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Tokyo Blitz

 

Super Live Area 12/3

I had a week of nights to fill in Tokyo after the Moi Dix Mois mon+amour concert and selected for all the busiest night of Visual Kei madness that I could find, beginning with six bands at the Super Live Area in Takadanobaba. The bands were in order of appearance: Renny Amy, Trick, Bergerac, Mellow, Trouble and lastly Jessica. This was my first real night of VK, as dix is completely different to these young bands and their just as young fleet of teenage girls in attendance. I was the only foreigner, the only one older than... oh, lets say eighteen, and the first male to be there, of four in total (not including band members whom are all male). Female VK is very rare. The venue wasn't terribly big, compared to Liquidroom at least, and a fan said that was small in relation to where Moi Dix Mois usually plays now. The difference in crowd size, and crowd composition is a fair indication of success. Entrance was 2,500Y and another 500Y 'drink' voucher which I didn't bother using (for that oh so much needed sarsaparilla). I stood up the back... this young one-sided gender crowd wasn't for me to intrude upon, resting against the bars with the other lonelies: there was one tiny girl who bopped a little for the first bands then sat all folded down by herself and her mobile phone until the next band turned up. Why did she go? To be like the other girls, liking cute boys done up pretty? The heavy metal music? She didn't have that metal music fan look. My heart went out in a way, wanting her to saunter up to the front rail and join the others - nay - cast them aside and be close to her idols. Anyway, onto the bands!

  • Renny Amy (B)
    This five piece VK hardrock band opened the show with a bang. Their vo. reminds me of a Mafia Zombie and has an interesting stage presence... 28 Days Later jerky movements, eyes, and barely legible. He lets you see in the side of his mouth. There are two Gu, a Ba and one Dr. Its always hard to tell with the Dr because they're at the back, how good or energetic they are; worse if the others are very loud and force attention away. The Ba is violent energy, hurling his body and adding growl-cough utterances when requied. Gu Kohta reminded me of Kozi in the way he looks and he'll be a fine guitarist too, not that he isn't bad and doesn't spin and throw his body around like the others. The other Gu seemed not to be very interested in the performance; a bored throwaway attitude is his stereotype but I think it was real. He wasn't as active as the others and spent time at the back getting a drink or just turned away. This was also my first introduction to Japanese fangirl choreographed hand/arm/dance motions. The girls in the front row would do little wrist turns and alternating chopping motions. For headbang they'd grab onto the front rail and hurl themselves half way over! It was sight.
  • Trick (B+)
    Second up came another five-piece band. These guys were a bit better than Renny, and a little more scary as well. The scary person was the 'cute' member, with the big cheeks, little off-centre hat and an attempted cute smile or pout. A face he had to maintain for the entire show although it slipped at some points when no one was meant to be looking. Hyper happy, Clockwork Orange kill you with a happy grimace cute is what I thought after a bit. White, a bowler hat, cane, and one eye made up would suit him a lot better. OK, the other guitarist was an energetic wiz and why I liked this group a lot. He played fast, hard, jumped around, put in an effort. Then the vo. He kept the rating high and standing on a metal grate (which is compulsory for a band to own), got the front rowers hand moving with some complicated moves ending that went from left to right and back again and ending with a shot into a fan or the drummer.
  • Bergerac (D)
    Third, and my least favourite of the night. Well, I think it was this group as they were not dressed up like their flyer at all - I think it has to do with the added member to make them a five-piece. The vo. had no strength and couldn't really be heard over the guitars; 4 of 6 bands this night had this problem to a degree or another and I don't like the bands which don't have much in the way of lyrics instead placing an over-reliance on coughing-screams and grunts and oi's! That doesn't pass for composition. The main problem with bergerac is that the vo. spent too much time talking about their CD. People won't if all they listen to is him talking and them not performing. The fans bopped around like before and did their hand motions. There was head banging, or head shaking very quickly from side to side. Some girls would hold hands or the railing for support and throw themselves into it with abandon, and then smooth out their hair afterwards...
  • Trouble (A-)
    This quartet weren't on the visunavi playlist but they were the best of the night. I could hear the vo. quickly and he didn't wear socks or shoes. All were dressed in pretty much plain back and had a variety of play: not just speed, gimmie what I need. Although I couldn't understand what was being said, I think it was real lyrics, real singing with a purpose. They played loud, angsty, and even had a bit of a pop sound. They didn't talk, they arrived, played, stayed silent, then left silently. I don't think they had a big following as they were just listened to; being less visual (more professional) probably too advanced for the crowd of teenyboppers.
  • Mellow (B)
    The five wore shorts, the cut-off trouser English upper class old school kind. One of their songs had to be professionally written as it contained a lot more depth than the rest of the set that they played in the 20-25 minutes each band had allotted to the stage. I liked them and the girls were big fans as well. Simple dress, no huge VK hair but VK pretty still. More hardrock from them. The Ba. in the white shirt and most-femme hair was the poster player and did a lot of work on top of their metal grate.
  • Jessica (B+)
    Another four piece ending the night on a high note. White are their colours. White, and white, with black or gold and one pink and I'll get onto him a bit later. Screams, oi!s yells. There was no Dr., I think the only group for the night that didn't so they had to rely just on pure string work to create beat and bump. Everyone had a lot of energy and they ended the night well and proper. Gt. blond was a happy chap, working with Ba. blond on one side of the stage and swapping around frenetically with Gt Yuh. I can't really remember anything special from the Vo, their set was stolen by Gt Yuh, who while obviously a guy from a distance is able to toss his pink highlighted hair in a completely feminine manner. The pink hair, white face with pink lipstick, and pink wrap over his white shorts all helped. I think he can give Mana a run at being an anti-Mana. White instead of black without the utter immersion into the cross-dressing world. He can play too. 

