David Lambert



A Poem For Bellevue (The Mental Wards)

Here's to you Bellevue--
your short halls going nowhere,
perfect for pacing:
up and down
and
up
and
down.
Pacing,
until my legs feel like rubber.
Then maybe I will rest a moment
in my room with my
roommate
who
is playing an endless game of solitaire.
Cards face down,
then up,
then
down
then
up.
 
Maybe I'll check my closet
To see if the vampire who lives next door
gave me any of my clothes back.
Probably not.
He stands at his door all night,
looking through the cloudy Plexiglass window.
All night.
Looking.
Staring.
Watching.
Waiting for another victim.
 
The vampire's name is Jose.
He's from Chile, really not a bad guy.
During the day,
when it isn't so dark outside,
Maybe the vampire Jose will give me back my underwear
that they gave me when I came in,
the underwear with Garfield and little tiny hearts on it.
They gave me clothes when I came in
because I was homeless,
and didn't bring a change of clothes to the hospital
like they tell you to do in the admissions literature.
 
I leave my room,
walking,
not pacing.
Down the hall to the recreation room.
Kiss FM is on the radio,
Maria's playing spades with the nurses.
Maybe someday I'll learn to play spades.
Everybody plays spades.
But I'm too busy pacing,
and eating,
and talking with Benjamin.
Benjamin's been a Hell's Angel since he was 16.
He paints abstract art with tempura paint
on ceiling tiles he found in the art room.
 
Alice tells me that
the best way to smuggle
cigarettes
into Bellevue
is to get your visitor to take the cookies out of a
Pepperidge Farm Cookie bag,
then pack it with cigarettes.
She's a pro.
She has a visitor.
Later, everyone will want a dollar for something,
and somewhere down the hall, a nurse will smell smoke,
and there will be the sputtered denials that
we weren't smoking,
spoken through lips redolent of tobacco.
We weren't smoking, all four of us were in the bathroom
drinking coffee.
There are no cups.
 
What I like best is Monday and Thursday afternoons,
when Alex brings his music cart.
And we sit around in a circle
in the rec room
playing our music.
I'm a frustrated drummer:
I bang on anything--
congas,
xylophones,
autoharps.
Alex says I'm good,
but I think that Maria,
who sings sad Spanish songs,
is better.
 
Sometimes we do drama therapy.
Anne the drama therapist brings the curtain up when we begin,
and down when we finish.
We imagine we're all sorts of things, but I'm not so sure that Anne
knows what she's doing.
Yesterday, she asked us to imagine that we were
lions in the jungle,
and Jose got so excited that he had to leave.
 
They say I'm doing better,
switched me from liquid Haldol to liquid Trilofon.
But I don't know.
Bill's been here for a year,
says he needs the place.
And
sometimes,
when they're about to release him,
he kicks someone or something so hard
that they put him in a straightjacket.
Then he can't leave anymore.
He's a nice guy, though,
studied psychology at N.Y.U.
Said he graduated
and decided to do graduate work somewhere else.
 
Time for dinner.
It's chicken again.
I trade my breast for Steven's leg,
and trade my ice cream for some okra.
I like the way they fix okra here.
Maybe I'll fix some for myself
when I get out.
 
But for now,
I'm eating chicken here again,
waiting,
and
wondering
what
will
happen
next.



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