I’ll be the first to admit that my ideas on what’s
sexually stimulating are pretty far removed from the
Angelina Jolie, Jennifer Lopez-obsessed norms of our
society. And that’s cool baby, this is one massive,
shapeless crowd of conformity that I’m proud not to be
a face in. Give me a natural beauty any day. However,
I’ll be the first to admit that sexuality in cinema
has come a long way from the notorious “nudie cutie”
era of the 1960s. To wit, 1964’s black and white
nudist camp thriller Monster of Camp Sunshine, which
is about as sexually stimulating as a trip to your
local Fleet Farm™.
There is nothing remotely stirring about any of the
nudist camp movies that I’ve seen. Okay, so I saw two
of them, back to back on a Something Weird™ DVD double
feature. What this movie does have is a whole world of
random, glancing nudity and one of the wildest, most
bug-eyed, goofy endings that I’ve ever come across.
Let the fur start to fly!
Compared to Ragnarok’s The Beast that Killed Women,
Sunshine has a lot of things going for it that be good
under conventional circumstances. It tries to be funny
– even opening with a spoof of Monty Python – it
takes a stab at character development and it even
offers a plot, be it a ridiculous and threadbare one.
However, given the fact that these filmmakers were
neither equipped nor dedicated enough to actually pull
these things off effectively, you end up wishing that
they just focused on the task at hand: showing off
breasts and hinders. It’s kind of like going through
the Burger King™ drive-thru and having the greasy
window attendant/pedophile offer you financial advice
while you wait for your flame-broiled colon crater. I
just came to clog my colon Mr. Dick Cheese Burger
Head, I don’t really want to hear about how you can
lure just as many pre-teens back to your van with
generic M&Ms as the real ones. Yet, I feel like I
should appreciate their effort. The filmmakers, I
mean.
Anyway, here’s what I caught of the plot. Two
allegedly foxy roommates, Claire and Martha (I had to
find another website to get their names, this movie’s
dialogue is completely incomprehensible), live in New
York. Claire is a black haired model; Martha is a lab
assistant to a doctor who performs tests on lab rats.
Martha kicks off one particularly bad day by breaking
her hand mirror. Then, while Claire is off in the
luxurious world of swimsuit modeling, she goes to work
and gets pushed out of a window by lab rats.
Stop laughing, this is serious! No, really.
Doctor something (again, I don’t even know if he had a name)
has put something in the rats’ water that turns them
into ferocious, airborne killers. Now, after Martha is
saved from being the first person to ever die from
being pushed out a window by something smaller and
lighter than a piece of bread, the doctor decides that
something must be done about this dangerous chemical.
His solution? If you guessed put it in a mason jar,
run outside, jog across a busy intersection, jog some
more and throw it in the peer, you’re definitely too
smart for nudist colony movies. Try a beach movie
instead.
Oh, did I mention that this is a nudist colony movie?
Claire, through a series of flashbacks, tells the
story of how she got into nudism. Hence, since we all
know how hectic the world of modeling topless
swimsuits on the top of the Empire State Building can
be, she calls her friend Susannah and arranges a trip
to their favorite nudist colony, Camp Sunshine. There,
the nudity begins. How is the nudity? Well, let’s just
say that your hand will do you just as much good
sitting on your knee. These girls are far from
titillating. Yet, this film does paint the picture of
a comfortable setting in which people who like being
naked go to be naked, not because they get off on it
but because they are most comfortable that way. I
suppose the problem isn’t that they can’t be sexy,
it’s that they don’t go there to do so. That said, I
would never go to a nudist colony because I know the
people you find at them are usually giant, lumpy,
hairy freaks. Think Tom and Roseanne Arnold, only
times 200.
There are more than just nubile naked peoples at Camp
Sunshine, though. There’s also Susannah’s creepy
inbred brother Hugo, who has a Glenn Strange, Lon
Cheney Jr. thing going on. He is supposed to be
a sympathetic character, but that’s undermined by the
fact that, while we’re listening to Susannah talk
about how harmless he is, he’s menacingly gesturing
towards the naked people with a pair of garden sheers.
But basically he’s a good guy, he really is.
Meanwhile, the jar of chemical nuttiness has made its
way downstream to a fisherman, who steals five good
minutes of our lives by unhumorously catching various
wacky things and eventually snagging the jar. Think of
an even unfunnier version of Jerry Lewis. Then, our
intrepid hero places it precariously on the open
flatbed door of his pickup truck and drives down the
road until the chemical eventually falls off and
pollutes a stream where Hugo is spear fishing and
needs a drink. Huzzah! There’s your Monster of Camp
Sunshine. Improbable? Yes, but the isolation of
Chemical X still went off more smoothly than George
W’s hunt for his weapons of mass destruction.
After some more nakedness, we find monster Hugo
chained up in his shack. Who chained him up or how
long he’s been there is apparently none of our
business. He gets out and he’s ready to terrorize! By
terrorize, I mean he chases one girl and sort of sits
on her before running off again. Although I think he
did kill someone. It would help if there was any way
to keep track of any of the characters, save the
exotic Claire, who I suppose was considered attractive
in her day. After a while, I had to rely on
identifying the female characters by their naked
asses. Sure there were strong roles for women in the
60s! Through some series of phone calls, it was
hopeless to try to follow the plot after a while, the
doctor heads off to Camp Sunshine to save Hugo (I
think) while the army takes off on a similar course to
destroy him. Yes, dear friends, we were on a collision
course with wackiness! And what a collision it is.
The army arrives, complete with Spartan Warriors,
tanks, bazookas, and several more kinds of stock
footage warfare. For the next three minutes, Hugo is
bombarded by enough force to wipe out an entire county
and I loved it. It was the military ending of Glen or
Glenda on steroids, the kind of thing that shitty
filmmakers try to do now but fail miserably because,
as I’ve said before, MAKING A BAD MOVIE ON PURPOSE
NEVER, EVER, EVER RESULTS IN ACTUAL BAD MOVIE FUN. So
stop trying.
Now, you’d think that full-on tank battle would result
in total destruction, but actually the next day is
pretty nice with only a little smoke remaining. So,
it’s back to skinny dipping in the Camp Sunshine pool.
The end…and yes, the movie ends with a naked butt that
moves out of the way to reveal a chair that says “the
end.”
So, 28 gratuitous breast or butt shots (that number is
actually pretty low, I’d say The Beast That Killed
Women had 2-3 times as many easily), I walked away
from Monster of Camp Sunshine amused despite a
relative lack of nudist camp goodness. Why? Simply
put, the ending was wonderful, flying rats are
inherently funny and the naked females, while not very
appealing, weren’t as appalling as ones from the 50s,
the time when the female body had a weird-ass stomach
crease around the navel (perhaps the subject of a
later essay, but check out the babes in Horrors of
Spider Island to get up close and personal with the
50s stomach crease). While the girls of Camp Sunshine
aren’t quite as foxy as the ones from the late 60s
Beach Movie Era – the golden age of the female body
WOWSY WOW WOW! – you could do a lot worse than these
silicon-free free spirits.
FEEDBACK

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don't steal from this shit or we'll have to go all Farmer Vincent on your silly asses. © March 5th 2006 and beyond, not to be reproduced in any way without the express written consent of the reviewer and the Tomb of Anubis or pain of a physical and legal nature will follow. Touch not lest ye be touched.
-----------------------------------------------------------------