Holiday Shinjuku 13/3

It was this livehouse that I knew from the internet and gave me the little information I knew about what to expect: plenty of odd glam VK bands. The Piass and Anti-feminism play here often so making a visit was like a small pilgrimage (as was the entire trip and Hajj). Tonight would be nine bands! That's an awful lot of time standing up watching, four and a half hours and then some for band change overs. After buying my ticket (just one) and checking out the very well indie-stocked CD Holiday (having the elusive Piass VHS and more, but no credit card facilities) I went inside into a smaller venue than AREA and joined the gals on the ground. Up the back were comfy chairs and couches but they were for the band members only and their small family entourages. I moved to the railing by the merchandise stand after sitting for the first group (not too many people there then) after more fans arrived and my leg went completely dead. I was the only foreigner... for a little while and just a short while when a rather large (tall and big) purple-headed goth in platforms turned up, head banged for half a set, bought some stuff, and then left. I don't know if she left because of the Japanese girls who I have been told can get aggressive to foreigners, or the gaijin shonen only wanted to pick up some stuff. Either way it was 3,000Y for a short time (if she had to pay). She looked at me on the way out - who was I? How had I survived the schoolgirl bitching? Being a guy, being blonde, being up the back, being older as well, helps. And on older fans, one tiny and thin otosan arrived to watch and was picked out scathingly by a girl in tartan frilly/lace dress and twin ponytails (yet with the voice of sandpaper). The otosan had a pollution mask on and hat pulled down to hide her identity but it did not work very well. Maybe she was a mum ignocnito. I think two other guys turned up. One stood by the entrance wall. The other... I wonder if he was a friend of one of the bands. I wonder why their friends don't turn up. They would have to get in cheaper or free and will all those available youngsters... isn't it the perfect place? Or are Japanese guys scared of VK fangirls? Band members would sit at their stalls and talk to fans, take money and maybe sign stuff. The group I liked the most, KLACK, didn't do that. Others sat up the back and likely considered me with their young minds. I should have worn a suit and taken notes. Alarm them. There was one band who game forth and the first of the strong Vo.s. So strong I rocked back at the first clear loud noise that was ejected from him. Because there were so many bands and the flyers only helpful for the later or known groups (and the ones I could easily identify), I can't do proper review justice. Having a play list would certainly have helped.

