Pope,
during his official visit to Malta. Since
1991, Renzo Spiteri is the musical director, arranger, bandleader and
percussionist of the highly successful choir VOICES. This choir, formed by
some 200 members, for the last ten years have performed numerous concerts
to sell-out audiences in Malta’s largest concert halls, collecting more
than Lm75, 000 just from their last series of concerts in October 2000. He has also been responsible for the musical direction of various musicals such as “Little Shop of Horrors” and “The Ragged Child”, both at The Manoel Theatre, and “Sister Act”, held at the Catholic Institute Theatre. He was also drummer and/or first percussion player for numerous other musicals such as “Joseph and the Amazing Technicolor Dreamcoat”, “Annie”, “Evita”, “Les Miserable”, “Firedance”, “Piaf”, “Oklahoma”, “Oliver!”, “Seven Brides for Seven Brothers” and “West Side Story”. In
November,
2001, Renzo Spiteri was the musical
director and drummer/percussionist of Masquerade’s production
‘Dracula’, that was staged at the Manoel Theatre, in Valletta. In May 1996, Renzo Spiteri performed a solo percussion concert at the University of London during a week-long International Symposium of Inter-Cultural Music, one of the pieces being a premier work by Maltese composer Charles Camilleri. The
year after, Renzo performed in Dublin as guest musician during the
Eurovision Song Festival, held at The Point Theatre. For
the last five years, Renzo Spiteri has been working with contemporary
theatre groups, analyzing and fusing the relationship between sound/rhythm
and physical action of the actor. On this matter, Spiteri has followed
specialized courses held by theatre directors Eugenio Barba at the DAMS
School in Bologna and with Swedish director Ingemar Lindh at the
University Of Malta. His latest production in this matter was the staging
of Shakespeare’s “King Lear” at MITP Theatre of the Old University
in Valletta. In 1999,
Renzo Spiteri was asked to be artistic Director of one of the six main
nights to mark the National official celebrations of the new Millennium.
Subsequently, in December 1999, he staged 2000 RHYTHMS, a
performance for which he composed, directed, and performed, together with
other musicians, the original music. Percussion, theatre, ‘raw sounds’
produced from everyday materials used by labourers, lights, dance and mime
mingled into each other, obtaining a unique effect and production in its
genre, which was particularly appreciated by both audience and critics.
This production was eventually proposed by the Maltese Government to be
performed in Hanover for EXPO 2000. Between 1998 and 2000, Renzo Spiteri studied and played in Milan,
collaborating with musicians in the jazz, fusion and classical
field. During this period he studied the percussion classical repertoire
with Prof. G. Bianchi, first percussion player at Teatro alla Scala. He
also furthered his studies in jazz improvisation at the Milano Jazz School
and the CEP Institute of Music and studied privately with Brazilian
percussion player Gilson. Renzo
Spiteri had the opportunity to play with various musicians, working in
live and recording situations. In jazz
and fusion music he worked with ‘Pastishe’, an afro-jazz band,
‘Coroline Ensemble’ and the jazz-rock band ‘Pangea’ with whom he
also recorded a CD. In the classical field, he worked with various
orchestras in Milano and also formed part of the esteemed ensemble
“Solisti dell’ Orchestra Mozart”. On his
return to Malta, Renzo Spiteri started working on more new projects of
his. In September 2001, he gave three solo performances at St. James
Cavalier to mark the opening of a contemporary art exhibition of Maltese
artists. That same month, he was the musical director of Masquerade’s
theatre production “The Ragged Child” at the Manuel Theatre and two
weeks later led the VOICES band to a series of ten concerts to record
attendances and collected money. In
November of that same year, he launched his own Trio and Quartet at
Baystreet Theatre, St. Julian’s. These two units played original
material composed by Renzo and the rest of the members of the respective
bands. In March
2001, Renzo Spiteri was the musical director for Bernstein’s “West
Side Story”. Staged at St. James Cavalier, the production offered a huge
challenge for such a bid production to be performed and played in a very
restricted space. Renzo reduced the whole orchestral score down to two
instruments: piano and percussion. The great demand on the technical
abilities of the two musicians resulted, undoubtedly, in one of the most
ambitious live performance to be staged in Malta. A month
later, Renzo Spiteri was the composer and solo performer of the music for
Teatru X’s production of ‘King Lear’. Directed by Salvu Mallia, the
production was staged in a very contemporary setting. In May
2001, he launched his own 10-piece Percussion Ensemble during the Gala
Night for the premier of the film ‘Pearl Harbor’ and subsequently was
asked to perform for the Official Opening of the European Junior Swimming
and Diving Championship. In April, the Third World Group asked him to be the musical director of their year-long project called ‘Ritmi’. The drum circle worshops he started in October have been highly successful.
"Ritmi
- The Concert" will be held at the MITP theatre in St.
Christopher's Street, Valletta. |
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