“Formal origins are often misleading. The Hartung-line in Sabina Ivascu’s work is one of a concrete reality denuded by a diffused movement of the sentiment as well as by the connection to the diurnal dream, to the reverie freshknowledge of the world. The genuine of cuts, of frames and sequences imposes itself as a constituent datum, beyond any analytic interpretation, no matter whatever the treated subject is. The artist who develops her themes in series drills the same material and spiritual unity of the world; the meditation upon the limits, the intercalation of the elements, the borrowings and frustrations of energy and vitality, the cohabitation and the divorce of the penetrating breath, the earthly and the evanescent, the way to feel the thinking  - paraphrasing the protean lusitanian  Fernando Pessoa in whose light the artistes approach seems to inscribe itself – prove that Sabina Ivascu  reached her artistic maturity, that means an more and more personal filtration of all the possibilities offered by the outer world. In her case, minimal art is identical with profoundness, and the restricted chromatism with the subtle throb of the plastic message. An opalescent polysemy springs forth of the grave and simple themes, of the unsophisticated landscapes in which the much more ambitious searches of the artist are embodied”.