  • クラッチ (C)
    A new band (their website is from mid-January) containing four pretty-gothic-glam members. I don't remember anything about them, so they would have to be non-standout, average and one of the first bands on who had a Vo. I couldn't hear very well.
  • Madara (C-)
    Quartet of undoubtedly hardrock VK goth loudness.
  • Pashya (C)
    Much, some or a little had been touted to me by a Dix forum member on this under-code Production label band who have such vinyl goth bands as 12012 and Phantasmorgania in their conquer-the-world lineup. Pashya is different from the others, white where the others are black. It is necessary for them to stand out; if they didn't they would have no future at all. As the newest, Pashya is new and sounds new. That is for all their while and gold and costume, more than a tad too boytoy, they have no real spark and the Vo. wasn't able to project himself like most of the other bands that night. In fact the first few acts made me think that guitarists were easy to find but a descent Vo. who could break through the sound barrier a rare commodity indeed. Yet five or six of the Vo. I saw this night were clear. Unfortunately, Pashya's wasn't among them.
  • ダリ (C-)
    Another under-code production label band. The five are uniform grey and black goth and come with all the lyricless screams and cries of bands who don't make enough true music and need to fill out their set time.
  • KLACK (A)
    A real punk band. Young, brash, loud, rude. In the beginning... there was a bedsheet across the facing of the stage and it had been spray painted upon. And lo! there a hiss and words began to appear on the sheet in red. And those words were "fuck oof rate man!". I had to restrain myself from calling out how to spell 'off' correctly. It is a simple word, not easily made incorrect. Rate may have been hate too. I am unsure but this did not matter. Punks are allowed to be stupid or illiterate. Their form reminded me of the original (and only) punk bands from the UK, that short lived sound. The Vo., bleached hair and studded demins, picked up a bucket and poured red water over himself. He picked up the mike stand and tossed it away, smashed and bent it. Threw one to the crowd and into the barrier. They girls screamed and retreated. They had not experienced that before! But KLACK had, they do it all the time. Punk, but an orchestrated show they put on all the time. What was Holiday thinking? Well, KLACK only plays at Holiday (according to their website's schedule) so the antics are ok. They allow Kenzi to set his hand on fire all the time. The rest of the band avoided the missiles. A staff member quickly removed any more potential missiles, except for the grill the Vo.s stand on... yes, it too went into the barrier (and that is why I believe each band has its own). The Holiday staff spent longer cleaning up after the act than the others, understandably.
  • Retina (D)
    Ahh I cannot say anything about Retina except that I wasn't impressed by them at all. The Vo was as flat as could be in his white outfit and blonde mop and had to get by with the yells and screams of  a band without too much creativity and not many songs.
  • 我流eve (B)
    These guys run with Sulfuric Acid and for a moment I thought the member (Dr.) on the right of the flyer pic was Masaki, Vo. of Sulfuric Acid but checking the website it is clear that this cannot be the case. Masaki was wayyy better looking and wouldn't want to be stuck up the back bashing stuff (although it would be neat for band members to be that versatile and unselfish... and in it for the music!). There are five of them, standard lineup of Vo., Ba., two Gt. and a Dr. I will hang out on a limb and say that this is the band that had the first strong Vo.. I could be wrong; I'm only guessing and I gave these guys a good rating for some reason. They played first or second on my last live night so I have nothing to jog my memory with.
  • Moll'e node (A)
    These four were great. A real mix of fem, glam, indifferent and rock combined into one good act of sound and performance. They were also good at the merchandise stand with two members taking turns on the seat (and looking a little bored as the other acts still went through). The four are lead by the talented and thankfully non-smoking Vo. who has some good stuff for the fans: he had a bouquet of roses and bit the heads off all bar one of them and blew the petals to the front row. I would have scoop as many of the petals up as I could and kept them as souvenirs but the fangirls didn't. Silly them! The one that got the last intact rose tossed to her put it down!! Utter madness I say. How often would she be given a rose? Wasn't she a fan? The other members smoke (insane). Musically they stood out as not being grunty screaming hardrock. I wouldn't classify them as happy VK but their was a lightness in their set that was refreshing.
  • Juliadoll (B+)
    More goth! This night was certainly a gothic dress type theme and there were a few lolitas in the crowd and sitting down near me in their black dresses, stockings and witch shoes. But they weren't scary, cute indeed as infants and lolitas are meant to be. True goths on the other hand are either ugly or elegant or boring. Their website is quite new. On later on they were (if I could recollect correctly) of superior performance to most earlier bands yet containing nothing that made them stand out as a unique act. Just better at their craft.
  • Renny Amy (A-)
    I was back and Renny Amy were back and they noticed because they were better this time and the second Gt. put in an energetic effort on the second night in a row performance. How often would a blonde foreign guy be at their show? Twice, in a row! But enough about me. This time I was prepared for the mad antics of the Vo and at least one of the fangirls was from the night before (or her top common) so their fans followed them around as well. As they should. I'm sure the set list was the same. Right behind me was one of their girls and maybe a mum later in charge of the merchandise.

