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ALICE DONUT :
THREE SISTERS
I have a long personal history with this band, and I'm gonna use this review as an excuse to tell you a story, and bore you with some of the details. My introduction to the band came at the end of a glorious summer. It was September 1990, we were just gearing up for our second year of university when my friend and I decided to take a weekend trip across the boarder to Buffalo NY. You know, grab some hot wings, buy cheap hooch, and generally act like idiots. Two nights before we were to leave, we were kickin' back with a couple brews, and my friend mentioned how his dad had made weekend trips all the way to New York City when he was younger. That's cool I thought... then I had an epiphany. How long did it take to drive from Toronto to NYC I asked. "According to my dad, about nine hours" was the response. So I said, "you know, Buffalo is kind of lame compared to NYC". We then just looked at each other with dumb-ass smiles on our faces, and within seconds our plans had changed.
We left early Friday morning. It took us 10 hours to drive there (including one unscheduled detour to the Bronx, which by the way, I don't recommend). We paid a small fortune to park the car, and then checked into some dump of a hotel, which I believe was on 34th street. It was 9:00 PM and we were eager to start the party, so we went to the only bar/club we knew of, the legendary CBGBs. It was fun, a shit-load of bands came and went throughout the night, and we had a blast. However, it was the Saturday night that would change my world.
We had first tried hittin' some other joints, but they were all kind of boring, so it wasn't until late in the evening when we made our way back to CB's. As I walked in, I noticed it was way more packed than the night before, in fact, it was almost wall-to-wall, I was actually kind of surprised that they let us in. I asked some one next to me who was playing tonight. The dude said "Alice Donut man". I had never heard of them, but what did I care, I've always been into checking out new bands, and by the size of the crowd, this one had some followers. The crowd was very diversified. At the time, I was pretty much a Metal-head looking guy, long hair, biker jacket, etc. There were other Metal looking dudes around, but also lots of Punkers. I saw lots of mohawks, and lots of those Alternative looking kids that were always taking up space at the coffee houses around campus. All of a sudden, the lights dimmed, and out came the strangest bunch of freaks I had ever seen. The vocalist (Tomas Antona) was wearing nothing but a raincoat. Yes, you read that right, he was going "commando", and those in the front were getting more of a "show" than they had bargained for. The music was odd, but eerily enticing, the songs were hectic, frantic. The band seemed to lash out in every sonic direction possible. The small crowd was shouting and moshing, it was fuckin' brilliant! The highlight of the night was when they let an obviously devoted fan come up on stage and sing a whole song with them. The song was the bizarre ditty known as "Lisa's Father", and when the climax finally came at the end, the crowd went totally out of control.
The next day, still delirious with joy from the night before, I went out and bought their 1989 CD "Bucketfulls Of Sickness And Horror In An Otherwise Meaningless Life", which by the way, still stands as their masterpiece. Since then, I have picked up every release these guys have put out, which includes six studio discs, 3 EPs, a live disc, and a home video. The band however, after playing their 1000th show in 1996, split up, and their small, but loyal underground following went into mourning.
Well, jump to 2003, the band is now back. We have original members Michael Jung on guitar, Stephen Moses on drums, and Tomas Antona on vocals. Plus Tomas's wife, Sissi (Hayes) Schulmeister, who joined the band in the early 90s after Ted Houghton departed is back on bass. The band put out their new CD, "Three Sisters" via their web site alicedonut.com in late 2003. Now however, Howler Records (which is run by David Giffen who played guitar on the band's earlier works) has picked it up, and will reissue it in May 2004 as an enhanced CD. There are also plans for two more studio discs in the next couple years, plus a "best-of" package. But the question you need answered right now is, after an eight year gap between records, does the band still have that elusive quality known as "it"? The answer is a big fuckin' YES! Tomas still has that insane love it or hate it vocal quality. The songs rock, pretty hard at times in fact, but are still odd enough that old fans will take to them like a calf to the teat, while newbies will need to let them fully digest before they truly get it. The overall sound is fresh and modern, yet has that unmistakable Alice Donut dark, humorous edge that we all know and love. The band should once again find themselves on college radio stations from coast to coast. The mighty Donut is back, and the world is a better place. Now if only NYC's other great band, Circus Of Power would reform, I could stop sacrificing small animals to the rock gods.
RATING = 8.5 Punk (Released 2003/2004)
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"Greatest hits albums are for housewives and little girls."
-Bruce McCulloch K.I.T.H. '91
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