CD Review

Jeff Buckley - (Sketches For) My Sweetheart The Drunk (Sony, 1998)

Track listing:  

CD one:  

1. The sky is a landfill  
2. Everybody here wants you  
3. Opened once  
4. Nightmares by the sea  
5. Yard of blonde girls  
6. Witches' rave  
7. New year's prayer  
8. Morning theft  
9. Vancouver  
10. You & I  

CD two:  

1. Nightmares by the sea  
2. New year's prayer  
3. Haven't you heard  
4. I know we could be so happy baby (if we wanted to be)  
5. Murder suicide meteor slave  
6. Back in N.Y.C.  
7. Gunshot glitter  
8. Demon John  
9. Your flesh is no nice  
10. Jewel box  
11. Satisfied mind  
 
 

Jeff Buckley's "new" album sorrily is not his new one - the singer/songwriter drowned in spring 1997 while taking a swim in a river. So this is what you would a call an original "post mortem"-release. The material contained on the double CD set comprises of the first recording sessions made for the intended new album "My Sweetheart The Drunk" and other assorted tapes. The tracks included were mainly compiled by his mother Mary and vary in state of completion and sound quality, as well as two songs are present in different incarnations.  

So what's my impression of the album? At first, it is a downright "raw" experience. That, not to say that it's only for die-hard-fans, but to reflect the sound of the recording as well as the state of songs. To me, there a brilliant songs on the album, and recording is not as bad (rare analog tape hiss on some tracks, except that better recording than many other popular releases, so expect no bootleg), many other bands would be glad to release in such a state. Yet compared to the predecessing album "Grace", there is a clear hint what Buckley, if alive, would have made out of these first takes of the songs. The album lacks the charming perfection of  "Grace", it has a different charm. The line up of most of the songs is basic: vox, guitars, bass, drums - and the mixers have taken care not to spoil this charming rawness of Buckley's first takes with their own ideas. So these are Buckley songs without "gimmicks", they, to me, do resemble very much "live experiences". It's not perfect, it's not polished, but it definitely shimmers and shines by sheer songwriting capability and playing/singing, not overdubs, remixing and all the like. Maybe this album would have been more perfect, better sounding, with some new ideas in songs and a greater variation in "sound", but the songwriting wouldn't have been much better. It's a shame to have this album not completed, but even presented in this state, it clearly is a good album by the means of Buckley's (and his band's) songwriting. And, maybe, it's even a relief to hear such an album in a time of overproduced albums, though it could have never replaced Buckley's real "My Sweetheart The Drunk". But that doesn't exist and never will.  

So, if you want to give this album an initial listen (though it deserves and takes much more than this to appreciate its quality), I would suggest to take the first five songs of the first CD, which to me represent the highlights of the album. "The sky is a landfill" is an angry, straightforward song, which, though quite charming from the first moment on, stands the test of time with its unpretentious, subtle complexity. "Nightmares by the sea", the fourth song, to me, is a brilliant incarnation of atmospheric songwriting, it's got drive, it's haunting and builds up quite good suspense by variations of repeating passages - musically und lyrically. "Yard of blonde girls", its follower, doesn't stand behind though employing quite similar techniques with a different, more positive charm.  

A passage from "Nightmares by the sea" (by Jeff Buckley):  

All young lovers know why  
nightmares blind their mind's eye.  
Your rube is young and handsome,  
so new to your bedroom floor,  
you know damn well where you'll go.  
I've loved so many times and I've drowned them all.  
From their coral graves, they rise up when darkness falls.  
With their bones they'll scratch the window,  
I hear them call,  
"Don't know what you asked for"  
"Don't know what you asked for"  
 
 

Review (c) 1998 Roman Pelek. To be freely distributed. Not to be altered without the permission of the author.
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