Shibuya O-West 14/3 (Aesthetic Angelic)

O-West is a pretty big live hall, not as large as the Liquidroom but still pretty good and capable of holding a couple of hundred fans with no problem. There is a second level with seats I believe as that's where the other acts watched from. Some fans went up... I didn't so I don't know really what's up there or goes on. Because of the live house's size only reasonably well established bands can afford or get large enough crowds to play there. When I arrived some ticketchick asked me which band I was here to see: the group that gets the highest count takes the largest percentage of the night's take. I said it was my first time... I didn't understand what they were asking. Really, I had no favourite but had been told of Rentrer en Soi by a friend and that was why I was at this livehouse. It was also a livehouse in Shibuya and very close to where I was staying. Now the fans at this night were more numerous and varied that the other lives I'd been to. Most of the bands were 'happy' VK bands. That is they were poppy and had very outlandish or super-cute costumes. Rentrer en Soi was the exception. I shall talk on each as usual and their fans if they were different. Other adventures of the night was when I was standing outside and two loh wai approached me. They were trying to find the 'night life' and happened to be from Sydney, Australia and here for boxing. I hope they beat the ##%^#&@^! out of their opponent. Have to side with my own I'm afraid. I sent them in the direction of Shinjuku/Kabuki-Cho. The next was meeting Inertia (Jennifer) who had also been at the Moi dix Mois concert. We sort of knew each other from the scape forum and posting on the dix concert. An American living in Tokyo, Inertia is an immaculately presented woman and well known with the Japanese fanladies. One gave her (and myself) a small home cooked biscuit. We mainly talked after the live in the freezing outside. I should have had my Tajikistan Coat of Impregnability and I would have been Ok. The next! was running into another two Australians - Japanese Australians - from the band Orochi!! I had seen these guys and they are good, hardrock Samurai Kabuki. We will plan big things for growing VK in Australia: they were in town to steal Yakuza girlfriends and look for bands to bring to Oz for some shows. Now onto the seven bands, because there was one extra.

