You go to see the musical Les Miserables and take notes on the strategy they used to overthrow their oppressors to share with your equally militant co-workers.

You call the Royal Shakespeare Company and ask them if they're interested in your office story for use as a present-day Les Miserables sequel.

After hearing your lengthy voice mail message the Royal Shakespeare Company calls you back and begins contract negotiations to set your sad tale to music.

c 1997 Sandy Lindsey

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