Hi, I am Tony
I0JX
My radio station
A friend of mine keeps buying radio equipment, new or surplus, and stocking them in a room with no apparent criterion. More than an amateur radio station, that room looks like something in between an ham radio store and a surplus outlet!
It is not easy to turn a great deal of radio equipment into a nice station. In my opinion to achieve that goal a station must be:
rational: one shall not amass radios here and there in the station; on the contrary all radios shall be properly paired so as to form separate lines, each comprising a transmitter, a receiver, possibly a linear, and all required accessories (keyer, microphone, headsets, etc.)
consistent; all items forming part of a line shall be consistent with each other. A first criterion is to only pair equipment having the same age, e.g. you should not hook up a Collins S-line to a latest generation solid-state linear. But having a similar age is not enough; for instance you cannot pair a novice-style crystal transmitter with a professional and expensive receiver, as they were conceived for separate markets. One can easily figure out a lot of other possible inconsistency cases
only comprising selected items: in a nice radio station one shall only see selected items and no junk (e.g. very cheap SWR meters and switches, obsolete equipment such ar RTTY keyboards, unusable radios, etc,). Worse if one can see things that have nothing to do with amateur radio (e.g. TV sets, recorders, Hi-Fi sets, plain FM radios, etc.)
all ready-to-go: it shall be possible to immediately connect any line to the antenna(s) at the flip of a switch. Moreover, all lines shall be fully hooked-up for instant operation in all possible modes and bands (in other words there shall be nothing to connect manually e.g. AC mains, CW keyer, microphone, headsets, PTT control for the linear, PC sound card, etc.)
functional: every line must work perfectly and be properly aligned on all bands and modes. It should never occur that e.g. a line cannot be used on 40 meters because of RF feedback into the microphone, or that a linear amplifier does not work well on 10 meters because of too high an input SWR, etc.
original: all radios shall be fully original, from both the mechanical (original knobs, no extra holes, etc.) and the electrical viewpoints (only fully reversible modifications are allowed)
documented: a manual, original if possible, shall be available for each piece of equipment. Any modification and/or customization shall be faithfully annotated (on a separate sheet of paper, without spoiling the manual!).
Having several legacy radio lines, in addition to modern equipment, I had to create four interconnected operating positions. This costed me quite a complex station layout.
The main elements of my radio station are described below.
Henry 4K-Ultra with a Bird
Wattcher on its top,
connected to a Bird 4715 wattmeter
Russian amplifier with a Bird
Wattcher on its top, connected
to a Bird 4715 wattmeter. The 50-MHz home built amplifier is on its left
Legacy radio lines:
best for CW contests: Drake C-line, consisting of a T-4XC transmitter (with DX Engineering speech processor), an R-4C receiver (with noise blanker, a wide choice of IF filters & crystals, including the Sherwood 125 Hz and the 16-pole Sherwood 2.1 kHz, digital readout and Fox-Tango modifications for product detector, audio amplifier and power supply), an FS-4 synthesizer, a W-4 wattmeter, an MN-2000 tuner, a Vibroplex paddle, an AEA keyer and a Shure 444 microphone. I also have a Drake TR-4CW/RIT (with noise blanker, and a DX Engineering speech processor) and its own Shure 444 microphone. Both radios can be switched into an Henry 2K-Ultra linear with two 8873s, Eimac conduction-cooled triodes. The Drake TC-2 transverter extends operation to the two-meter band.