  • るう”ぃえ (C)
    Where luvie came in the order I don't know. What they were like is the same. Forgettable five members. Unfortunate I would say that the first three bands were so similar and didn't do anything special to deserve remembrance.
  • 華族 (C)
    A five-piece boys in black band with one long-banged tiara-wearing Gt. who was frequently placed in the centre to be cute, play, and receive fan adoration. And he is good looking enough to deserve some. The rest are typical VK glam. I think it was this band where one of the hard Gt. or Ba. who put on punkish airs hurled his water bottle into the crowd and it came right at me. I didn't match to catch or stop it, knocking it a little and water flying out along the way before it smacked into a girl at the back. I first saw Kozi toss his water bottle in and I can't really imagine why it is done. Who wants to keep it? I haven't seen anyone of the three times scurry to claim the detrisis. Their website is the same as their flyer and the mobile section also only having a tour schedule. Some members of bands have piercings or studs around the mouth; I don't know if they are real or for the performance or not. The music fans have real ones, and they're girls. Scary in a way.
  • Aile (C+)
    Another safe family band with the cutest guitarist you could possibly imagine and as shy as a cloistered plush-bear lover (long bangs, bows in the hair, glitter mascara). During the talkies the pretty-boy Vo. Akito starting going on something about Valentine's and gave the kawaii Gt. Yue a present. I don't know if the Yue was doing some acting or absolutely stunned to embarrassed silence by the 'stunt' as he could only manage a whisper in reply and the other band members were laughing at him. I'm sure all the girls and mums were weeping heart-felt tears and would likely doll him to bits. Now the other Gt. and Ba. who shared the left side of the stage (my left facing them) were more glam VK rockers as the Dr. A bit of a contrast between the five. As for playing there was nothing outstanding or that would differentiate them with the horde of other VK bands. It is probably the cute(r) image that will see them through for a while or the rockers want to move on and make more adult music.
  • Izabel Verosa (C)
    If I can't remember anything about a band then they didn't stand out. It's obvious isn't it? Izabel Verosa was one of those bands. Well, until the last few turned up I really didn't know who I was seeing as the O-West people didn't hand out flyers at all, just their monthly Who's On which didn't help. Only on leaving were there bandgirls handing out the flyers and just two at that and not this group. See how much I've written about nothing. Now Izabel Verosa has five members  (one must have been added as their promo shows only four) and I'm listening to their website right now and they sound OK, safe and average for a VK band. They have two crossdressers probably a lead Gt and Dr. All can be reached by email through their label.
  • BALD GUY (B)
    The first of the real hard acts! Four bands of safe standard VK rock followed by a fifth that had one person, just one, that makes this nameless group standout. A bald, larger, Japanese Gt with a studded metal Guitar (think the top of a heavy metal club/bar bench). He wore a mid-length white trenchcoat. It was different. It worked. A metal guitar for metal music. The rest of the band and their sound was again a bit better than standard VK rock, heavier than the earlier bands so a sweet change. Bald Guy went from one side to another and the other Gt/Ba. also liked to work the crowd and respond to the fangirls who held their arms out open to them. This was the pick up band so I don't have their name and it will take time tracking them down through visunavi.
  • Lareine (C)
    A throwback to Malice Mizer Gackt and post era combining the huge costumes and sequins and a completely camp look that the Vo. Kamijo finalises with his stage manner, slightly older and attempted pretty-boy look. Yet they are a favourite and have many older women fans all of whom are armed with plastic flowers and do their para para with them in hand. Inertia has seen Lareine 45 times or so and collects their 500Y photo singles. Dedication. The girl is in them all. After 'Bald Guy' Lareine threw back to poppy slower music and even a little bit of disco while the 'Mana-like' in twin ponytail wig looked despondent in a wide short dress and eye sequence. There was no solid frown or pout. Then there was 'Kozi-like' and the Dr in a partial 'Kami-like' stage. Kamijo couldn't, just couldn't, be a Gackt but I think clearly this is what they were trying to be, fill in where Malice Mizer collapsed and left vacant. It was sugary. Inertia's tells me 'its a joke'. Not being able to understand their lyrics I can offer no opinion beyond the visual and what I hear from the flow of their music and they just didn't do it for me. There is only one Gackt and Kamijo is not even close on the beauty scale even with photoshopaid..
  • Rentrer en Soi (A+)
    I didn't know who these guys were until I asked Inertia. In fact I had completely forgotten about them and thought that they were the seventh mysterious unknown band and not the highlight. They certainly started mysteriously (yet all the Japanese knew what was up!) with the Vo hidden beneath a Jedi cloak, only his wavy dyed hair showing. I had visions of The Darkness' lead signer (both are not what would be called handsome). My friend had seen this band when they were VK dress up and since their image has changed to leather rock and all the better for it! The first song was in almost complete darkness and it only got lighter with each new song... never really able to see the band. Strobe lights used to turn the headbanging girls into jerky spectres. They were hard and heavy and so good. They played well, the Vo. was animated. They want to be a real rock band and they have the guts and style to go it. After their set the Lareine Vo. came back on to talk about the Aesthetic Angelic tour and thanked Rentrer and got the Vo. back to sing one last crowd favourite and then it was time to pack up and head outside into the cold.

Meguro Rockmaykan 15/3

Somehow I got the time wrong for this live and turned up at 17:50, thinking that it started at 18:30!! Ahh! Luckily the live had started at 17:00 and I had only missed 2 bands and one of those I had seen before (eve) and I still got to see the main reason why I was there, my first VK band, The Piass. This venue is by far the smallest that I had been to and it was also different that it had seats, mainly used for the girls to store their bags. Outside the small live room smoke hung heavily as band members and girls smoked away and the sisters/girlfriends tried to sell stuff. Buying in itself is a hierarchical process. The biggest fans get to buy first even if they are not there first, and foreigners like me ignored until I pressed in and shocked the salesgirl to bits by asking for a CD (Sulfuric Acid). She wasn't too organised as it took 5-10 minutes to serve one person looking all over the place to find the goods. I also finished my Piass collection of CDs and got some anime-cards and two CANDY CDs. I didn't look like anyone else bought anything but Sulfuric Acid gear - they were a good band and last billed but the others were worthy as well.

