fair traded instruments

Verżjoni bil-Malti

A project inspired by the wealth of music and culture of Africa, the Mediterranean and Latin America. In aid of the Third World Group.

Circle of Life, by Marika Azzopardi

The Sunday Circle, May 9, 2002

Ritmi - The Concert (March 2002)

Supported by Maltacom and Sedqa

New Fair-Traded Djembes from Ghana Now in Malta

 

Many of you have asked us about the possibility of buying fair-traded, quality djembes. Over the past few months we found a reliable partner who can provide us with quality, well-priced, fair-traded djembes. 

 

The good news is that the djembes made in Ghana that we ordered some weeks ago have now arrived. They are:

  • rather large (13" x 24", or 32c, x 60cm);

  • they have an extra curve, and their extra long black rope makes tuning very comfortable.

  • The wood ("Funtumia Elastica") is strong and the rings and skin fit smoothly.

  • The producers say that these djembes have a "clear sound"; perhaps it would be fairer to say that they have an excellent sound.

These new djembes cost Lm65. All proceeds are in aid of the established local NGO Third World Group.

 

These djembes are being imported by the Third World Group's fund-raising project called Ritmi through the fair trade cooperative Koperattiva Kummerċ Ġust that runs the world shop L-Arka at 306, St. Paul's Street, Valletta. (2124 4865)

 

For more information about fair trade in Malta please visit the website of Koperattiva Kummerċ Ġust at http://www.maltaforum.org

 

Ara wkoll:

Djembe-producing communities in Ghana

The role of Fair Trade in djembe-production in Ghana


 

Fund-Raising Drum Circle Workshops with Renzo Spiteri

 

On Saturday, 18 January, 2003, percussionist Renzo Spiteri (picture by Gaby Giacchino) will be leading a new set of ten one-hour drum circle workshops for adults at St. James Cavalier. The participants will be playing the “djembe”, a traditional West African drum. Participants can choose between two groups, one starting at 10.00am and the other at 11.15am. [Full Article]

 

Adrian Grima

18 February, 2003

Djembe Teens

"Our feelings and behaviours towards life develop as a result of what happens constantly to us and around us. It is said that our dreams, visions and feelings are what makes us human. Unfortunately in our Western civilised culture, since our childhood, we are continuously trained to hide them."

Eric Edmond Van Monckhoven

Rosetta De Battista

"Rhythm is everywhere around me, in the way people move and speak; in the swaying of a baby in his mother’s arms; in the sound of an idle engine; in the clapping of an audience chanting an encore; in the farmer tilling the field on an early morning."  

Renzo Spiteri

 

The Protagonists 

Moussé Ndiaye in Malta

Renzo Spiteri

Moussé about his Malta Visit Concert with Renzo Spiteri 

Moussé Ndiaye

Rosetta about Moussé 

Tickets for the Concert 

Rosetta De Battista

Public Workshops for Adults Workshops in Schools
Sakhir Diop  Applications for Workshops Moussé Ndiaye, Malta 1999
André Micallef   Rosetta De Battista Interviewed  

Jesmond Psaila 

The "Ritmi" Project

The Aims of the Project The Project in Brief

Rhythms for Life - Approved!

Renzo's Drum Workshops
Presentation of Ethnic Instruments Comments about Workshops
Marguerite Agius in Verona The Times - Renzo's Workshops

Partners in the 

"Ritmi" Project

What is Rhythm to Me (Renzo)

Djembe Production in Ghana
Third World Group

In the Background

Koperattiva Kummerc Gust

Rhythm

Instruments from L-Arka

Griots of West Africa & Beyond
Parliamentary Secretariat in the Ministry of Education A Venerable Profession
The Griot & African Literature

helpline 151

Renzo's 2000 Rhythms
Renzo's Percussion Extravaganza
 
Léopold Senghor on "Rhythm": It is the thing that is most perceptible and least material. It is the archetype of the vital element. It is the first condition and the hallmark of Art, as breath is of life: breath, which accelerates or slows, which becomes even or agitated according to the tension in the individual, the degree and the nature of his emotion. This is rhythm in its primordial purity, this is rhythm in the masterpieces of Negro art, especially sculpture. It is composed of a theme - sculptural form – which is set in opposition to a sister theme, as inhalation is to exhalation, and that is repeated. It is not the kind of symmetry that gives rise to monotony; rhythm is alive, it is free.... This is how rhythm affects what is least intellectual in us, tyrannically, to make us penetrate to the spirituality of the object, and that character of abandon which is ours is itself rhythmic. (from Black Skin, White Masks, by Frantz Fanon [1952])

ritmu - aċċent meqjus tat-taħbit u t-taħrik tal-kliem f'versi, tal-battuti f'muzika; tabtib, tektik, bil-kadenzi skond l-aċċenti tal-metrika; temp, ftit jew wisq skond xi ordni, fit-taqsim intern ta' fenomeni diversi; eż. Ir-ritmu tal-ħajja, ta' l-iżvilupp industrijali eċċ.

Erin Serracino Inglott

L-Arka, 306, Triq San Pawl, Il-Belt Valletta. Tel. 21 244865 - ritmi@maltaforum.org

© Adrian Grima - last update: 18.2.03

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