The game of foot-jereed and the procession of the boys to be circumcised
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 37a  | 
 
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 36b  | 
In this scene we see a burlesque jereed match being played before the sultan and grand vizier and the start of the procession of boys who will be circumcised.
In the first image (36b), the sultan is seated in his pavilion accompanied by attendants and one of his sons. The members of one of the team are shown in the lower right corner. The opposing team occupies the foreground of (37a), where we also see the grand vizier at the right edge accompanied by officers and guards. Two sackers stand just behind the tall mast, which almost completely divides the frame vertically.
On the left side of the image, the beginning of the procession of boys who will be circumcised is shown. They are being led by the superintendent of the procession, Halil Efendi, and are being herded along by janissaries. The three turbaned figures at the lower left are the surgeons who will perform the circumcisions. In the upper left quarter of the page are musicians playing drums, horns, and zurnas. At the very back is a row of men and, intriguingly, a double row of veiled women: the boys' mothers perhaps?
Here’s Vehbi’s description of the jereed-match:
[The sultan] gave the order for the game of
foot-jereed to begin. Thereupon base-drums worthy of Alexander and lesser drums worthy of kings were beaten with sticks in the manner of lovers beating their breasts and the instruments resounded with a terrifying roar while the airy glasses of the trumpets were filled to brimming by the bowls of the musicians’ mouths. Playing in the key of zurna, they uttered wild shrieks that reached the sky.Like the zealous listeners of tales in a coffeehouse who, inspired by a divisive and deceitful insolence, suddenly and for no reason at all become enemies of one another and transform the place into a warriors’ battleground, the jereed-players divided themselves into two teams according to their pretended preference for cabbage or okra and stood ready with their breast-beating jereeds. Goaded by the shouts of stern-voiced sergeants, their patience and calm were snatched away and the two sides laid into one another. The jereeds hurled from both sides flew through the air like shooting stars. They feigned to assault one another as if intending to tear each other down with the hook of the hand and to break, like an elephant snapping a dry twig, the canes of each other’s bony fortresses. The jereeds flew back and forth like weavers’ shuttles, now this way, now that. Like the warp and weft of a striped cloth, the two sides became enmeshed in a melee. When the striking with jereeds reached the temper of fighting with iron, the sergeants parted them, uttering soothing sounds and the issue of which side had won this battle of sticks was left to be decided at some other time.
Notes
1. Foot-jereed: Jereed was normally played on horseback with real weapons. For this burlesque performance, it is being played on foot and the players appear to be wielding cane-like rods.
2. Key of zurna: This is something of a joke. A zurna is a primitive double-reed instrument, no two of which are likely to be tuned exactly the same. The trumpets (kerrenay) being played here are large brass ones that were used by the army. The din made by these instruments must have been frightful.
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