  • 我流eve (-)
    I saw this band at Holiday Shinjuku two days before so it wasn't a disaster that I missed them.
  • Saruin (-)
    But it was for saruin. Hadn't seen them before... did get to so I have nothing to report on them other than the flyer I have of a five-piece Goth band. They have released one maxi-single, Miss Demon.
  • 999 (C)
    I only caught the last ten minutes of this act so I can't really comment on them very much, nor do I remember a lot. There were four, all in white and they were OK.
  • Cannival Method (C)
    I can't remember anything special from this Gothic style quartet. The Vo. was backed up by the typical throaty growls of the blonde-beached guirarist. Their wear is kimono-style.
  • CANDY (A)
    OK, I really liked these guys! So much I got two CDs (well, two songs of them, one CD was a single the other an omni-bus of 10 bands which was great value and a good way to hear some other groups). They are self-described as Neo Romantic and also have a flair of 1950-60s Rock'n'Roll - well the Vo. anyway as he had an Elvis style quiff and all the moves. They put out a good and varied set; aforementioned rock, typical VK rock and some slower stuff too. The other four members of the band look fairly basic, spiffy hair that isn't too long, ordinary pant and jacket dress with a few punk accessories. Then there was a little bit extra during the Sulfuric Acid set...
  • 妃阿甦 (B)
    I have been a Piass fan for six years and it was luck that they had a gig on in the vicinity of Moi Dix Mois. I'd tried to reserve (unnecessarily) a ticket through them (without success) but managed through the live house so I got my ticket 200Y cheaper with my name on it. Little souvenir... there was no band list on the ticket like all the other live houses did on theirs. Two fans turned up just for their show only in specially made jumpsuits. They do this for every Piass live I think. Another two had red jumpsuits but they took them off. While I was watching the earlier bands two guys were standing behind me... me probably the subject of their discussion. When The Piass trio entered; the lead is Takayuki (Taksama) and I think it was him who was behind me! (and going 'that must be the gaijin who has been harassing me'). The other two of the band are Ruiji (Ba.) and Shizuki (Dr.) who has the tallest hair in all VKdom. They started off with the typical loud siren announcing them (other bands have a track) and they entered one at a time (as the others do). The first song I could not identify. Having only three in the band and no separate Vo. is a weakness. Takayuki grabs hold of the mic and leans on stuff when he sings so he can't play. He and Ruiji swapped places fairly often, Ruiji was meant to add the backup yells but it became apparent that they were a track so I don't know how much of it was which was a bit of a letdown. After the first song there was a long talk period first with the Dr and then Ruiji who will play bass with Anti-feminism (who were on two days later. I might have stayed around if I'd known that earlier). Another two songs from earlier CDs ended the set. The crowd of fangirls headbanged throughout the set and the Piass have their own fists in the air signature. It wasn't a great live but I did enjoy it despite faults. They really need a fourth member, either a Vo. or another Gt. to fill out their sound.
  • Sulfuric Acid (A)
    I'd seen a lot of advertising on this five-member crowd favourite. They have released quite a bit of stuff for a young VK band and the fans afterwards only seemed to buy their stuff. A free poster came with every CD purchase. They are going places and deservedly so because they are good and have the most charismatic Vo. of all the bands so far. Masaki is a poster-boy Daemon Prince of the Hells of Erotic Sin. Leather flail in hand he took precedence on the short stage in his revealing costume that sent the girls mad with envy and lust; driven worse as his tongue appeared suggestively through pink lipstick lips. He is pretty-boy hardcore Goth, backed up by a braided hair girly Goth Gt. Tomozo (in live no way matching his photoshopped appearance), a small super-girly Gt. Hizaki in a velvet dress (and so being out of place by being too soft in appearance with the others - he should have held on a leash by Masaki as his slavetoy), the Ba. Yanagi, in white with a shock of mostly blonde hair - is quite in place with the dark sensual feel Sulfuric Acid releases - and lastly the Dr. as another cutesy girl in lolita dress. As he is up the back and sitting down he can get away with it unlike the tiny Gt. That however, is my only criticism of the band. Fix up velvet Gt. and they could transplant to the west as listenable and watchable quality VK. After a few heavy songs it was talk time and I didn't mind this one at all because it was fun. It was Tomozo's birthday (another one! So many this week...) and the Vo. from CANDY came out dressed as his mother with huge red clown lips and a bowl of noodles. It was hot! Tomozo valiantly managed to swallow the spoonful and received a massive red kiss on the cheek (Tomozo is also the 'advertiser' for a range of stylised contact lenses and he and Masaki model for Black Peace Men clothing). They finished off heavy and the show had been recorded (they do have a DVD for sale but I decided that me buying it would be too much yaoi and disturbing!). I would see them again in an instant and they should do well.

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