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A Completely Shit Review

6 Mar 1999 Books: Audio: The Guardian, thanks to Peter Gordon.

By PETER KINGSTON
Why bother? by Peter Cook and Chris Morris (BBC Radio Collection, £5.99, 50min)

A foolhardy title to put on the front of any goods for sale. And at first hearing, this flimsy collection of five short interviews, recorded by Radio 3 in 1994, between Morris, of On the Hour and Cook, in his ancient disguise of Sir Arthur Streeb-Greebling, leaves you wondering why you did bother.

It's probably an unfair reaction to the reverential guff spouted after Cook's death, which he would surely have been the first to send up. This is a contest. Morris aims throughout to bludgeon Cook into silence by barraging him with absurd, aggresive and impossibly arbitrary questions.

After those so familiar early sketches when Cook dominated the improvisatory duels with Dudley Moore, it's almost sad to hear him as a victim. Misplaced sympathy. Cook proves impossible to knock down. Like a wibbly-wobbly toy, he always rights himself, always finds a logic to leap across the enormous chasm Morris tries to open in front of him.

At second hearing, Cook's combined nerve, wit and superb ear comes through and he never trips out of character. And some of it is very funny. Recalling his wartime career in the Foreign Legion with Rex Harrison, Sir Arthur says: "Rex was awfully brave - could have been an actor, you know. . ."

 
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Radio Times Article

From the Radio Times, 13 -19 March 1999 (pg 135), thanks to Stephen Lafferty.

Often, when young comedians admire a fading older one, they wait until the memorial service or the newspaper obituary columns to pay back the debt. Celebrity supporters of Peter Cook were, thankfully, more practical during his drunken, unproductive final years. Clive Anderson sobered him up for a talk-show appearance and Chris Morris (The Day Today, Brass Eye) persuaded him into a studio for these spoof interviews (also available on CD, £7.99).

Cook appears as his frequent character Sir Arthur Greeb-Streebling, a toff bluffly justifying a psychopathic life which, here, includes a curiously luxurious stay in a Japanese POW camp. Morris made his name sending up presenters but here plays it very straight, frequently sounding so like Jeremy Paxman that the listener thinks it's Monday morning on Radio 4.

 
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