mogwai
I couldn't have
scheduled a better day to interview Mogwai. Earlier that morning, the
Glasgow greats watched their beloved Celtic win a footie match, with
a proud Stuart Braithwaite donning a jersey from his hometown's team.
And believe you me, football is a big deal for Mogwai. So much so
that when the band play London and stay at the Columbia Hotel, they
like to heckle a certain football association's HQ. "It's near the
English, not Scottish, the English Football Association. So we walk
by it and shout at it. 'You'll never win the World Cup ever again.
You Anglo-Saxon bastards." Ah, the proud Celts...
Scotland is
quite a fantastic nation, but some regions can be high on the
backwards tip. Still it has nothing on upstate New York, where the
band headed last November to record their latest and phenomenally
brilliant full-length. They trekked to Cassadagas, in the middle of
hunting season no less, to work on Come On Die Young, with ex-Mercury
Rev man Dave Fridmann.
"There were all these
people shooting deer, which appalls me really," drummer Martin
Bulloch emphatically declares. "I don't see what's sporting about
getting out and hunting a lot of little deer, I think it's crap. We'd
go into convenience stores and stuff and [there were] life-size
models of deer with targets on themÉrounds of ammunition and bows and
arrows.
"I was
quite appalled by the whole thing, I was quite vocal about it in a
shop. 'Fuckin' hell, barbaric bastards," stuff like that, shooting my
mouth off. We got in the car afterwards, we were just about to drive
off from the carpark and Dave said there was someone sighting us with
a gun. I turned around and there was this big red light on my face."
Poor Martin. Although
his problems didn't end there either&emdash;he ended up getting
bitten by a dog before recording's end. Anything New York City hands
Martin these days has got to be a piece of cake after the Cassadagada
mishaps...
I met up with Martin and new member
Barry Burns (flutes, keyboards, guitars) at their hotel deep in the
heart of Chinatown. It was a chilly, snowy Sunday afternoon, but I
knew I'd have an easy time with this interview. Margaritas were in
hand and the interviewer before me flat-out insulted the band. I was
sure to wow them with my sarcasm indeed. And although flailing
insults and sarcasm are two Scottish traits, Martin and newcomer
Barry Burns couldn't be nicer.
"When we first started
the band," Martin recalls, "none of us apart from Stuart could play.
Stuart asked me to be in the band because he knew that I had a drum
kit and that I was a nice guy. That's a fact." It's a similar story
for Barry too. "Stuart told me yesterday I was employed because I was
funny."
Come On Die
Young, the band's painfully perfect sophomore full-length (proper),
marks the first recorded appearance of Barry, a former music teacher.
He left teaching because he hated the kids, but the school's loss is
Mogwai's gain. His debut recorded appearance, CODY, is an opus that
strays slightly away from the band's once trademark lull-storm-lull
construct, all the while retaining the glorious sound dynamics that
have made this band so great. It's one of the most contemplative
records I've heard in some time, recalling Slint, Codeine, My Bloody
Valentine, to name just a few. And it's a record that possesses the
rare ability to conjure up a gamut of emotions in just one sweeping
track. Journos like to go overboard and use flowery descriptions and
metaphors to describe the band. But it's not necessary to be wanky.
Mogwai is brilliant and Come On Die Young is a permanent fixture in
my cd player these days.
But I must say, I
wasn't too sure what to expect after their interesting remix album,
Kicking A Dead Pig. But one contribution alone makes Kicking a
worthwhile investment&emdash;the remix work by Kevin Shields. How on
earth did they find him??? "We had a big meeting with Eye-Q. Well, it
wasn't a big meeting, it was at a pub in Glasgow and we [both] came
up with some names of people who should do remixes. It was actually
them that got in touch with him, but we've become friends with him
since."
Pavement's
Stephen Malkmus adores them, Scott McCloud partied with them after
their recent Bowery Ballroom show, and Kevin Shields befriended them.
Although it seems like they've got the world in the palm of their
hand, things haven't always been so easy for Mogwai. I mean, there is
a very good reason why they are on Matador in the US these days as
Martin explains. "I don't really want to start on a bitching session
about Jetset....They were good about putting out the records and
stuff. But there were a few wee problems we had here and there, so we
had to leave. Jetset wouldn't give us any tour support for the last
tour we did, but Gerard gave us money. And we weren't even signed to
Matador [at the time]."
That says it all
really. The fact that someone was willing to front the band a bucket
of cash to help finance their tour, when the band had no ties to the
individual at the time. People are willing to bend over backwards for
them. And after just one listen to CODY, you'll want to hand over
your hard-earned cash too.
~ Diana Willis
i want to go home
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