Jason Burrell
Interview
By Linda Salvay
There is a haunting beauty to be found in a garbage truck. Or a grocery cart. Or a maze of empty office cubicles. As seen through the eyes of Jason Burrell, even the most mundane trappings of everyday life are endowed with an artful presence as they speak volumes about the society that created them - and the artist who interprets them. Burrell, Assistant Professor of Art at Saint Mary College, recently exhibited a small but imposing collection of his paintings in a one-man show at Leavenworth's Carnegie Arts Center. That show highlighted his penchant for "common" subjects gleaned from modern life; he seems particularly intrigued by hulking pieces of machinery like garbage trucks, streetsweepers or construction vehicles. "My paintings are a revealing examination of daily existence. The subjects are 'everyday,' causing people to see something in a new way through tension, movement and placement," he said. "I hope the art provokes change. I know it does within me."

Burrell often employs a combination of materials - charcoal, pencil, acrylic and watercolor - on paper, limiting his palette to black and white with a hint of a third muted color. "Black-and-white is closer to the issues that I hope my work addresses," he said. "I try to strike a balance between optimism and pessimism, hope and despair, light and shadow, the illusion of an image and the two-dimensional surface of a piece of paper." He unabashedly allows paint to drip down the paper as he works, explaining, "It is honest. It doesn't need to be a perfect illusion. If you want that, take a photograph." Ironically, it was a high school photography class that directed Burrell's artistic focus. In fact, he affirmed his love of art while still in high school. "All my classmates and I were thinking about what to take in college. I decided that I only have one life and I was having the best time making art." From there, his career was a natural progression.

While he loves making art, he also loves teaching it. "We teach the students that they each have something significant to say," he said of the fine arts program at Saint Mary College. "Their voices will make a difference in many peoples' lives, but particularly their own. "Students arrive with ideas - and some come in with no ideas - but by the time they leave, each has a voice, a greater personal identity, and is ready to take charge of some piece of existence and change it." Burrell fosters that "voice" through every class he teaches: drawing, painting, block printing, children's book illustration, computer graphics, art history, advanced studio classes and portfolio preparation. Students, he says, "demand honesty and energy from a teacher. There's no resting on laurels." For Burrell, there seems to be no resting, period. He gains as much from his students as they do from him. "It's like birds traveling in formation. We help each other along the way." While Burrell admits that he'd have more time to create his own work if he weren't teaching, he won't even consider that as an option. "There's too much energy coming from the teaching to ever think of giving it up. Even if my painting career skyrocketed, I would continue to teach. The youth, energy, novelty, rigor, constant questions - it's too fresh and honest of an environment."


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