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The Wheel of Dharma
The wheel is an ancient Indian symbol of
creation, sovereignty, and protection, which represents motion and
change. Buddhism adopted the wheel to symbolize the Buddha's
teachings, the wheel being identified as 'dharmachakra' or wheel
of law. In Tibetan this means 'the wheel of transformation' or
spiritual change, and can represent the overcoming of all
obstacles and illusions.
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Prologue
RANSOM COUNTY FAIRGROUNDS, LISBON, NORTH
DAKOTA
AUGUST 2, 1998 9:25 AM
The sun had been up for hours, but the
fairground was just beginning to stir, bleary as a drunk after a
three-day bender.
Hunks of midway littered the concrete lot
like a spilled box of toys. Trucks and campers had been pulling in
from Billings all night - now there were scattered shouts,
isolated crashes. Some of the larger rides were already coming off
the trucks.
"Hey, Brenda." Tim Frye paused by
a row of freshly unloaded bumper cars. "Before you go up to
the office - you got your real name on your I.D.?"
"Sure." Scully shrugged, trying to
get the shirt she'd borrowed from Mulder to stop bunching around
her shoulders. "Why?"
"There's a warrant check, okay?"
"Warrant check?" Scully shrugged
the shirt into place again, noticing a strong smell in the air
around her. It was a bad smell, like the inside of a gym bag, or
maybe a wet dog, or...
Oh.
It was her.
Vaguely mortified, Scully stepped to one
side, putting a little extra space between herself and Frye.
Getting dirty in the line of duty was, obviously, nothing new, but
this particular undercover assignment was pushing the limits of
her tolerance. Alien goo was one thing; carnival dirt, she'd
discovered, was really another.
Perching on the end of a bumper car, Frye
reached out and gave her hand a friendly tug. "You can use a
fake name, you know, if you're worried about that asshole husband
coming after you. You wouldn't be the first - just say you don't
have a license. They're hip to that."
Scully took another whiff of herself,
frowned. Her head was starting to itch. "No, it's okay. I'll
use my real name. Screw him."
He gave her a lazy smile. "Fair
enough."
Scully couldn't help smiling back. Oddly,
Timothy Lee Frye had turned out to be one of the nicest guys she'd
ever met. There were times when she almost forgot he was a
potential suspect.
Frye smoothed his handlebar mustache with a
square, grease-stained hand. According to the file, he was 44
years old, but he seemed so weathered she really had to wonder.
His features were deeply lined and brown as shoe leather and his
hair, while showing no signs of thinning, had been faded by age
and sun to an odd shade of brownish-gray. "That's the office
over there. Tell the old man it was me that sent you. If nobody's
there, just hang around 'til somebody shows up."
"Tim-bo! You ready, man?" An old
guy with an impressive beer gut approached them, waving a wrench.
He stopped, leered at Scully. "Baby needs milk, right, big
guy?"
Frye rolled his eyes. "Gotta go to
work. Look me up later, okay?"
"Okay." Scully hefted her purse, a
cheap, faded thing she'd picked up in a thrift store.
"Thanks."
She watched him follow the fat guy up the
midway, coffee in hand, gait unhurried. Tim hadn't been a hard man
to locate - everyone who worked for Peake Amusements seemed to
count him as a friend. She'd found him the very first night of the
assignment, flirted with him over the counter at a baseball-
throwing game where he'd been filling in for a buddy. He'd bought
her story about being a battered wife hook, line, and sinker,
taken her enthusiastically under his brawny wing. She'd been
hanging out with him for the last two days.
Scully started toward the carnival office.
Someone had started grilling something, somewhere nearby -
souvlaki or bacon or Polish sausage or some other species of
mystery meat. Her stomach responded to the smell with a weird,
growling lurch. Was she hungry, she wondered, or was she finally
succumbing to salmonella poisoning?
In four weeks, when her posting was over,
she was going to OD on tofu and brown rice. Sighing, she marched
dutifully toward the carnival office.
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The side of the office trailer was painted
with a herd of clowns so colorful they made her eyes hurt. The
door was closed. No one answered her knock.
"Great." She sat down on the steps
and dropped her head into her hands. 'If only this case were more
cut-and-dried,' she thought. Then they could just round up the
short list of suspects and be done with it. After all, the
carnival's management had been fairly cooperative, handing over
their payroll records with a minimum of fuss. Unfortunately,
things were rarely simple when it came to domestic terrorism
cases.
Still, she supposed she should be thankful.
This assignment was a step up in the world, right? At least this
week she wasn't investigating dung heaps.
There had been five explosions in the last
eight weeks - two near Eugene, Oregon, one in Boise, Idaho, two
near Tacoma, Washington. In each case, the bomber's M.O. had been
identical; a pipe bomb dropped into a public mailbox and
accompanied by a mysterious message in a plain legal-sized
envelope. Thus far, two mail carriers had been seriously wounded
and a pedestrian maimed. The incidents had garnered more than
their share of media coverage, and, unsurprisingly, this had led
A.D. Kersh to pull all available agents in on the case.
