The Southeast Asia-Pacific |
January
June 2000 |

|
Official Bi-Annual Newsletter of the South East Asia-Pacific
Audiovisual Archive Association (SEAPAVAA) |
|
|
|
A Future for
the Past
|
|||||
|
|
Theme of the Joint IASA- |
||||||
|
|
The
Joint IASA‑SEAPAVAA Conference on July 3 to 7, 2000 in Singapore adopts
the theme "A Future for the
Past: AV Archiving in the 3rd Millennium". As audiovisual archivists
enter their second century, this theme embraces the idea that archivists must
always project their thoughts in two directions, backwards and forwards, in
order to ensure that the work of the past will remain intact for future
generations. The conference theme will be explored in a number of sub-themes
which will be addressed over 10 single and parallel symposium sessions |
|
and several poster sessions. Several audiovisual archiving experts from around the world have been invited to present papers during the open sessions on the following topics:
Selection and Deselection
Formats, Obsolescence and Digital Mass Storage Systems
Research and Archives
Archiving in Tropical Countries
Copyright
Developing the Profession
Cataloguing Continued on page 10 |
||||
|
|
|
|
|
|
|||
|
15 Asean AV archivists undergo training via
internet The first
batch of 15 grantees from eight ASEAN member countries was selected to participate
in an AV management course from March 6 to June 2000. The course is one of
the three training programs under the ASEAN‑COCI project on 'FilmlVideo Preservation Training Through
Distance Education' being implemented by ScreenSound Australia (SSA),
University of New South Wales (UNSW), the Philippine Information Agency
(PIA) and SEAPAVAA for ASEAN-COCI under Continued
on page 3
|
|
Launching of SEAPAVAA book, Film
in South EasL Asia, Views from the Region |
|||||
|
|
|
|
|
||||
|
|
One of the
highlights of the joint SEAPAVAA (South East Asia‑Pacific Audio Visual
Archive Association) / IASA (International Association of Sound and Audio‑Visual)
Conference in Singapore this July 3‑7, 2000 is the launching of a
SEAPAVAA‑ sponsored book entitled, Film in South East Asia, Views from the Region on July 3. This book is an initiative of SEAPAVAA which
represents an aftempt to make it possible for people in these neighboring
countries to |
|
begin to have some sense of the film industries ‑
and the history of the film industries and of film culture ‑ in each
other's countries. The book is in press which is being published by the
Vietnam Film Institute. David Hanan, the editor of this book, says that,
"This book presents, for the first time ever via a series of individual
essays, a broad panorama of the history of film in eight South East Asian Continued on page 11
|
||||
|
|
|
|
||||||