Harry Calhoun


*S*T*A*R*
for Megan


Suffer a witch to live, thou shalt not;
The love of money is the root of all evil.
A rose by any other name would smell as sweet;
Rats live on no evil star.

*

Seize the day.  Carpe diem is Latin, dead language, for 
take advantage now.  Of the sound, sense,
aroma of this time.  Dying put the death grip on
remorse, bruise it until unrecognized as synonym for past.

*

Sit quiet.  But prepare for the trek while others
talk.  This is a game.  There are rules.  First
among them is a limit.  Everyone
recognizes, but no-one can tell you this.

*

Summer trickles the sweat of seasons saving themselves
tackling the climb of faith through winter.
Autumn glides gracefully into what we would
rather not.  The star, the glimmer.

*

Sun
temporary
always
returns

Breaking Up/Out In the mirror my complexion is clear as forever. Resisting crisis acne as if in spite, as if a camera shifted from the third strke en route to the statium panorama. Summer busts clear. Something new fooling us into acting young. Child-skinned, uncertain, shaky, and interested again in the mirror, in the wide angle. Damage control, baffling down the flames before they baffle us. This mirror is the baseball card of a so-called professional, someone who professes to have lived. The stats, as they say, speak, and we wish for another language. Air meeting the bat the rule, sweet spots too rare, and the requisite, in time, furrowed brow. The face meets a new wrinkle. The game's complexion changes. We take it on the chin and psyche, that combination of breaking pitch and wrecking ball, another one we can't hit. Busted offguard and waiting, always waiting for the elusive fastball with no hop, the straight line the shortest route to death.

Nighty Night Stop, stay, stagnate, rest, definitions, pejoratives, nuanced synonyms. You roll on like luggage, the small belongings, dresser casters six cylinders strong, inertia seeking a new change of clothes. Or feathers, it's been a while since I cleaned out my cage. Well, I'm here, same not and knot always, convenient meanings form the relationship, the poem. Rest, and the rest follows. Not much here but guilt and association, traveling as usual in pairs.

Paradigm Shift Understanding is simple walking at night, the easy uncertainty of beachside, all horizon. The shadows array into bushes, buildings, and us. Still we start at any motion, even the shadow of our own. So experience your murder, no more pressure or fear. Coal burned with no hope of becoming diamond. The sudden smell, acetate smoking filmy through an old projector, the hole of day, snapshot. Wake carrying a window fashioned from beaches. Ear, eye to the pane: a whisper, a shell for oceans, a glimpse of Pacific in the pane before shatter. Eyes, sockets, landscapes, canvas cracked, painted over with fierce volition. This is stepping toward us. The passion, the savor. The window understands depth, dark, the rush of relentless fear. Ignores. Love, the eternal beachhead, the background that turns the window mirror. The funhouse, wavering, silica whooshing in, out, selecting its rate, steady in the structure of everything, so slow like a shadow it lags behind us. We can hardly see it clearing, ahead, with the black speed of coal rushing toward diamond.

Winter Dreams A Haiku Cycle. Title Compliments of Tchaikovsky. It seemed October was not the proferred carrot the hung withered leaf A pork rind fried alone rustling amidst a salty grease smear in a bag Too transparent. Hope hangs here limp and sudden. Branch: dead man's arm dangling Quietly It Passes, Quietly You Pass Before the Internet there was the world. I sat there, too, refused to participate in mindless chat, kept my head up and my eyes lowered. Always on the road and avoiding contact. But watching, the spinning of the wheels, the circling of the orbs, outer space and inner vacuum. I sat here, I guess, till I grew strange, like Sexton's little girl ritually buried with her dead father. Just watched, and unlike most folk, who watch and talk together, I just kept things cubbyholed. Some might call it a hobby, although people say I'm funny, I have no hobbies. But I've got this collection and it's a dilemma. I was frightened when my ex-wife, the painter, faced me with the reality that when an artist sells a painting, it's gone, your work belongs to someone else. So do I sit on this egg, not knowing if I have the biology to hatch it? Or pass it off to someone who'll break it, fry it, smack the shell on a Lexus at Halloween? Mostly I'll just sit. Listening in meetings, in bars, to the breeze flowing past solitude through my window, with that vacant glaze over my eyes suggesting that I know nothing, am spacing out, when I'm watching, feeding, the vampire you've invited in, and my foot in the door is yours in the grave.

Slime Trail The heart fights the mask it finds in the face eyeing itself in the mirror. This didn't go retrograde yesterday, just seems like the linebacker gained a step on you, caught up --hey, you knew he would -- sooner than surprise. The slug faster than the dirt it lives in. The snail slopping from shell to nudge a little close to nothing. Facemask, pulling your neck out for the chopper and there's no penalty, the tackle is legal, just doesn't seem fair, little rumblings turned to footsteps then the swift snail closes you in its shell, nothing that had a face to stare at to begin with, just slime and horns, but you knew that, didn't you, you knew how elemental this game is. You wrapped it so tight in a spiral you never encountered it twice. Death, the slime and shell, passing so slow it seems like life, doesn't it? Didn't it?


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