Her orders were uncomplicated: get in, get
friendly, get answers. Pronto.
Simple as that, she thought, stifling an
enormous yawn.
It wasn't enough that Peake Amusements had
been operating in the vicinity of each of the targeted mailboxes,
or that several workable suspects had been identified within the
ranks of its staff. Lead investigators believed the bombings had
been the work of some kind of conspiracy: the messages left at the
scenes had contained a strange circular symbol that suggested, to
some, a cult or some other kind of organized militant group.
Scully wound her fingers around the strap of
her bag, thought about Mulder. Right now he was probably just
arriving at the Hoover Building, showered and well- rested and
ready to shoot the breeze with the other members of the task
force. She hoped he was enjoying himself. It was nice to think one
of them was.
"What you doin' on my steps, little
girl?"
"Excuse me?" Scully looked up and
found herself staring at a grizzly black snout and a row of sharp,
yellow teeth. "Oh my god!"
Dropping her bag, she leaped up and stumbled
backwards. Straining on its leash, the Rottweiler sniffed the
abandoned purse and growled.
"Easy, Mike. Good boy."
If it hadn't been for his neat clothing and
expensive jewelry, Scully would have thought the dog's owner was
one of those homeless men who begs for money at traffic
intersections. His skin was sallow, his front teeth stuck out, and
what little hair he had left was the color of dishwater and badly
cut. He had a proprietary air, though, that told her he was the
man in charge: Shelby Parker Peake, owner and general manager of
Peake Amusements.
The old man took a step toward her. "If
talking's your thing, get busy."
Scully took a deep breath, wondering how,
exactly, one went about asking for a job at a carnival. Keeping
one eye on the dog, she gave what she hoped was a shy, hesitant
smile. "Tim Frye - um, you know, he runs the Thunder Bolt -
he said this is where I get an application."
"Frye's a good man. Been with me
eighteen years." When Shelby Peake smiled, his buckteeth
protruded even further, upper lip disappearing under the tip of
his bulbous nose. His shocking blue eyes glinted. "You an
agent?"
Scully's stomach twisted into a hard knot.
"Um..." Was the old guy psychic? Could he tell just by
looking?
His smile hardened. "So, if you're not
an agent, what do you do?"
"Do?" She hadn't imagined she'd
need to *do* anything to get this job. "I don't..." she
stuttered, as her mind stubbornly insisted on showing her what
she'd look like as a bearded lady. "I mean, I haven't got any
talent..."
He gave a contemptuous snort. "Talent?
She felt herself flush. "I mean, I
don't know how to..."
"Little girl, you're green as grass.
Come back when you can make me an offer." Whistling to the
dog, the old man started up the steps. The Rottweiler, however,
refused to budge. "Mike." He pulled the leash. The dog
ogled Scully, licked its chops, whined. As if in response, the old
man immediately wet his upper lip. Then he grimaced as if he'd
just had some kind of intense gastro-intestinal pang.
"Well, what's your name?"
"Brenda Kelly." The lie slipped
out smoothly. She'd had plenty of practice over the last two days.
"You a townie?"
"No, Tim Frye gave me a ride from
Billings."
Peake peered at her, nodded. "Yeah, I
bet he did." Then he sighed, passing his gloved hand across
his forehead. In the space of a moment, he seemed to have lost all
his energy. "Got a driver's license?"
She nodded.
He tilted his head toward the door of the
trailer. "Might as well come on in then. Let's see what we've
got for you."
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The inside of the trailer smelled like
cigarette smoke. Scully followed the old man through a tiny
kitchenette and into a room that was so crammed with desks and
other furniture that there was barely any space to walk.
"Lay down, boy." Peake released
the dog from its leash and turned toward one of the desks. Instead
of following orders, the dog parked itself about two feet from
Scully, craning its thick neck and sniffing the air around her
suspiciously. She turned to one side, shielding her body with her
purse. It probably wasn't thick enough to fend off a mauling, but
it was all she had.
A woman - wiry frame, thirties, glasses -
hunched over another desk, cell phone clapped to her right ear,
index finger stuck firmly in her left.
"What do you mean you can't get anybody
here this morning? We have a standing contract with you people.
It's not like this is a surprise." She paused. "Yes,
I'll hold."
She lowered the phone, extracting her finger
from her ear and jabbing it at the enormous color television
blaring in one corner of the room. "Shelby, since when are we
running a daycare in here?"
Turning in her chair, the woman glared at
the sofa by the front wall. A young blonde in very short shorts
and a pink tanktop shirt sat there, deeply engrossed in the act of
painting her toenails.
The old man frowned. "Honey, you know
April likes to watch Jerry in the morning."
