I took my best friend--it was her first time to see Sting live, and when we left she humorously said, "That man could sing Hot Cross Buns for 2 hours, and I'd listen."
I hadn't seen Sting since Soul Cages. I had up-front (well, about 14th row, technically, which is as far front as I like to be) seats then, but the show had a kind of somber feel to it, considering the album was about death and pain. This time, I was about as far back as a person could be, but we were all jamming in the back. Although the view wasn't as good, the concert experience was much more pleasurable. I walked out of there on a natural high (although there were some people who "lit up" during "Every Little Thing...").
The place was silent for the Kenny Kirkland tribute which Sting called "Diende" I believe, and then made some phallic joke about the title at the end of the song.
Suite 101 Sting site
OK, I don't know how long this is going to take, but here goes...
The floor of the Beacon wasn't full at 8:00 when Cheb Mami came on. No wonder, since before the show, several "greater than thou" personalities showed up at the box office to ask at what time Sting came on. These are the people who enjoy the attention while they come in during A Thousand Years! Well too bad for them, they missed a great performance by Cheb & band. Miles came on at 8:00 to introduce Cheb: "Tonight, one of the greatest artist of the English-speaking world has invited one of the greatest artists of the Arabic-speaking world. It gives me great pleasure to introduce Mr. Cheb Mami!" You could actually see the question marks hover over some people's heads! Cheb was great, his band is awesome - a very tight ensemble. Cheb reminded me of Sting in the way he commanded his band - a look or a wave was all that was needed to communicate with his musicians and the sound guy. His set had a lot of energy, but that wasn't reflected in the audience. I think it's rude when the performer signals the audience to clap, and NO ONE (at least on the floor) claps. My sister and I were the only ones to get into it... I'm looking forward to next Saturday's concert...
Seats weren't filled by 9:00pm. The show openned of course with A Thousand Years. We all know what the outfit was! We all know what the jokes were (they were funnier in person though) And we all know what the set-list was like - except for the addition of a tribute to Kenny. He said it was almost a year ago to the day that we lost Kenny. He performed the same song he did for Kenny's tribute - a composition by Kenny called "Endomy" (read "End of My") to which Branford asked Sting to write lyrics. He said as a boy, Kenny would pratice the piano inside all day while the kids played outside. Kenny would hear the others outside and the kids outside would hear Kenny play inside. The lyrics tell a reversal of that situation: what would it be like to hear Kenny play outside? This is a beautiful song, reminiscent of the Leaving Las Vegas covers. Though half of the audience didn't seem to know who Kenny was, everyone was responsive to this one because it showcased Sting's singing ability really well (the guy sitting next to me with his arms crossed managed to belt out a "YEAH!" after this one!) After he sang it, Sting said he later learned that the full title of the song was "Endomydeek" ! (I won't explain that one!) He said "That was Kenny's sense of humour!" I can't remember in which slot he inserted this one, so I'll go through the rest of the set (not necessarily in the right order):
And off they go. In the hysteria of it all, I forgot who's hand I shook. But Dominic came over to ME from across the stage, and gave me a hearty handshake! I'm pretty sure I was the only one to get one, at least from my side of the stage. That was really cool of him...
I had written a note to Sting asking him to add Lithium Sunset back to the encore. Why LS? Well:
So I laid my note on the stage...
-----------------------
Band comes back...
Band leaves, Dominic comes over to ME hand gives ME (and me only) a "hand-wrestle"-type handshake! Not a tip-of-the-fingers "I'm extending my hand so you can touch it" handshake, a REAL handshake. Dom rules!
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And that was it. I saw Josh and Jon afterwards, and we saw Trudie leave with Brad Pitt. Josh asked her if we could take a picture, but I think she didn't want to create a stir around Pitt... Josh and I saw Chris Botti leave and introduced ourselves. When I said Hie, Chris said "Hey, you were in the front row!" Very nice guy. We took a picture, Josh told him the band had improved phenomenally, and when asked if he was a Sting fan, Chris said he thought Sting was without a doubt the best pop musician out there! He was very patient with us and very cool!
I stayed outside of the bar where the party was going on (Josh had to leave). I felt awkward staying out there with the *bleep* photographers who were aggressive with fans. Sting talked with Brad Pitt for a while... (Jeniffer Aniston was there with Brad - she's hosting SNL on Saturaday.) Jason came out and I said "Jason, great show!" Poor Jason, he seems a bit surpassed with the whole thing! Billy Francis escorted Miles out, and as Billy went inside, I said "Billy" he turned around, and the next unconscious words to come out of my mouth were "Great job with the tour. It's going great." Those must have been the right words because he smiled and gave me a horizontal smile as he walked away!
Sting and Trudie came out around 1:00 and the scene was actually quite orderly. He signed a couple of autographs, and as he signed, I asked "Sting, will you add Lithium Sunset?" He laughed (a real one, not a polite one!) and must have thought "This guy again!" Unfortunately he mumbled something I couldn't make out. They posed for the photographers, and as they walked off, I went over to him, said "Sting - Great show!" He shook my hand and said "Thank you sir." ("SIR" ?!)
I'm exhausted from last night, and just found out I'm going to tonight's show. Back again tomorrow with a *brief* review!
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