1970: Barclay James Harvest, Sire
1971: Once Again, Sire
1971: Other Short Stories, Sire
1972: Baby James Harvest, Harvest
1972: Early Morning Onwards, Starline
1972: Barclay James Harvest & Other Short Stories, Sire
1974: Everyone Is Everybody Else, Polydor
1974: Live, Polydor
1975: Time Honoured Ghosts, Polydor
1976: Octoberon, Polydor
1977: Best of Barclay James Harvest, Vol. 1 [Compilation], Harvest
1977: Gone to Earth, MCA
1978: Live Tapes, Polydor
1978: Number 12, Polydor
1979: Eyes of the Universe, Polydor
1981: Turn of the Tid,e Polydor
1982: Concert for the People, Polydor
1983: Ring of Changes, Polydor
1983: Collection [Compilation], EMI
1984: Victims of Circumstance, Polydor
1989: Compact Story[Compilation], Alex
1991: Live: Connoisseur Collection, VSOP
1991: Harvest Years [Compilation], EMI
1992: Berlin, Alex
1992: Best of Barclay James Harvest [Compilation], Polydor
1992: Face to Face, Alex
1992: Glasnost, Alex
1992: Welcome to the Show, Alex
1993: Sorcerers & Keepers [Compilation], Alex
1993: Caught in the Light, Alex
1994: Alone We Fly, Alex
1994: Other Short Stories/Baby James, Beat Goes On
1995: Barclay James Harvest/Once Again, One Way
1996: Endless Dream, Alex
1996: Best of Barclay James Harvest [Compilation], EMI
Barclay James Harvest was, for many years, one of the most hard-luck
outfits in progressive rock. A quartet of solid rock musicians -- John Lees, guitar, vocals; Les
Holroyd, bass, vocals; Stuart "Woolly" Wolstenholme, keyboards, vocals; and Mel Pritchard,
drums -- with a knack for writing hook-laden songs built on pretty melodies, they harmonized
like the Beatles and wrote extended songs with more of a beat than the Moody Blues. They
were signed to EMI at the same time as Pink Floyd, and both bands moved over to the
company's progressive rock-oriented Harvest imprint at the same time, yet somehow, they
never managed to connect with the public for a major hit in England, much less America.
The group was formed in September of 1966 in Oldham, Lancashire. Lees and Wolstenholme
were classmates who played together in a band called the Blues Keepers; that group soon
merged with a band called the Wickeds, which included Holroyd and Pritchard. They became
Barclay James Harvest in June of 1967 and began rehearsing at an 18th century farmhouse in
Lancashire. The psychedelic era was in full swing, and the era of progressive rock about to
begin -- the Moody Blues, in particular, were beginning to cut an international swathe across
the music world. BJH cut a series of demos late in the year, and by the spring of 1968 they
were signed to EMI's Parlophone label; in April they issued their first single, a folky,
faux-classical song called "Early Morning." The group got caught up a year later in a
corporate change at EMI, and it was decided to move the more progressive sounding groups
on the label onto a new label -- Harvest, taken from BJH's name. Their first release on the
new label was the single "Brother Thrush."
In 1970, they released their first album, Barclay James Harvest, which included several of
the early songs and displayed the group's strengths: filled with strong harmony singing,
aggressive electric guitar, and swelling Mellotron parts, it set the pattern for their subsequent
releases, with Lees and Holroyd handling most of the songwriting. The album failed to chart,
and a subsequent tour was a financial disaster. Their second album, Once Again (1971), was
an artistic letdown, made up of rather lethargic songs, although it did contain the superb,
"Mockingbird," The band recorded two more albums for Harvest, Short Stories (1971) and
Baby James Harvest (1972), and spent much of 1972 on the road, including an unsuccessful
tour of the U.S. They also released a pair of singles, "When The City Sleeps" and "Breathless,"
under the pseudonym "Bombadil" (a name taken from a J.R.R. Tolkien short story), all to no
avail. 1973 saw them part company with EMI after one last single, "Rock and Roll Woman."
Later in 1973, the band signed with Polydor, and their fortunes began turning around, though
only very gradually. Their first album for the new label, Everyone Is Everybody Else, seemed
promising: it was a more powerful and coherent work than the group had ever released for
EMI, with Lees' guitar dominating on songs like "Paper Wings" and "For No One." The
album also presented the first example of the group consciously paying tribute to (and
satirizing) another group's hit song -- "Great 1974 Mining Disaster" was a very heavy
sounding tribute/satire of the Bee Gees' "New York Mining Disaster 1941." (They would later
do work in this vein involving the Moody Blues.) The album failed to chart, however, as did the
single "Poor Boy Blues," with its gorgeous harmonies.
It seemed at first as though BJH was locked once again into a cycle of failure. Finally, in late
1974, their double album Barclay James Harvest Live broke through to the public -- the group
was rewarded with a Top 40 placement in England and more sales activity on the European
continent than they'd previously seen. Their next album, Time Honoured Ghosts, recorded in
San Francisco, continued this gradual breakthrough when it was released in 1975, reaching
number 32 in England. A year later, Octoberon reached the Top 20. An EP containing live
versions of "Rock 'N Roll Star" and "Medicine Man" became another chart entry in the spring
of 1977. By this time, EMI had begun to take advantage of the success of the group's Polydor
work, and released A Major Fancy, a John Lees' solo album that had sat on the shelf for five
years.
In 1977, they released Gone to Earth, their most accomplished album to date, and by the end
of the year the group found themselves playing to arena-sized audiences. The release of XII
in 1978 -- which managed to just miss the British Top 30 -- was followed by the group's first
(and only) personnel shake-up. In June of 1979, Wolstenholme announced his exit from the
band in favor of a solo career; the group's final tour with Wolstenholme was recorded and
later released by Polydor under the title The Live Tapes. He was replaced by two new
members, singer-keyboardman-saxophonist Kevin McAlea and
singer-guitarist-keyboardman Colin Browne; Wolstenholme released one solo album, 1979's
Maestro, to little success and then retired for a time from the music business.
Their 1979 album Eyes of the Universe was a modest hit in England, but its release marked a
flashpoint in Barclay James Harvest's career in continental Europe, especially Germany; on
August 30, 1980, the band performed a free concert in front of nearly 200,000 people at the
Reichstag in Berlin, which was filmed and recorded. A subsequent live album, Concert for
the People, became the group's biggest selling album in England, rising to number 15 in 1982.
Turn of the Tide (1981) and Ring of Changes (1983) were less successful, although the latter
did spawn their last charting single, "Just a Day Away." Their subsequent Polydor albums,
Victims of Circumstance, Face to Face, and Welcome to the Show, charted ever lower in
England, even as the group's popularity grew in Europe. In 1988, they released a new live
album, Glasnost, cut at a concert in East Berlin.The group marked the 25th anniversary with
a concert in Liverpool, and toured to support a British Polydor compilation, The Best of
Barclay James Harvest. -- Bruce Eder
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