"I've still got the books from Saturday
to finish and the phone company says they can't get here 'til
tomorrow. I mean, *maybe* that's what they said. I can barely hear
myself think over that noise."
Peake lifted a heap of papers off the desk.
His hands quivered noticeably as he set it aside. "April,
baby," he said wearily, raising his voice over the
television, "can you turn that down a little?"
The young woman aimed the remote, set it
back down. Scully noticed no change in the television's volume.
The woman at the desk had opened a file and
was busy digging through it. "Yes, three months ago,"
she snapped into the cell. "I've got the confirmation in
front of me - August 29, right here in black and white. Check your
calendar."
"Mandy's the real boss around
here," Peake told Scully. He opened a desk drawer, rummaged
through it. "Right, Mandy?"
The woman at the desk ignored him. "No!
You're not hearing me. Let me say it again. The fair opens
Wednesday night. We have a set-up to do and we must have a phone
on site. We put an order in for three lines three months ago and
you *will* produce a technician *this morning* or we *will* sue
you."
"Mandy."
"What?!"
"I got a little girl here who needs an
application."
The woman barely glanced Scully's way.
"She an agent?"
"She don't know."
The woman crammed her finger back in her ear
and returned to her conversation. "Hello? Listen, let me talk
to your supervisor."
The old man sat down heavily in his chair.
"April, get me my Pepto, baby."
On the television, the studio audience
jeered and hooted. Setting her nail polish on an end table, the
young woman on the sofa hoisted herself and tottered, toes-up,
into the kitchenette.
Peake closed the drawer, opened another.
"Where's them damned applications? Hey there, you know
anything about filing?"
Scully took a step toward the desk. The dog
shadowed her movement, edging closer. "A little," she
answered, trying not to sound nervous. If only someone would get
Mike a Milk Bone, she thought. If only Jerry Springer would shut
the hell up. "Um, I used to -"
"I'm sick to death of this goddamned
mess," Peake muttered, still rummaging in the desk.
"Can't get no decent help - we been shorthanded in here all
season. And my damned ulcer kicking up again - hang on."
Mandy had shifted tactics and was plastering
a pleasant expression on her face. "Hi. What's your name,
sir? Paul? Okay, Paul, this is Mandy Zin calling from Peake
Amusements at the Ransom County Fairgrounds..." The woman
turned her back to the room, pressing the phone against her ear as
if trying to become one with it.
April returned with an economy-sized bottle
of Pepto Bismol and a plastic cup. After opening the bottle for
the old man, she flopped back onto the sofa, propped her feet up
on a cushion and wriggled around in an effort to make herself
comfortable. Pouring himself a hefty dose of medicine, the old man
gave April an appreciative leer. "You know," he said,
pausing to drain the cup and wipe the pink off his upper lip,
"I oughta charge admission when she paints them toes."
April rolled her eyes. "Pervert."
The old man's wrinkled face flushed, but he
didn't seem very displeased by April's comment. "That little
girl needs to learn some respect for her elders. What do you
think, um...what'd you say your name was again?"
"Brenda," Scully murmured. She was
starting to feel distinctly nauseous.
"Wendy?"
"No, *Brenda.*"
"Linda?"
"BREN-DA!"
The old man stared out the front window.
"April, where's Rob?"
"How should I know? You don't pay me to
keep nobody's schedule." She winked at him. "I'm just in
charge of your blow jobs, baby, ain't that right?"
He chuckled.
Scully suppressed the urge to whimper and
sink to the floor. "You know," she said, taking a step
towards the door, "you seem to be really busy this
morning..."
The dog followed her, still sniffing
intently.
"... so maybe I should come back
later."
"Cool your jets, honey." Peake
opened another drawer. "I know I got some applications around
here somewhere."
The office door opened and an
athletic-looking guy, probably in his mid-twenties, bounded
through it, heading for the small refrigerator without so much as
a glance into the office.
"Rob, where's them damned
applications?"
The young man came to the office door with a
bottle of orange juice in his hand. "There aren't any,
remember? Copier died." He took a long drink, then wiped his
mouth on his sleeve. His gaze strayed toward Scully, lingered for
a moment.
Scully looked away, focused shyly on the
floor.
'Ah yes,' she thought, 'Rob, aka Robert
Aaron Peake.' She recognized him from his mug shot. The
information she'd read hadn't detailed his relationship to the old
man, but he must be a grandson, maybe a nephew. The younger Peake
didn't have the old man's bucked teeth or sallow skin, but his
eyes were the same unnerving shade of blue.
"Take a look at this little girl,"
Shelby Peake snapped. "She's green as all get-out, but she's
got a helluva face. You know if Buck's got anything entry-level
open?"
Scully looked up. She had opened her mouth
to say hello and comment about her qualifications, but instead
Mike stuck his nose in her crotch and she had to clamp her legs
together and twist to get away.
Rob Peake smiled. "Maybe," he
said. "We'll see what we can do."
End Prologue (1/12)
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