HISTORY
Introduction:
Originally produced as a black and white b-movie, filmed in two days and hosting Jack Nickleson's first screen performance as a masochistic dentist patient, "The Little Shop Of Horrors" planted the seeds of a long running phenomenon and love of not only the original film, but a off-Broadway and London West End musical written by the brilliant pairing of Alan Menkin and Howard Ashman and a motion picture blockbuster directed by David Geffen, not to mention the countless amateur productions of this fantastic musical, with its accessible music and comic genius.
Foreword:
By Roger
Corman,
director of the 1960 film "The Little Shop of Horrors"
"Of all the films I've directed the one that has survived the longest as a "cult classic" is the one I made the fastest and the cheapest. It was written for a standing set, principal photography was completed in two days (after three days' rehearsal), the total cost was about $30,000, yet it has lived on for nearly 40 years now in midnight shows on campuses, revival cinemas, videocassette outlets and remakes for stage and screen.
One of the reasons for its astonishing durability may be that when I made the film, I was creating a new genre--the black-comedy horror film. I was tired of the straightforward horror genre and wanted to try a different kind of film--something more cynical, darker, more wickedly funny. This new mix had worked in my previous film "A bucket of Blood" and I wanted to make another in a similar tone. I called Chuck Griffiths (who wrote "A Bucket of Blood") and told him I wanted a variation on the "Bucket of Blood" story line. I wanted a somewhat gruesome premise, a quirky plot and unconventional, well-sketched characters. We brainstormed for a night and Chuck first suggested cannibalism as a premise, but the censors would have not allowed it so he came up with the premise of a maneating plant, and wrote the screenplay in a week.
In order to pull off the tight shooting schedule I turned to Corman 'regulars' for both cast and crew. I wanted actors I had used before and could rely on. For example, the role of Seymour was originally written for Dick Miller (who had played the lead in "A Bucket of Blood") but he decided not to do it. Instead he added his own deadpan style of humor as a customer who eats plants. One sequence that helped turn the film into a cult favorite was an inspired bit of bleak humor by an actor I began to use more regularly--Jack Nicholson, who plays a masochist at a dentist appointment.
We adhered quite closely to the script and despite a loose, improvisational feel to the witty exchanges, this film was in no way created on the set. Any changes made were worked out in the three days of rehearsal before rolling. Everyone just came in very well prepared.
In a sense, the creation of "The Little Shop of Horrors" may have been closer to the theatrical tradition of designing plays for a stock company than to standard film making. Perhaps this is why the original movie translates so well into the stage version. I thought the 1982 musical adaptation by Howard Ashman and Alan Menken was wonderful: it caught the spirit and youthful energy of the movie.
Running off-Broadway helped since I always believed
both my film, which was reminiscent of a college humor show and the musical
would have been diminished with a more expensive, slicker production in
which the lavish appearance might work against the comedy."
(Source: www.actorsingers.org)
Please look arround and enjoy this site about the fantastic musical "Little Shop of Horrors".
Feel free to contact me if you have any questions, m.a.coombes@durham.ac.uk
Martin Coombes.
Contact the WebMaster at m.a.coombes@durham.ac.uk