- best for the SKN (Straight Key Night): Drake 2-B receiver with 2-BQ Q-multiplier, EICO-723 novice-style 60W CW transmitter with the matching EICO-722 VFO, and obviously a straight key
best for the AM window on 29 MHz: Geloso line AM/CW only, consisting of a G. 4/214 receiver, a G. 222-TR transmitter and an Astatic Silver Eagle microphone
best for the good old days feeling: full Collins S-line, consisting of a 75S-3B receiver (with 200-Hz and 500-Hz CW filter option and AADE DFD2-S digital display), a 32S-3 transmitter (with DX Engineering speech processor), a 30L-1 linear with 572Bs in place of 811s, a 30S-1 linear with a single Eimac 4CX1000A, a 312B-4 station console, a 302C-3 wattmeter, and an SM-1 microphone
best for 1940-style QRP operations: a Meissner Signal Shifter Deluxe (6F6 oscillator and 6L6 doubler) delivering about 8W to the antenna, paired to an home-built Q-dyne receiver (regenerative crystal converter + BC-453 acting as tunable IF). Hooked up to a Vibroplex bug
Note: the Signal Shifter is a gift of I1PL (now I0XXR)
best to feel myself younger: this actually was my very first rig, an Hallicrafters line consisting of an SX-146 receiver (with optional CW & AM filters and calibrator), an HT-46 trasmitter (with VOX option) a Datong speech processor and a Shure 444D microphone. I was lucky to find my very rig more than 30 years after I had sold it! Below, you see that radio hooked up to a Gonset GSB-201 linear amplifier.
The GSB-201 has four 811As in parallel, with an input-choke power supply. A real beauty, that has nothing to do with those modern amplifiers advertised on QST using the same tubes!
best to relive the emotion of early RTTY days: a Teletype model TG-7-B (thanks I0AFF) hooked up to a National HRO-500 general-coverage receiver, with an RTTY demodulator & HAL scope
Among my other old stuff you here see an Heathkit HW-101 transceiver (the famous Hot Water one-oh-one) with its optional CW filter and a Shure 444 microphone, an Hammarlund HQ-110 receiver,
a National NC-125 receiver,
an Hallicrafters SX-101A receiver, a Yaesu FRDX400 / FLDX400 line (this actually belongs to I0WTD),
an Hallicrafters line, comprising an SX-117 receiver with the HA-10 LF/MF Tuner and an HT-44 transmitter with a Turner microphone and the HA-8 Splatter Guard.
another novice-style line comprising a Mosley CM-1 receiver with an Heathkit GD-125 Q-multiplier (not shown below) and an Hallicrafters HT-40 transmitter driven by a VFO of the military T-368 transmitter,
and a pair of HRO receivers complete of all tuning units, from long waves up to 30 MHz. The top one is an HRO-5 using octal tubes (6K7, 6J7, ...) whilst the bottom one is an HRO-Senior using older tubes (6C6, 6D6, ...). Both ones work wery well.
In addition to old ham radio equipment, I also have a military station with a BC-312 receiver hooked up to BC-191 transmitter (a beast that delivers 60 watts up 30 meters). All running on dynamotors powered by a 13.8V 100A power supply. I sometimes use this set-up on 40 meters although the emission is quite chirpy (the oscillator tube is one of the four VT4-C bottles...). On top of the BC-312 you can see a BC-348 (a much nicer receiver than the BC-312).
Below you can see a portable troopers RBZ receiver, powered by four 1.5V D-cells.
To some extent, I also like to collect old test equipment too. Look at this twin-needle meter, part of an RF power & SWR test set built by the Technical Materiel Corporation (TMC) that I bought at an hamfest.
My HF antenna
Picture below taken at http://maps.live.com/ shows the very place where my HF antenna is mounted. Within the black circle you can see the antenna aluminum tubes at tower top. Coordinates are:
The Mosley PRO-67-C is a 7-element Yagi for 7 bands:
This is how it looks like (a 50-MHz 5-el Tonna Yagi has now been placed at the top of the mast)
The antenna, weighing some 55 Kg, is supported by a 15 m. tower placed on the roof-top of a 5-storey city building. A tram that rides up & down the tower allows you to raise & lower the antenna by simply turning a winch crank. Uncommonly, the tram does not wrap around the tower, but it instead slides on support guides fixed to one side of the tower. This design eliminates most problems with guy wires. That tower is produced in central Italy (contact I5JVA for details).
Though it clearly being a compromise, the antenna works acceptably on all bands. In particular, SWR is remarkably low; it never triggers the automatic power back-off circuit of my HF radios, except above 14220 KHz.
This is the SWR response on 40 m.
and this is the 20 m. gain plot
(one step equals 14.4 dB)
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